I think there are several reasons:
1 Change the script at will.
But sometimes, the plot is simply unreasonable and the staffing is unreasonable. Because there is a big bowl that likes to change the script at will, the result is neither fish nor fowl.
The bigger the bowl, the easier it is to change the film and television drama. If you meet a weak director, the plot has nothing to do with the original.
Choose only the relevant actors, and don't decide the actors according to the needs of the plot.
The most obvious is A Dream of Red Mansions. The actors and roles of the old version must be very compatible to play.
The new actors can only play if they have connections, whether you are suitable or not.
It doesn't matter whether the actor's acting is good or not, it doesn't matter, no matter how good the acting is. Therefore, the image created is not attractive, and even feels vulgar.
Nowadays, film and television works do not impress the audience with stories, but package products with stories. The real purpose is to make money by selling products. How does the patchwork attract the audience?
There is no creative enthusiasm for pursuing Excellence in the past. Producers, directors and actors all aim at making money and lose their professionalism.
Now that information is developed, the audience is not easy to be fooled, and it will not attract the audience without careful production. But good works are still loved by the audience.
For example, Nirvana in Fire, Empresses in Palace and Love of Parents ... The audience's eyes are discerning, and people are still willing to watch well-made film and television works.
Yes, domestic film and television works are really not as good-looking as before.
A few days ago, I talked with people in the industry in a screenwriter group, and everyone had the same view.
At present, the present situation of domestic film and television works is that people's appreciation level has improved, but the quality of domestic film and television works has not improved, or even declined as a whole.
Good film and television works, without good marketing methods, have won many awards at home and abroad, but the audience does not agree with them or even watch them.
The commercial blockbusters that the audience is willing to watch have a market and sell well, but they have a bad reputation!
As these so-called blockbusters enter the pockets of producers, there is not only a lot of money, but also a lot of "saliva".
However, there are fewer and fewer domestic film and television works that can both sell well and applaud.
Is the audience's taste too "tricky" or is people's requirements too harsh?
No, domestic film and television works are too impetuous and utilitarian.
The script can be used whenever it is used, without its own thoughts and logic, and even the choice of actors is arbitrary.
The role selection of the 87th domestic film series A Dream of Red Mansions lasted for ten months, and all the actors read through the original works. Actors train for one year and shoot for one year.
Now I just got a bunch of "small fresh meat" and "plastic face", and I took over the mature IP and didn't even recite the lines.
In two or three months, I made a movie and a 50-episode TV series.
Who are you kidding?
It's strange that such film and television works can look good!
First of all, I am honored to answer this question. Below, I will talk about my opinion.
As far as I'm concerned, I really don't feel as good as before. Why would I think that? I will elaborate my views from the following points:
1. Actor problem. I think this is the most essential problem, just like cooking. Although the taste is limited by spices, the most fundamental thing is to look at the chef himself. What is the production mode of TV series now? A lot of IP traffic, overwhelming publicity and fans' pursuit have led to a very bad phenomenon. Some actors' basic skills are even touted as small fresh meat, such as the problem of actors memorizing lines, just as Teacher Wang Jinsong said.
An actor is the most fundamental part of a work, just like in the name of people and Hidden Corner. Script and post-production are of course important, but if the pig has green onions stuffed in its nose, it will definitely backfire. So now it is the key to let the film and television works glow with the brilliance of the New Year.
I don't know when the script problem started. Nowadays, film and television scripts have become unconstrained and unrealistic. Of course, if it is a science and technology movie, it is ok, but some historical dramas are also taking this road, ignoring history and completely following their own ideas.
For example, the most beautiful reversal broadcast by CCTV 1 was originally a tribute to our great medical staff who fought against the epidemic, but it was abruptly written as a mother-in-law relationship!
More than ten years ago, a martial arts legend directly won the popularity of people such as Wang, Wang and others with its humorous and perfect plot, and a soldier assault also won the first place with its true and infectious script. At first, these TV series didn't have any big-name stars, didn't rely on the flow of top niche, excellent scripts and hard-working actors, and still became classics.
