Brush calligraphy cursive script Enjoy brush calligraphy cursive script picture 1
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Introduction to calligraphy: common sense of cursive techniques
Is this how the ancients summed up cursive scripts? Hasty cursive script? . Today, people also have a lot of understanding of this sentence. It can be said that different people have different opinions. Some people think that cursive writing is in a hurry, and some people think that cursive writing is not enough. In my opinion, the mastery of the unique writing rules of cursive script needs serious study, rather than rushing for success. Once this rule is mastered, the overall rhythm of writing should be urgent in order to reflect the unique flying momentum of cursive script, especially wild grass.
This sentence of the ancients is of great benefit for us to analyze the characteristics of cursive stippling and deepen our understanding of the connotation of stippling. The paintings of wild horses in weeds are like flying flowers and snow, and some paintings of old vines are charming.
There is such a passage in Jiang Kui's Reading Spectrum in the Song Dynasty:? Ancient artificial grass? Nowadays, people are true, so why not? Its connection, especially the lead belt. Let's test his words, that is, the stippling place is heavy, the non-stippling place is light, and the pen is light. Although there are many changes, its articles of association are not chaotic. Zhangdian Huai Su, the most wild escape, did not lose this method. ?
The relationship between cursive stippling and hairspring is clearly explained here. This kind of grass and weeds are no exception. Sun also has a very incisive opinion on cursive stippling: Grass takes shape of deformation, and stippling is temperament. ? (Sun Shu Pu). )
There is no vertical and horizontal painting in cursive script, there are many round pens at the corners, and there are many changes in hook pens, so the skimming can be regarded as points. Pointillism connection can also be regarded as rigid painting and horizontal painting.
Let's take some words in Sun's "Spectrum" as examples to illustrate. Sun Caoshu is directly taken from Wang Xizhi, and it is an ink book, which is convenient for us to understand the use and changes of point, painting and brushwork.
1. Diana (female name)
① One stroke: Today, Minute, Cloud, Mutual Appreciation, Surprise.
Dots with crosses are written horizontally, dots with words of thanks are written vertically, and the rest are written obliquely. Among them, both the beginning and the end of the sub-word show the pen tip, that is, the pen tip. Today, the point set front of the word shows different forms. In addition, because one of the writing characteristics of cursive script is that points are connected with pictures, many strokes are omitted, and there are cases where points replace pictures. For example, the words "Xie", "Xie" and "Jing" are all written as a point, which is very concise.
② Two strokes: Yi, Xiao, Ying, Bu, Jian and Zhu.
Yi's two strokes are written as two vertical points, which is very vivid. These two points give in to each other. The first point, pen out, pen hidden. Second, the beginning and the end are different. Although there is a vertical partition between Xiao and Ying, they are all separated by each other. The word base is Japanese, but here two vertical points are used to deal with it, which just echoes the above two points, which not only saves strokes, but also coordinates and unifies. There are two points in the word "remonstrance": one is vertical point, and the other is inclined long point, which not only changes, but also highlights the momentum and forms a balanced trend.
③ Three points: rope, peak, body, end, frustration, state and mind.
The relationship between cursive strokes is also reflected in the use of points. For example, three points of water are connected into a vertical picture, and the tail end is connected to the right. It can also be written as a disconnected vertical plane. Sun wrote more carefully, and he confessed at three o'clock.
The body is written the same as the peak, the first point is written separately, and the last two points are connected, but they all echo each other. The three words "suo", "peak", "frustration" and "state" are all similar. The relationship between lead and tape is clear. However, the writing of the word heart is more open. After the first spot is exposed, it is a round pen, the front is turned down to the right, after a pause, it is picked up to the right, then turned to the front, and the pen is closed to the left after writing. The whole process is clear, the rhythm is clear and the shape is good.
2. Horizontal
The cursive horizontal painting is not very flat and should not be too long. Writing often depends on the structure of words. Be flexible and don't stick to a pattern.
(1) and, status, interest, point.
As mentioned earlier, cursive script is characterized by the connection between points and paintings, and it is also common to replace paintings with points and paintings with points. The above four words are all words that use pictures instead of dots.
