Let's talk about Zhang Dao's TV again. Anyway, his remake of TV is obviously very attentive from the shooting technology. The rendering of the picture and the design of martial arts are very beautiful. Of course, this is also the progress of the times and the general trend. Looking back on his TV series carefully, I really had enough of the Jianghu in my mind. I think Jin Yong's Jianghu should be like this.
Personal opinion, not afraid of shelling, about Zhang Jizhong, the following information for you.
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Every martial arts TV series produced by Zhang Jizhong has set off a frenzy on the Internet with its unique ideas, exquisite pictures and familiar music, which has aroused strong repercussions among the audience. The recent photo of Zhang Jizhong is a dark face, tall and burly figure, lion-like beard and hair. This is what we see in Zhang Jizhong. Behind him are the Romance of the Three Kingdoms, the Water Margin, the condor heroes, the condor heroes, the burning years of passion ... TV series. In the increasingly noisy mass media space, how much news can be chewed after a meal is covered up by the noise illusion. Perhaps only by clearing these fogs can we see a real Zhang Jizhong. Sun Qing and Chloe Wang's articles in Popular TV comprehensively tell the unknown story of Zhang Jizhong. 1992 in the spring, Zhang Jizhong and his old partner Zhang Shaolin were filming a family series in Shanghai when they suddenly heard the news that CCTV was going to shoot The Romance of the Three Kingdoms in five groups. The heroes of the three kingdoms and troubled times attracted him so much. He and Zhang Shaolin left their jobs at hand and hurried from Shanghai to Beijing. This struggle became the starting point of his later creation. In this way, the production right of the most difficult fourth part of The Romance of the Three Kingdoms-the thirteen episodes of Southern Tour and Northern War is dominated by Zhang Jizhong, a "foreigner" in the TV drama industry. From Zhuge Liang's capture of Meng Huo to the autumn wind in Wuzhangyuan, Wolong, the audience in China are familiar with this story. How was the pride and wisdom reflected in the war between the Three Kingdoms and Britain? Zhang Jizhong must come up with a "statement". More than a dozen trucks and hundreds of people, Zhang Jizhong led such a huge crew to start a long journey for the first time, from Ruili, Yunnan, to the Qinghai-Tibet Plateau, Sun Moon Mountain, and then to the Inner Mongolia grassland, across more than 10,000 kilometers of China. He handed over an answer sheet that satisfied CCTV and the audience. The success of The Romance of The Three Kingdoms inspired Zhang Jizhong's addiction to "being bigger" and laid the foundation for his "being bigger". So he can't stop: Water Margin, the legendary swordsman, Legend of the Condor Heroes, Years of Burning Passion, Eight Dragons, Legend of the Condor Heroes ... He showed his heroic passion on the screen. "The yearning for heroes since childhood is the secret that most men keep in their hearts. We are eager for heroes, but we have no ability to find them and have no chance to be heroes in person, but I may create a hero on the TV screen. " Zhang Jizhong expressed his heroic complex. 1In April, 1999, when a reporter from Beijing Youth Daily interviewed Jin Yong, he laughed and said that CCTV only needed one yuan copyright fee to shoot his works. Zhang Jizhong saw great prospects, and he won! The legendary swordsman, Legend of the Condor Heroes, Eight Dragons, Legend of the Condor Heroes ... At present, there are four Jin Yong plays in Chinese mainland, with different investment bosses, but all of them were shot by Zhang Jizhong. Some people in the circle say that only Zhang Jizhong dares to accept tens of millions of TV dramas. Perhaps, this statement can also be reversed: only by giving tens of millions of TV dramas to Zhang Jizhong can the money be invested. There are many "heroic dramas" by Zhang Jizhong, but the titles of his TV dramas-Years of Burning Passion, Heroes and Children of Yongle and Biography of luliang heroes all reveal their positions. No matter martial arts, classical masterpieces or war themes, Zhang Jizhong is willing to take them as long as they are related to "heroes".