3. Attitude. Nowadays, many film and television works are aimed at making money by traffic, which leads to many online dramas flooding our lives. Of course, we don't deny that there are excellent works, but most of them are looking at pictures!
Cultural creation is now biased towards freedom, leading to uneven market. Some fake directors and some unprofessional screenwriters have caused some online dramas to appear frequently, with incorrect attitudes and nothing to say.
4. Market demand From the overall environment, the essential purpose of many film companies is not to output high-quality content as the primary purpose, but to make money as the primary thing, which has caused the deviation of the whole market now.
The economic foundation determines the superstructure, and when the foundation begins to exert a subtle influence, the superstructure will certainly change accordingly.
The above is my view on this issue, hoping to inspire and treat the audience differently. Thank you ~ ~ ~
Falcon 1949 cover
I think some domestic film and television works are still relatively good-looking, such as The Silent Truth, which is being broadcasted now.
I also strongly recommend you to watch this TV series.
This TV series is adapted from the novel Long Night, but after watching this TV series, you will feel such a story: even in the long night, people still lay down their lives to light the lights. Very touching. It's also very interesting. In particular, Jacky Jiang, the leading role in it, is off the charts.
10 years ago, Hou Guiping, a teaching college student, discovered the criminal fact that powerful people protected students, and was subsequently slandered and framed. As a classmate of Hou Guiping, Jacky Jiang, a young prosecutor, began to investigate Hou Guiping's case. This investigation is irrelevant. Jiang Yang paid a great life and life for it. Jiang Yang was threatened and framed by powerful people during the investigation. Jiang Yang broke up with his fiancee. Zhu Wei, a criminal policeman who worked with Jiang Yang, was also sent to the police academy for three years. Later, after Jiang Yang got married, she continued to investigate the case and found clues. The dignitaries destroyed the clues, so Qi Angyang still didn't give up. Jiang Yang was threatened with divorce in Jiang Yang to continue the investigation. In the end, Jiang Yang was imprisoned for three years under the frame of powerful people, and continued to investigate after he came out. At this point, Jiang Yang was found to be terminally ill. At this time, it has been ten years since Hou Guiping was killed. Finally, Jiang Yang decided to commit suicide in exchange for the chance to find out the truth. Zhu Wei and several friends also decided to help Jiang Yang plan together. As a result, everyone who watched the TV series knew that it was back to the first episode of the subway body dumping case. In the end, the truth came out and the powerful were brought to justice. Unfortunately, Jiang Yang and Hou Guiping will never see each other again.
It's hard to know at night. If you lay down your life and burn a lamp, light like beans and a single spark can start a prairie fire. From the story to the actor, I feel that I have no slot.
This can't help but make people sigh: "Where is the Tao, although thousands of people walk", just like GAI sang "Go ahead, open the clouds and see the light". This is really Ye Fu's anger and injustice. This eternal knife is stuck in his chest. Amazing and admirable. I recommend everyone to watch it.
How can I put it? I thought so a few years ago, so during that time, I hardly watched domestic TV or domestic movies. For a long time, I despised domestic film and television works. Later, I gradually discovered that this is not the case. There are many excellent domestic films. In fact, many good screenwriters, directors and actors are trying to present their works.
Then why doesn't the public accept it, or feel bad after reading it? Personally, I think now is the era of information explosion. Every one of us receives all kinds of information and news every day, and film and television entertainment has reached a bottleneck period of development, which is difficult to break through or please the audience. Almost the plot of the latest film and television can be seen more or less in the previous film and television works, and it is difficult to surprise the audience. In other words, the public has higher requirements for film and television works, and the requirements for screenwriters and directors are several grades higher, which is undoubtedly a challenge for them.
So in any case, the existence of anything is valuable and the existence is reasonable. As long as the three views are correct and positive energy is output, it will bring us happiness, so it is meaningful, isn't it?