The lower part of the word "Yi" was changed to horizontal painting, as were the four points below the dot. The three points of the word "heart" are changed to horizontal paintings, but the writing methods are different. The horizontal painting of the word "Yi" is light and shaped like a triangle, while the horizontal painting of the word "Xi" is heavy and trapezoidal, and its dignified strokes contrast with the clever strokes above.
②a, Gu, Gong, D, VII, Yes.
Words are like lentils, with sharp sides, full body and no stagnation. Ancient characters start with powerful strokes and then draw a small arc to the right. Finally, it gently presses the pen, which is in harmony with the mouth below and is very attentive.
I-shaped horizontal painting changes a lot, the horizontal painting above is more standardized, and the horizontal painting below is connected with the vertical pen above to form a curved arc, emphasizing the opposite change.
The horizontal painting of Chinese characters and seven characters is a bare pen, but the horizontal painting of Chinese characters is steady, and the pen is pressed heavily at the beginning of writing, and finally a triangle is formed, which is in sharp contrast with the horizontal painting below.
The seven-character pen is full of movement, and it is lonely to draw to the right with a pen tap; Line, then stroke up, and finally press the pen. This huge fluctuation is full of vitality and echoes the next vertical bend.
However, the horizontal arrangement of Chinese characters is different from the horizontal arrangement of the above words. When the pen is pressed, it is exposed badly, and when it is closed, it turns back. The whole horizontal portrait is a flat S, but the upper and lower strokes echo and are broken with a pen, which is natural.
Step 3: Vertical
(1) Yes, correct, change, go and return.
It is also common to use vertical strokes instead of other strokes in cursive script, which is the case with the above five words.
(2) defecation, needle, cloth, lead, mystery, and middle.
Because cursive writing is fast and dynamic, there are not many vertical paintings in this grass, especially weeds. The basic requirement of a central pen is that it seldom writes vertical drawings. The vertical painting of the word "edge" means that the pen is carried in the center, and the pen is exposed before it is returned.
The two long vertical pens of the needle and the cloth are both side pens, which can be seen from the morphological changes of pen and ink and lines. When you start writing, the pen tip points to the left and then turns to the right.
Introduction is also an obvious side attack. Because of the heavy pressure, the upper end looks fuller, gradually narrows and finally closes the pen.
The Xuan character and the signature on it are hanging down, and when it reaches the lower end, it returns to the front to collect the pen, but the Xuan character is a horizontal pen, so it is full of movement.
In the vertical painting of Chinese characters, the pen turns back to the front, the two ends are not sharp and the lines are heavy, so it looks calm and powerful, in contrast to the slender and changeable strokes on the right.
degrease
People, less, look, yes, answer.
The apostrophes of the above words are all different. The herringbone is like an arrow, and a few words are like dead vines. The words "see" and "answer" are as straight as the pen, and when they are thrown to the left, they are brought out across the picture, which are tangible and changeable.
suppress
(1) History, extraction and application.
The strokes of these four words are all connected with the last one, but the strokes are different. For example, the historical words are slightly sharper after redrawing, the reverse words are hidden, the extracted words are hooked down, and the words are turned to hook up. It's resourceful and ingenious.
(2) the text, ruler, disadvantages and complaints
The writing of four in cursive script is also varied, which changes with the change of turning point. For example, at the touch of a pen, it starts from a hidden front, and the downward lines change from thick to thin, and then it looks graceful and changeable. The strokes of a ruler are just the opposite of writing. Start with a tap, then gradually increase the strokes, and finally turn to the front to close the pen. No matter whether it is a bad character or a character, it is treated as a point. The bad character is short and the character is long, and its length changes depending on the structure of the character. Disadvantages written below are much smaller than above, so the score is also small. Fuzi is a combination of left and right characters, which is regarded as a long point matching the font. It can be seen that every point of cursive calligraphy and painting is decided according to needs, not casually smeared.
(3) fan, back, near, tao, chase.