mass production
Zhang Jizhong's vision in choosing scripts has always been described as "diabolical" by his peers in the circle. As a producer, Zhang Jizhong's work begins with the selection of projects, which is the working practice of mature producers abroad. But in China, especially in the TV drama industry, it seems that only Zhang Jizhong can really do this. The legendary swordsman is the first "crab" in Jin Yong series that Zhang Jizhong chose to eat. Among all Jin Yong's works, "the legendary swordsman" embodies the Jianghu spirit of people in Wulin most intensively, and the original novel is top-notch in both artistic level and ideological implication. Zhang Jizhong set the shooting direction for the crew: breaking through the mode of Hong Kong and Taiwan and pursuing martial arts films with seamless atmosphere and high style. In order to achieve this ideal goal, Zhang Jizhong seized the time to allocate funds, surrounded the whole line, and increased hardware investment. This drama, with a shooting cycle of 18 1 day and an investment of 32 million, can be described as "a big family business". Idolize route, recruited, Li,,, Mao and others, the lineup is luxurious and huge. In the setting of the scene, Zhang Jizhong also spared no expense, spending 60 days and more than 40 cubic meters of wood to build a huge "cliff-crossing" on the set to create a realistic exterior effect as much as possible. On-site shooting, in order to achieve this goal, Zhang Jizhong traveled all over the country to find scenic spots, and spared no expense to build a studio in a suitable location. Zhang's unique "tradition" laid the foundation for a series of film and television productions in the future. When filming the legendary swordsman, Zhang Jizhong spent 200,000 yuan to build a "Hanging Temple" on the cliff according to the ratio of 1: 1. This kind of live shooting made the actors quickly find their feelings and get into the play. In terms of site selection, it is also from south to north and from east to west-Shenxianju, Yongkang Rock, Shediao Village, Peach Blossom Island, Zhangjiajie, Jiuzhaigou ... For the needs of shooting, Zhang Jizhong rarely feels distressed when spending money. The cost of "Dali Tianlong Babu City" for "Tianlong Babu" is1.200 million, which is unprecedented in the history of domestic TV drama production. And Zhang Jizhong's cleverness is that he can "take advantage". He saw the role of TV series in the development of tourism in advance, and also let the local government see a bright future. A movie "the legendary swordsman" made Zhejiang Xinchang a tourist attraction. Later, local governments in Zhejiang warmly invited Zhang Jizhong to film in their own sites.
The Legend of the Condor Heroes
When filming in Taohua Island in Zhoushan, the local government fully cooperated, without charging a penny, and provided10 million yuan to build a "sculpture city". The huge construction cost of "Dali Tianlong Babu City" is also paid by the local government. This kind of win-win thinking is actually a great contribution of Zhang Jizhong to today's film and television industry. Zhang Jizhong knows not to burn investors' money indiscriminately. In fact, there is not so much RMB for him to "squander" at will. What Zhang Jizhong wants is "good steel on the blade"-to shoot the biggest scene with the greatest strength, so that Jean, Guo Jing and Yang Zui can experience the sense of heroism to the greatest extent, raise the prestige of heroes, and let TV viewers really dream of real heroes. On March 25th, 2005, the largest and most imposing "Xiangyang War" in The Legend of the Condor Heroes started shooting in Xiangshan, Ningbo. The one-and-a-half-hour live TV broadcast allowed the national audience to witness the birth of "Zhang-style drama".
It's a pity to be high and unknown, to flourish and decline, and to flourish and decline.
