abstract
Under the oppression of heavy pearl tax, fishermen had to strangle their parents and children, which made Jiao Ren shed tears in exchange for shark pearls. Thus, the dying city of Yahai experienced the tragedy of the death of his father and the massacre of the village. At the time of life and death, she was rescued by Zhu Fang, a powerful minister who passed by, and was brought back to the apocalypse by Zhu Fang. She changed her name to Fang Fangcheng and showed herself in men's clothes. She made great contributions to the peace of the great expedition.
Fang Fangcheng had feelings during his years with Zhu Fang, but Zhu Fang could not respond to the guardian mission of the emperors Zheng Da and Xu Di. Then, in order to protect Shi Hai, Zhu Fang was forced to expose her female identity and sent her to Xu Di, which triggered a series of entanglements.
Drama evaluation
"Mrs. Mutual Help" has an old-fashioned plot, split characters and incoherent story development. Faced with different feedback from the audience of novels and TV series, it is not difficult to imagine that the content of novels has been changed a lot in the process of adaptation.
In the drama series, the ties between the protagonists Zhu Fang and Xu Di are gradually untied, but the foreshadowing in the process not only does not make the audience feel reasonable, but causes confusion when judging their relationship.
Facing the ups and downs of Emperor Xu, the hero has always treated him with a calm and almost cold attitude, but with the hints of some clues and the development of the plot, we can find a special connection between them.
What happened between the two protagonists and how did their emotions change? When the TV series has been broadcast for a quarter of the length, these important interpersonal relationships and emotional clues have not been clearly developed, which will inevitably affect the audience's perception to a great extent and doubt the continuity of the plot.
There are also emotional scenes between the hero and heroine in the play. The development of characters' emotions must be traceable. However, in just one episode, the play explains the change of the woman's feelings for the man. This kind of admiration based on the identity of "master and apprentice" is understandable, but the change of the man's feelings for the woman is particularly abrupt.
In a relationship, a mature party should be more sensitive to the change of feelings, but the process of the hero from resisting to accepting love is unnatural.
It is true that in the fast-paced narrative, both the screenwriter and the audience hope to see the emotional development between the hero and heroine faster, but this development should be based on the occurrence of some plots, so that the characters can have respect, understanding and feelings. If you just get along with each other day and night, you will develop into a partner smoothly. It seems difficult to convince the audience.
The play is an ancient puppet show with fantasy as its theme, but this does not mean that the work is completely based on the fantasy of the virtual realm. A good work should be a reflection of life, a presentation of real life or emotional experience, so that the audience can see the familiar "self" or "others" and see various choices in different situations, which can impress people.