These five words are all very long, but they are all different. For example, when the fan word is pressed, it turns back to the front and picks it up slightly, while when the back word is pressed, it suddenly picks up the pen until it is closed, which is quite like Cao Zhang's departure. With a flick of the word, it's all very clever to start and close the pen. The word "Tao" looks up like a snail, turning a small corner at the pen collection, and the image is vivid. The stroke of chasing the word is connected with the original word in one go, and when the pen is closed, it turns to the lower left and goes out to write a powerful hook.
choose
Resistance, victory, basis, swing.
The writing of cursive strokes is also different, some are conjoined and some are not. For example, resistance, swing and up-and-down swing are all related to other swimming strokes. The winning word becomes the pick point on the right, and the pick potential of the word is obvious and full.
7. Hook
① Cross hook
Poverty, Learning, Appreciation, Hundred, and Qi:
Poverty, learning and appreciation are all ways of writing, and they are all connected up and down. The horizontal hook strokes of Qi and Bai are the same.
② Vertical hook
Hu, Yong, Tu, Fake and History:
All the above are right vertical hooks. Hu, Yong and Tu are all hooks, with sharp and powerful external angles, some small and some large. Pseudo-characters are round pen hooks, and the hooks of time characters are in the outer circle, which is both rigid and flexible.
③ Gegou
Knowledge, power, or, alas, success:
The handling shapes of hooks are also varied. The link between reading and writing ability is clear and standardized. The hook of the word Wei becomes a heavy pen, while the hook of the word or is very similar to the angular pen in the inscription, without a hook. The word "in" is just the opposite of the word "into". Turn the hook into a barb and take the bait to the left.
④ Back-throwing hook
Rules, ropes, wind, turtles, both, and research.
The back throw of the gauge is written in reverse, and the back throw becomes the lower hook. The hooks of rope and wind are almost the same. The hook of the turtle word goes out to the right, and the word hooks back slightly before closing the pen, forming a small hook. The hook of this word is straight.
8. turning point
① Turn
Painting, Possession, South and Speed;
Painting, possession and speed are clearly explained when turning strokes. The strokes are light and heavy, and the southern characters turn faster, all of which are round strokes.
Similarity, figure, genus and diversity;
The transformation of the words "Tong", "Tong", "Tong", "Genus" and "Duo" are all Fiona Fang's combination of economy and harmony. The word "Figure" and the word "Genus" are folded in half. As shown in the figure, the folding pen is the last turning point of the outer opening, and the two horizontal Lian Bi lines are above the folding pen of Genus.
③ Folding
Lines, tones, books, international:
There are folding pens at the upper right corner of the line and the right half of the sound, and there are square folding pens at the three corners of the book and next to the ear knife.
The structure of modern grass
The structural principle of cursive script is to simplify, continuous, incoherent and easy to write. Although the structure of cursive script is different in history, the rules of cursive script are basically the same, and there are many established things. So its structural law is strict, just like those structural methods mentioned in the cursive identification in the last section.
1.
Among all kinds of characters, regular script is the most standard, while running script is more free than regular script, which increases the hairspring connection between strokes, but saves the complexity and coloring in regular script, and cursive script is more economical and concise. One painting can replace four points, and one stroke can be written into words, which shows the degree of omission. Moreover, cursive script can replace a painting with a dot or a picture. In the stippling part, we have already introduced it.
2. Round and continuous, in one go
The main brushwork of a book is to make it rotate, so when writing, stippling moves with the music of brushwork. Its lines are mostly arc-shaped, with the hairspring pulled in the middle, so there are more circles to write. You can even write a few words with a pen. Sometimes when you write it down, it's circled in one go.
3. Momentum runs through and changes constantly.
Because the momentum of cursive script is reflected in the whole article, the position and center of gravity of each word don't have to be straight and steady, as long as the momentum arrives and echoes up and down, the whole looks seamless. So sometimes the characters move violently and don't align up and down, and the shapes of the characters are varied and varied. Some words are tilted and the center of gravity seems unstable, but they are balanced and stable from the whole article. Therefore, from the appreciation of cursive script, especially grass, to creation, we should start from the whole article and take care of the overall situation.
A cursive script written in ink and pen.