"Kanglong has regrets, but it can't be profitable for a long time." The prophecy of this broken Zen machine in The Legend of the Condor Heroes can quite understand Zhang Jizhong's life state. Hong Qigong, a beggar in the north, enlightened Guo Jing: "Kang Long has regrets. The essence of palm management is not the word kang, but the word regret. You must receive what you want to send. The strength of playing out is ten points, and the strength of staying in itself is still twenty points. Like old wine, it is not spicy, but its stamina is very mellow, and that is the word' regret'. " And Zhang Jizhong along the way, unless the sharp "health" and "regret" in a timely manner to find a balance. When Zhang Jizhong, now known as "the first TV producer in China", looks back on the past, a heroic complex that has been hidden in the snow for many years will surface-competing for strength since childhood, "lice are double eyelids"; When I was a teenager, I was obsessed with dancing, skating, skydiving, sampan, fencing, and making cellos to amuse myself. The best years in life are left to the forum of remote mining areas, and teaching and educating people is regarded as a passionate performance; In order to get close to the temple in my heart, I regard staying in the art troupe to sell tickets as the ideal front stop of my career-a tortuous legend is in it, not even inferior to a tortuous martial arts drama. Because of the influence of the special political climate, Zhang Jizhong and his generation had to bear the ridicule of fate with a smile and laugh at themselves modestly-and several curtain calls of his life dreams were all related to the so-called "birth problem". However, the heroic dream of his boyhood did not die out in this disaster, but grew tenaciously in the dark. Once set foot in the field of TV production, this knot that has been entangled for 40 years was immediately opened. While Zhang Jizhong is "arrogant", he also has some "regrets". At that time, investors and many well-known directors were generally not optimistic about "Years of Burning Passion"-for the usual consideration of the broadcasting market. He insisted on filming. As a result, this decision unexpectedly changed the TV drama viewing pattern for a whole year. In this way, within four years, from "the legendary swordsman" to "The Condor Heroes"-interspersed with social life dramas such as "Tsing Yi" and "Migrant Workers"-Zhang Jizhong's TV dramas seemed to blossom everywhere overnight. There are more than ten martial arts dramas by Jin Yong, but the previous TV works are only unsatisfactory in Zhang Jizhong's view, not to mention martial arts movies with high difficulty coefficient. Zhang Jizhong left a great suspense for the domestic audience. The "Jianghu boss" in TV industry is in China film and television industry, and the director has always been the boss in the circle. We are used to it-the director is the director and the boss is the boss. But Zhang Jizhong broke this state and changed a habit. It seems that since the legendary swordsman, Zhang Jizhong has become more famous than the director. Today, I mentioned a series of Jin Yong dramas such as Legend of the Condor Heroes, Eight Dragons and The Condor Heroes. Maybe many people can't tell who the director is, but they all know Zhang Jizhong. So many people call Zhang Jizhong "Director Zhang" today, although Zhang Jizhong has repeatedly corrected: I am not the director. One thing is clear: in his play, he is the absolute boss of the crew.
The arrogance of the "boss"
Interview Zhang Jizhong, what he likes to talk to you most is about the creation of drama. "The Condor Heroes", I hope to shoot this kind of romanticism, so where should it be romantic? What is romance? Can you tell me? "He stared at the reporter." Duke Lushan is neither martial arts nor history, but there are many historical things. How to shoot this? ""A martial arts story, how much sense of history? "As a producer, he considers not only the capital, the progress and the logistics of the crew, but also the artistic style and shooting angle of the work, choosing the director, deciding the actors and caring about the music of the work ... This is unique in the film and television production industry in China today." A good producer is not necessarily a good businessman, but a good manager who understands the requirements of creation and production. "Zhang Jizhong thinks this is the guarantee of his good works. So he not only understands, but also has absolute control. It is not the director who often answers reporters' questions, but he. Of course, this is not his intention, but his mobile phone has been turned on for 24 hours like "1 10". So reporters interviewed him more and more, and the star effect became stronger and stronger, and his notoriety of "hype" was also backed up.