After all, the moon abroad is not so round. Come on, domestic movie and TV creators!
Objectively speaking, with the progress of the times, especially after the reform and opening up, literature and art have been revitalized, culture has flourished, and literary and artistic creation has become more free and diversified. The overall quality and level of film and television works are getting higher and higher, and there are no hidden defects. A large number of excellent film and television works with different themes and styles provide more viewing options for the public, and film and television works are becoming prosperous, which is also the inevitable development of the times.
Many middle-aged and elderly people who spent most of their lives in the system were deeply influenced by the traditional system after the baptism of the Cultural Revolution. They grew up in the literary atmosphere of "model opera" and "high above" and have a paranoid attachment to everything in the past. Their appreciation of film and television works is limited, and they stick to the rules. Coupled with nostalgia, they often have deep-rooted prejudice and even conflict with innovation and new film and television works. Judging from their experience and education, these are not difficult to understand. This kind of voice is not only reflected in film and television dramas, but also in other literary and artistic works and social phenomena, and it is also normal. However, it is not objective and unfair to deny that domestic film and television dramas are "worse than before", which is a narrow vision and a rigid concept.
When the forest is big, it is inevitable that there will be various birds. In an open and diversified era, essence and dross, "fine products" and "Lei Ju" always come into being at the same time. Different audiences and market demands have created different film and television works, including fast food, joking, shoddy and mixed. However, we are also fortunate to see many domestic film and television masterpieces with rigorous production and excellent quality, which constantly enrich the cultural life of ordinary people and have repeatedly won in the international arena.
Generally speaking, the times are developing, an era of drastic changes and an increasingly rich social life provide unlimited possibilities and inexhaustible motivation for sensitive film and television art creators. The quality of domestic film and television works will be better and better, richer and more diversified, and countless masterpieces will emerge. On the basis of adhering to the original artistic intention and national cultural characteristics, most film and television artists gradually integrate their works with international standards and are gradually recognized by the world. In the past two years, there has been a "blowout" leap-forward development, so let us wait and see.
In fact, when we read the previous domestic articles, we found that their makeup was casual and not stuffy, such as "The Dragon Slayer with Eternal Feelings", which was never tired of watching, did not conform to the original drama and was greatly adapted.
Previous domestic dramas had few special effects, which were more in line with the times and the makeup was not static. It can be seen that makeup is in line with that era.
But now that the domestic drama has been broadcast halfway, it is guessed by the audience. The same plot and makeup are the same. The only things you can see are the faces of the hero and heroine. If there are many special effects, it will become unreal.
It is certain that domestic film and television works are not as good as before. Did you find out? As this society becomes more and more impetuous and material. The decline of many industries, including social and cultural phenomena, is synchronous. People are becoming more and more material reality, and industry is becoming more and more material reality. In the past, the Chinese New Year was full of flavor, but now it is boring; In the past, relatives and friends cared about each other, but now it's all red envelopes and cars. It used to be easy to get married, but now it's easy. I used to do things with my heart, but now I always calculate my own interests. The film industry also needs a lot of people to do it. In the case of more and more money first, it is conceivable that a group of people put enough effort into a work.
I remember when the old version of Romance of the Three Kingdoms was broadcast, it was so classic that every character was a classic. So far, Tik Tok has many clips, and many people like their click-through rate and high comments. Once, the host asked Hong Yuzhou, who played Zhou Yu that year, to the effect that you had come to play every role with other versions of the actor PK. Hong Yuzhou replied categorically: "We never PK, and you don't know what we suffered in those years. We never PK." It is such a group of players who have suffered the most, overcome the most difficult conditions and exhausted their best efforts. I shot the classic works in the classics.
In the final analysis, it is a human problem. People used to do things with their hearts, but now they all do it for money. The so-called flow stars, small fresh meat, screenwriters are subject to capital investors, and they can't write too complicated scripts, cut pictures, read lines 1234567, and so on. These are just various phenomena in which society is not backward.
It depends on personal hobbies and tastes.