1. Cursive ink
Calligraphy ink is an important aspect. It is especially important for cursive script, especially cursive script. The rich brushwork of cursive script has a great relationship with the quality of ink. If you don't pay attention to ink, the rich brushwork rules of cursive script will be difficult to show, and writing a black stroke will destroy its charm.
The ink supplied in the market contains heavy glue, which is usually used for writing after adding water. The amount of water added depends on the variety and water permeability of rice paper. Raw rice paper permeates water quickly and can be used with a small amount of water. Cooked rice paper has less water seepage, so you can add less water. Anhui Xuan paper, such as ultra-clean leather and cotton, has excellent paper quality and better drying and infiltration effect than other papers. Just master the proportion of water. Now the ink is produced by the factory, and it contains much glue, which is obviously not as good as that of Mo Ding. The effect of Mo Ding ink grinding is better than that of ink, and the ink color level is richer. For example, some famous workshops in Hu Kaiwen, Cao Sugong and Anhui can produce lampblack and Song Yanmo ingots.
Cursive writing is faster than other books and has a stronger sense of movement. In addition, with the various applications of brushwork, only the use of better ink can facilitate the application of brushwork, and the ink with appropriate amount of water is more moist and stagnant when writing. On the other hand, if you use sticky ink to write cursive characters, first, the pen won't open, and it won't stick well. Second, a few strokes of ink will dry up, making it difficult to control the strokes and affecting the mood when writing or writing.
Good ink is rich in layers and colorful in ink color. Especially when writing cursive script, it is easier to write different effects such as shade, dryness, dryness and dripping, which can make the work icing on the cake. However, some inferior inks are dark and not bright, and when some colors are slightly mixed, they will be gray and have no hierarchical changes, so they must be carefully distinguished when choosing. It is best to use China ink or Yidege ink made in Beijing.
In addition, when creating works with dark and light ink, you can use Su Mo, that is, put down the ink for a period of time. The water and colloidal deposits of this ink gradually separate. When using a hard pen to dip in ink, it can produce very rich ink color changes.
It can be said that using ink is also an important part of learning calligraphy. When many young friends learn to write, they often focus on writing, frame structure and copying, while ignoring the use of ink. Only when paper and ink are developed can we create high-level works, which is a problem that we should pay attention to when learning cursive script.
2. Cursive writing with a pen
To master cursive script with a pen, we must first be familiar with its structure. Sun said? Grass turns into shape, stippling is temperament? . The so-called turn is actually the brushwork, and the structure determines the brushwork, which in turn affects the structure.
The stippling part above is actually about brushwork, how to take advantage of the situation, how to enter the pen, and how to collect the pen, which is very clear. But when using a pen, you should understand and be familiar with it according to the shape of stippling. For example, write a little, start the pen to show the front, and gently turn down to form a small arc, that is, a small circle. When closing the pen, some dots hide the front, and some dots highlight the front, depending on the needs of the word.
The process of painting is basically the same as that of writing, involving a process of starting, turning and accepting, but its severity, urgency and relaxation direction are different from those of writing. Moreover, some vertical paintings and horizontal paintings are connected by up and down strokes, which reduces the basic movements mentioned above, but we should pay attention to the method of rotation.
The cursive brushwork should not be flat and straight, the lines are too uniform and smooth, or the writing speed is too fast to ignore the appropriate turning points and setbacks, forming the above-mentioned uniform and smooth lines, making the handwriting shiny and light. On the contrary, it is necessary to prevent the pen from being too slow, the lines are bloated and fat, and it looks fleshy. These two kinds of faults make the quality of lines not high, and there is no strength and change, which is the taboo of cursive script.
Also pay attention to the turning point of strokes, some are round, that is, the corners are round; Some are square, that is, the corners are square; Fiona Fang also uses both, such as the outer inner circle or the inner and outer circle, depending on the proficiency of the pen. It is best to combine it with history. You can't turn all the words round, but you can mix some square turns appropriately to increase your strength.
In a word, cursive brushwork is the most abundant, including center, flank, Fang Bi, round pen, hidden pen, exposed pen, pressed pen, raised pen, frustrated pen, stirred pen and turned pen. , is the most concentrated brushwork in all kinds of calligraphy styles. So cursive brushwork is the key to learning. The grass is turned over, but you can't write it? . On the one hand, it talks about the structural law, on the other hand, it also shows the importance of cursive brushwork. If the brushwork is not correct, it is not cursive.