[Edit this paragraph] The value of the work
He doesn't care what others say about him. He always cares about the work, not the audience. "Good shooting is the last word." Here's a rough statistic: the overseas copyright of Romance of the Three Kingdoms has sold more than 6 million dollars so far, the first-round advertising revenue of Water Margin is 6.5438+0.07 million, the first-round advertising revenue of Legend of the Condor Heroes is more than 36 million, the first-round advertising revenue of the legendary swordsman is more than 50 million, the overseas copyright is more than 20 million, and the first-round advertising revenue of Eight Dragons is 34 million. In April 2000, TV stations competed for the right to broadcast the TV series "The Blue Devil" produced by Zhang Jizhong. The drama finally sold for 6.5438+0.5 million yuan, and at a high price of 700,000 yuan per episode, it broke the record of 500,000 yuan per episode set by Princess Zhu Huan, thus becoming the most striking drama in the TV market. In 2002, the most notable phenomenon was that almost all people in China stayed up all night for an idealistic drama "The Years of Burning Passion". This TV series, which was once flatly rejected by CCTV, immediately became water impact like a boulder and triggered a huge impact in society like a nuclear explosion. It burned from the beginning of the year to the end of the year, quite like the "desire" of that year. At the request of the audience, the play was replayed five times in a year on the same TV station, with the first broadcast rating reaching 12% and the average replay rating reaching 4.7%. As a producer, Zhang Jizhong didn't get a penny for the play, but made a name for himself. The rising ratings of "Tsing Yi", "the legendary swordsman", "The Legend of the Condor Heroes" and "Eight Dragons" have reassured the depressed TV drama market to some extent, which is beyond the reach of other TV crews. The local TV stations that bought the broadcasting rights earned more than 200% of the advertising revenue, and the highest one earned 400% of the profits-Zhang Jizhong's dramas became the absolute guarantee for many media to get rich. After the word "Zhang Jizhong" became famous, good media and audience couldn't help comparing his works with TV dramas in Hong Kong and Taiwan. Xu Kerushan, the ancestor in front of him, and the 1983 version of the condor hero is very popular, but the classic combination of Felix Wong Yat Wa and Barbara Yung seems to have surpassed it-what should I do? However, just four years later, watching Zhang Jizhong's martial arts dramas has become a new fashion in China. In this way, Zhang Jizhong carried the banner of martial arts champions in TV series.
[Edit this paragraph] Create a producer-centered system
In fact, what is more important than these figures and awards is that Zhang Jizhong's practice has opened up a new model for China's TV production industry, and it is also an advanced production method in line with international standards-producer-centered system. No matter which boss invests, as long as Zhang Jizhong is the producer, it means that the producer holds the creative right and has absolute control from beginning to end. Therefore, he has absolute decision-making power in the appointment of directors, the selection of actors, the use of funds, and also has an important say in creation, directing, photography, beauty, music, modeling, etc ... He doesn't care. Of course, when he took over the power, he also assumed all the responsibilities and risks. Changing directors and actors, the studio burned into a sea of fire, the camera fell into the sea, and the extras clashed with the locals ... Every day, he faced an unpredictable crisis. If it were someone else, he might have been overwhelmed by the pressure, but he is getting braver and braver. Ask him, "Are you tired?" "Tired!" "Have you ever thought about not doing it?" "no! When you are tired, alas, how so tired! Psst! Hey, what's the next movie? I want this. " This is the boss.
[Edit this paragraph] Zhang Jizhong.
The boss's "domineering"
Substitution! The legendary swordsman has been shooting for more than ten days, but the leading actor "Ling Huchong" can't get into the state, and the training is hopeless. Zhang Jizhong called a meeting of three directors overnight, and decided to withdraw people decisively! Public opinion is in an uproar! At that time, it had been filmed for more than ten days, two episodes and more than 60 scenes, all of which meant a waste of nearly one million funds. Moreover, there is no suitable actor candidate at present, and the crew of more than 400 people can't afford to wait, and the daily expenses are above100000! After the storm, even Huang Jianzhong hesitated, but Zhang Jizhong was tough: "Now is the most dangerous time for our crew. No matter how much risk we take, we must replace the hero. We can't slap ourselves in the face in the future ... if we replace the hero, our loss may be hundreds of thousands or even millions, but if we don't replace it, the loss may be tens of millions. Our play will be sorry for the audience. " A few days later, Zhang Jizhong and Li agreed to play the role. The voice of opposition almost overturned Zhang Jizhong, not only from the outside, but also from the inside. At this time, Zhang Jizhong reappeared the domineering of his "boss": "It will be played by Li, no matter who it is, no matter what reason, no one is allowed to object!" A few years later, when filming The Legend of the Condor Heroes and Dragon Eight, Zhang Jizhong was tested again: the director could do nothing after filming some plays, not only the progress was greatly delayed, but also the quality was unqualified. So, the substitution storm repeats itself! It is unprecedented in the history of film and television in China to change the director in the middle of filming. Being replaced by others and calling for a lawsuit to rehabilitate, the media added fuel to the fire. At that time, Zhang Jizhong in the media really felt a little "black boss". Today, many years later, Zhang Jizhong said with a sigh: "Of course there is pressure, but what I want in the end is the result. You have a hundred reasons to play a bad play. You can't explain to the audience. When there is no room for recovery, you must make a decision. Because this decision is only for yourself, no one will do it for you. I don't want to offend anyone, but you must not offend anyone. What you are ultimately sorry for is your own work, and ultimately it hurts investors, audiences and staff, including yourself. There is only one person you haven't hurt, and that is the object. So, sometimes you have to think about what is fundamental. " Having power and responsibility is the "boss". The boss is often like "Zhou skinned", and the crew is about to call it a day. When he looked, the light was ok. Let's shoot for a while! When filming The Legend of the Condor Heroes, the crew filmed on the beach. He looked at the scenery around the mountains, carried a telescope with him, and looked at the beach from time to time: "Hey, why don't you stop, hurry up!" " The crew was frightened: How did the director know we were closed? In winter, filming "The Condor Heroes" in Jiuzhaigou has short days and long nights. One noon, Zhang Jizhong looked at the sky and discussed with director Zhao Jian: It's getting dark so fast, so we won't have lunch. Afterwards, Zhao Jian got angry and complained to people: "I actually wanted to tell us not to have lunch and save time for filming!" For a huge crew, it's really "time is money", and hundreds of thousands of dollars are real money every day, so as long as it is turned on, the progress is the most important thing for Zhang Jizhong. In order to make progress, the "boss" sometimes has to swallow his pride and make some concessions: some actors obviously want to go out to play, but they cheat him into having activities to attend. After learning the truth, she should be fired immediately according to the "boss" temper, but Zhang Jizhong endured it. Some actors are afraid of riding horses and can't afford to pretend to be ill, but Zhang Jizhong put up with it. Why? Progress is very important. He called it "the compromise between small and small". "Play so much, I can't change people. But I keep this in mind. " Being a boss requires maturity, and the price of this maturity is often helplessness and a little bitterness. No matter how big the wrist is, you can't bargain here in Zhang Jizhong. "I'm here to play with people, not to play with people." This is Zhang Jizhong's pet phrase. "Come here is filming, play well, fame is big. What I have done is to give you this condition. As for your other wild desires, leave! " Because of this sentence, there is no audience in his eyes, only art and the script itself. This kind of verve may be the dream of all other producers, but only Zhang Jizhong has achieved it. Many famous actors are willing to film with him at a much lower salary than elsewhere, in order to make a good play. You Yongzhi, who has a good personal relationship with Zhang Jizhong, plays Ouyang Feng in The Legend of the Condor Heroes. He sighed helplessly at Zhang Jizhong: "Brother, it seems that it is impossible to get rich here." Zhang Jizhong knows that the boss's position comes from "playing well", so the boss's responsibility is to ensure "playing well". To this end, he didn't play Zhang Jizhong's "prestige" less, forcing the creator to come up with the best things. Yi Ming, the best poet in China, was once