To truly master the rich and varied brushwork of cursive script, we must ponder the brushwork in strict accordance with the structural characteristics of cursive script, and we must not be careless, thinking that the more grass, the better, and the hand will be broken.
Post and read posts
An important way to learn calligraphy is to study excellent ancient calligraphy relics? A study on the copying of steles handed down from ancient times. Calligraphy art is a traditional art with a long history of thousands of years. There is no shortcut to learn and master it. Copying ancient inscriptions seriously and scientifically is the only correct way to learn calligraphy.
Nowadays, a few young people are unwilling to make great efforts to write inscriptions, but blindly copy the so-called modern calligraphy, engage in some innovations that are difficult for anyone except themselves to understand and have no aesthetic feeling, and simply abandon the basic elements of calligraphy art, thus going astray.
Any art, especially calligraphy art, has its own specific laws and creative laws, so it also has its own specific learning means and methods. If you don't master these laws and learn these methods, you can't understand them, let alone master them. Rubbings, calligraphy works, etc. It is a precious heritage with strong artistic vitality and an innovative work of ancient masters based on the law of calligraphy, so it can last forever.
As for the traditional art of calligraphy, we can only learn by copying the inscriptions honestly, and we can gradually form our own personality after fully mastering and reciting them. And if the method is improper, or my understanding is not enough, I may not be able to leave the tablet and enter the creation, let alone form my own personality and create a new style.
Monument is the best teacher for us to learn calligraphy. No matter how clever the teacher is, he can only teach you some basic knowledge and essentials of writing, running, copying and learning calligraphy. So-called? A man can take a horse to the river, but he can't make it drink water. ? Teachers can only play the role of guidance and guidance. Learning calligraphy well depends on your own subjective efforts. Excellent ancient inscriptions are our silent teachers. We have a number of inscriptions on hand, which we can read, copy and look up new words at any time. It can solve many difficult problems, which is convenient and time-saving.
The first step in copying a flat plate is to select a flat plate. Choosing a good position depends on everyone's specific situation. Because of different temperament, endowment and interest, everyone has different understanding of the inscription. Choose according to your own interests.
Concluding remarks
Beginners learn calligraphy and are used to using hard pens such as pencils, pens and ballpoint pens. First, they use soft brushes. Hands are shaking, stippling is weak, and the structure is not up to standard. At this time, some people are disheartened and think that they have no talent for writing, so they stop writing. In fact, everyone who studies calligraphy will do this. As the saying goes? Everything is difficult at the beginning? At this time, we must not lose heart and give up halfway. You must stand firm, not afraid of setbacks, failure, ridicule and work harder. After a period of practice, I will be able to master this unruly soft brush and reach a comfortable application level.
The fist never left his hand, and the song never left his mouth. Even if you are not a beginner, you should have a solid foundation and even be effective in calligraphy. Exposure to the sun for one day and freezing for ten days will have no effect. I have learned this lesson myself. When I was studying, I used to get up before dawn every day, dye my hair, and it was hot and cold. I have not been diligent or bitter for more than ten years, and my basic skills in regular script are relatively deep. On a business trip, I haven't touched pen and ink for half a month. After returning to Beijing, a student said? Wu? I can't always write the hook of this word well. I vowed to write down the demonstration words and suddenly felt unfamiliar. I didn't write well the first time, but I still didn't write well the second time. I didn't succeed until the third time, and I couldn't help feeling ashamed. Since then, every time I go out, I have to bring a pen and paper, day by day; Linchi will never stop.
Lu You, a poet in the Song Dynasty, once said: Kung fu transcends poetry. ? This means that learning to write poetry should not only find chapters and sentences in techniques, but also pay attention to the cultivation of kung fu outside poetry. To learn calligraphy, we might as well say: Kung Fu is outside the book. ? Calligraphy is inseparable from words. If the skin does not exist, how can the hair be attached? Therefore, knowing some philology is good for learning calligraphy, especially seal script.