famous for his excellent works such as Young People's Ambition, Good Chinese Songs and Good Life, but he was forced to lose his temper here. The lyrics originally written for the legendary swordsman, "An ancient road is yellow dust, a sword flutters alone ...", have attracted applause from professionals, but Zhang Jizhong still thinks it is "not good enough". What he pursues is "Excellence"-it must be high, not rough, not easy to read, not too popular, but also popular ... Yi Ming can only continue to suffer for eight months, and after several revisions, he finally got at a loss, and then he got the later "the legendary swordsman": "Pass a song forever, * * * the water is far away and the mountains are high, and justice does not fall." Heroes treat each other with sincerity, and there are fewer and fewer children in the rivers and lakes, but their hearts are still there. People left, but looking back, it was stormy ... "It is said that the" Good Han Song "in" Water Margin "was also forced out in this way. Before going to bed at night, Zhang Jizhong always does the last homework: sign. One stack of notebooks at hand is signed by the hotel waiter, and the other stack is an invoice waiting for his signature for reimbursement. He signed the invoice before he began to examine it carefully. He saw an obviously problematic invoice-the amount was changed. Frowning, he wrote a few words on the invoice: Please don't insult my IQ! Push it away angrily. Still his usual style: iron fist, no mercy. " I'm not greedy for money and I don't play with women. What am I afraid of! "This is what Zhang Jizhong often said. In fact, this is the secret of Zhang Jizhong's independence in the Jianghu for many years. Imagine that he has been a producer for more than ten years, and it is probably difficult to count the people he has offended. A little carelessness is self-destruction. But he didn't. For more than ten years, he has spent hundreds of millions, and there are always beautiful women around him. The temptation is not small. In the eyes of ordinary people, being a man is the most basic moral bottom line, but in the entertainment circle where temptation and desire are always intertwined, Zhang Jizhong's persistence has become his unique weapon. Similarly, he is not afraid of being reviled by the audience, because he is a "madman".
The commonness of the boss
It is said that Li was first proposed by Zhang Jizhong's junior high school daughter. Not confirmed. But friends who are familiar with Zhang Jizhong know that although Zhang Jizhong will be as hard as steel in the face of outrageous public opinion, Zhang Jizhong is not static. Often a word from people around him will make him make major changes or make major decisions. This simplicity of not being the "boss" shows that Zhang Jizhong is still an ordinary person at heart. Zhang Jizhong used to sit patiently and send text messages to strangers. Although journalists have suffered a lot, Zhang Jizhong never said "no" when reporters called, and always answered irrelevant questions, never putting on airs and throwing his face. As long as he has time, he will take pains to answer and explain. This kind of elder-like mind and love is very prominent in Zhang Jizhong. However, Zhang Jizhong was actually very cautious when receiving reporters. He knows very well that the more journalists write, the more conducive it is to the development of the plot. Let you write! The media said that he was a master of hype, and Zhang Jizhong plausibly retorted: I have never invited you to interview, how can you say that I am hype? Therefore, to be precise, it should be: Zhang Jizhong does not refuse hype. This should belong to Zhang Jizhong as the "boss" a little cunning. Zhang Jizhong has always admitted that there are two "bad" dramas in his works, one is The Blue Demon Ji, and the other is The Son of Yongle Heroes. He hardly cares about these two plays, so the quality even ignores him. Then why shoot? For the brothers. Since the beginning of the Water Margin, a group of colleagues have been drifting in the wind, going to the plateau and wetland with Zhang Jizhong for almost 365 days, so it has become the responsibility of the "boss" to ensure the livelihood of these brothers. Zhang Jizhong lamented that he had to shoot more than 70 TV series every year to support his brothers. In the eyes of relatives and friends, Zhang Jizhong is a big boy who loves to play, is kind, spontaneous, has no scheming, always confident and always happy. What makes relatives have a headache is that he is often careless enough to make people laugh and cry when dealing with his own life. Every time he shoots a play, he loses a pile of clothes. But maybe the next filming, open the sealed prop warehouse, hey, here are his clothes!
Mutual affection with Jin Yong
Without Jin Yong standing on the shoulders of giants, there would be no Zhang Jizhong today? In 1990s, Jin Yong, the great hero, saw the true chivalrous spirit of the East in the Romance of the Three Kingdoms and Water Margin of CCTV. Great men are for the country and the people. Jin Yong finally realized that people who can really understand and interpret their novels still exist in the Central Plains. From 65438 to 0999, Jin Yong handed over the legendary swordsman to CCTV for adaptation with a symbolic "one yuan" copyright fee, which became the first step to join hands with Zhang Jizhong. In April and August, 2000, after the official shooting, Jin Yong visited the shooting scene twice and talked with the creative staff and actors. For Zhang Jizhong, perhaps he didn't expect that 76-year-old Jin Yong would become his "the only thrill". This made Zhang Jizhong feel at ease and said, "Just shoot!" -both ornamental and entertaining, but also let experts applaud, and make the CCTV version of "the legendary swordsman" into Jin Yong's classic martial arts art film-a real domestic product that can stand the test of time. When shooting location in Wuxi, Jin Yong was very satisfied with Mao as soon as he opened his mouth. At the next film conference, Jin Yong nodded and smiled from time to time in the face of the natural landscape, newly hatched ducklings and actors of the Yunv Mountain Villa in Yixing. Facing the crew, Jin Yong said something that surprised everyone: "If you change it well, I can change the novel!" Jin Yong smiled and said to Zhang Jizhong, "This is the best the legendary swordsman I have ever seen, and I am very satisfied. It is better than Romance of the Three Kingdoms and Water Margin. " -In Jin Yong's mind, only those who can shoot The Romance of the Three Kingdoms and The Water Margin are truly qualified to produce golden dramas. 200 1 Jiangsu TV signed a contract with Jin Yong for the right to shoot Eight Dragons. A few days later, Jin Yong wrote to Jiangsu TV Station, hoping that the production of Eight Dragons would still be undertaken by Zhang Jizhong. Talking about all the production teams on both sides of the strait, the cautious Jiangsu TV station has to admit that Jin Yong's eyes still need Zhang Jizhong to shoot! Without Zhang Jizhong, there would be no "second spring" of Jin Yong? Zhang Jizhong once said that Jin Yong's works should be filmed completely. If it can be done, it will be an unprecedented feat. Jin Yong's works let Zhang Jizhong feel the hearty feeling as a knight. After remaking several Jin Yong's works, the two became best friends. No matter how the media evaluate this relationship, Zhang Jizhong and Jin Yong have gone through four spring and autumn periods hand in hand. In the 2 1 century, when the upsurge of Jin Yong's martial arts drama gradually receded and online games became popular, Jin Yong's name was renamed four times because of Zhang Jizhong's remake, which also became an important trigger point of "Huashan Argument on Sword" which attracted the attention of the Chinese world in 2003. Jin Yong believes that in terms of adaptation, the Hong Kong and Taiwan version of The Legend of the Condor Heroes has greatly adapted the original work. 1983 Although the Weng and Huang editions of The Condor Heroes are also classics, the mainland edition respects the original most. In terms of shooting quality, the mainland version is much better than the 83 and 94 versions. Jin Yong expressed his support for The Condor Heroes filmed by Zhang Jizhong's crew, hoping to continue to reassure him about the quality. In Jin Yong's eyes, Zhang Jizhong's character is very generous, very chivalrous, and he can talk with him very well. In the face of media rumors, Zhang Jizhong said frankly: "We have no enmity. We became good friends by filming. My relationship with Mr. Jin Yong has gone beyond filming. I think Mr. Jin Yong still wants me to shoot again. " For the sublimation and continuation of the original plot, he said: "I am very concerned about Jin Yong's point of view, and many ideas for revision have been told to him in time. We didn't communicate much when filming the legendary swordsman. I am familiar with it now, and I have talked a lot. " Zhang Jizhong is also very opposed to Jin Yong's revision of the duke of mount deer. At the work revision meeting, Zhang Jizhong said to Jin Yong without hesitation: "Now you have revised the work of Jin Daxia 30 years ago to Cha Liang Yong. Looking back at your previous works with your present eyes is definitely not pleasing to the eye, and the taste of adaptation has changed. I know you don't want people to regard Wei Xiaobao as a hero, and I will abide by it. But stick to the old version because it is more educational. " After a while, Zhang Jizhong subconsciously put on the coat for the King Xia. Jin Yong also readily accepted Zhang Jizhong's suggestion about the Duke of Lushan. Later, Zhang Jizhong went to Hong Kong on business, and Jin Yong and his wife stayed with him for three days, eating all the delicious food in Hong Kong.