Calligraphy has a long history. With the help of some historical and literary knowledge, it is undoubtedly beneficial for learners to read ancient calligraphy theory's writings, improve the level of calligraphy theory and understand the history of calligraphy development. Huang tingjian said:? It's not enough just to retire like a mountain. You have to read thousands of books to understand God. ? Yang Shoujing in the Qing dynasty also emphasized the conditions that a knowledge book should have? Learn to be rich? He said:? There are many things in the chest, and the book spirit naturally overflows between the lines. People in ancient times were prepared for this, and those who had no ink on their chests could surpass others. ? This is very insightful.
To learn calligraphy, it is very important to have a certain ability of identification and appreciation. If you have a high ability of discrimination and appreciation, you can seek advantages and avoid disadvantages, seek beauty and avoid ugliness, narrow the gap between hands and eyes, and improve the level of calligraphy. The ability to distinguish and appreciate is low, the good and the bad are not distinguished, ugliness is beautiful, and even ugliness is abandoned for beauty, resulting in the phenomenon of ugliness. Therefore, learners can read some aesthetic books, improve their aesthetic accomplishment and enhance their artistic appreciation ability.
All arts have something in common, and we should also pay attention to drawing nutrition from the sister art of calligraphy when learning calligraphy. For example, seal cutting, replacing pen with knife and paper with stone, his ingenious thinking is endless and interesting. Know a little about seal cutting for learning? Jin Shiqi? It is also of great benefit to the layout of composition. Other art forms, such as painting, sculpture, photography, music, dance and opera, can also enrich the content of calligraphy art. It is said that Zhang Xu, a calligrapher in the Tang Dynasty, gained spirit by watching Gong Sundaniang's sword dance, so cursive script made great progress. This story can illustrate the mutual infiltration and influence between legal art and other sister arts.
In short, if you master the basic techniques and want to further improve the artistic level of calligraphy, you must look beyond the book and pay attention to the cultivation of extra-word kung fu, which will be limited when discussing words.
In ancient times, our ancestors created language to exchange ideas and understand feelings. Limited by time and space, language can't spread for a long time, so writing came into being. At the beginning of writing, it was just a pictograph. In the long historical process, Chinese characters have been constantly enriched and improved. Six books? Form. In the process of writing, our ancestors gradually discovered the factors of beauty and carried them forward. After thousands of years and generations of exploration, excavation and promotion, China's unique calligraphy art has gradually formed. Today, the art of calligraphy has attracted more and more attention and love from people all over the world. To learn calligraphy, only by inheriting the tradition from the aspects of pen, stippling, structure, composition, ink painting and verve can we get a glimpse of its doorway and enter the room. However, some people regard China's extensive and profound calligraphy art as too simple, thinking that China people can write Chinese characters, converge ink and form, and think that they have entered the door of calligraphy; Some people haven't mastered the basic skills of regular script, and they don't know the cursive method or cursive formula, that is, they avoid snakes, dabble for no reason, pretend to be novel at will, and sometimes do strange things, claiming to be unconventional and unconventional, but in fact they are full of ugliness and vulgarity; There are also those who are influenced by a foreign school and do not pay attention to the training of basic skills, but believe in hand-painting, full of paper pollution and complacent; Some people even go back to the stage of ancient pictographic classification, and draw things that are not words or pictures, flaunting them as the same origin of calligraphy and painting, making the past serve the present and modern calligraphy, while some newspapers and magazines make no distinction and publicize them wantonly, which makes beginners lose their way. As the saying goes? It's easier to get sick than to cure? Once beginners are infected with this evil disease, it is difficult to cure it. Those who are interested in learning books must be vigilant.
What needs to be explained is that I am not rejecting or criticizing? Modern calligraphy? . Pen and ink should keep pace with the times, and calligraphy art should not and cannot blindly imitate the ancients and cling to shortcomings, but should keep pace with the times and keep up with the trend of the times. I just object to the so-called modern calligraphy that abandons basic skills, despises tradition and lets the pen take shape. Because this kind of calligraphy has nothing in common with the real art of calligraphy, and it is easy to lead beginners to the left side door.