When I met Han Zhen and Zhou Liya, the post-80s directors of the dance drama "The Eternal Radio Wave", it was before the performance of the dance drama "Du Fu" at the Oriental Art Center and the day after the performance of "The Radio Wave", Zhou Liya saw Zhou Liya felt extremely satisfied with the bloodshot eyes of staying up late, zero mistakes in the performance of "Electric Wave", and the fact that the audience stood up and applauded from facing the stage to the console behind them.

The performance was completed with "zero mistakes" and all the actors took their final bow.

Han Zhen and Zhou Liya at this time.

What makes Zhou Liya even more satisfied is that "Dianbo" has gained too many young viewers. "Many of them have watched it three or four times. After watching "The Peak", they bought the first row to watch. They watched it on WeChat I discussed on the blog which seat is the best." After watching it, he wrote in the comments: What is the best expression of not forgetting the original intention, so that young people know where they come from and where they should go. .

"Dianbo" has gained many young fans.

Rehearsals started in August last year and lasted for 9 months. Zhou Liya said: "At that time, they were for us, and today we are for them. This history is too close to us, and we are here today." A good life is achieved because of their sacrifices." There was no intermission on the day of the opening performance. When Wang Jiajun came down from the scene, he tried to calm down. The characters stood inside and followed them to welcome the dawn and experience that period. History, when the performance was over and the audience applauded, I felt that I had returned to reality.

Li Xia and his wife are engaged in underground work in Shanghai.

Being engaged in underground work makes Lan Fen and Li Xia particularly sensitive and vigilant.

The play is based on the deeds of martyr Li Bai.

Li Xia, the underground party liaison officer, was chased by the enemy.

Beauty is far away from reality, and what awaits Li Xia and Lanfen is more arduous underground work.

Of course, during the performance on the evening of May 18, Zhou Liya also encountered a moment when her heart almost stopped. The 26 boards on the stage are controlled by computer programming. It is a newly applied patent. It is reasonable for mechanical errors to occur. , but it really happened. In the alley early in the morning, a board may have received the signal late and stopped, but the actor did a good job. After the little tailor came out, the board should turn to the gray side, and he would hang the sign. As a result, what he saw when he turned around was the black face. The little tailor put the sign on the ground and played with it by himself. The master immediately added the sign and said, "I haven't finished anything yet..." and hung it up naturally. "Actually, there are several plans for rehearsals in normal times, which can be used at critical times so that the audience will not feel unnatural." Zhou Liya said that everyone will try their best and the actors have a sense of collective honor and a good atmosphere. team. That night, when Zhu Jiejing and Wang Jiajun performed the farewell double dance, all the actors were on the sidelines, cheering them on.

The early morning alley made Zhou Liya break into a cold sweat.

When Zhu Jiejing and Wang Jiajun danced their farewell double, all the actors were behind the scenes, cheering them on.

Since rehearsals, there have been more than 30 performances, large and small, and there is no clear line between practice and performance. Zhou Liya said: "The Mandarin Award competition on the 18th and the opening performance on the 20th. Although there was no performance on the 19th, But we entered the theater at 9 o'clock in the morning, and we went through the moves carefully during the day on the 20th. Han Zhen and I's work is very strict, and the actors are not allowed to say "see you on stage." What is it like in the rehearsal hall on the stage? That’s what it’s like.” Only steady, delicately performed dance can capture the audience. The same is true on the stage. Regardless of whether the audience can see the actor's tears or eyes, the actor cannot live without them and must pass them on to his dance partner. "Even breathing has to be at the same frequency, and the actors are used to us doing it this way."

Han Zhen in the rehearsal venue.

At the rehearsal site, the director was the most picky, and doing it again became his mantra.

The scenery was set up to show the scene of clothes hanging, and the staff repeatedly pondered the position of hanging clothes on site.

"Dianbo" is the fourth work of two directors born in the 1980s. The first three works "Once Upon a Time in Shawan", "Du Fu" and "Mulan" won the Wenhua Award and the Lotus Cup respectively. When asked So, would you still be excited if "Dianbo" won the Wenhua Award? The answer is yes.

Zhou Liya said: "After the China Arts Festival, we have to invest in the creation and rehearsal of a new dance drama, and we have pushed a lot of things. When you can't do it, you are actually irresponsible for your own art. The dance drama we accepted is also for the group. There are requirements. First, commercial performances are not allowed during rehearsals. The 45 actors of "Dianbo" have to immerse themselves in the dance drama for several months, and they have to settle and experience it every day. It is true that there will be no commercial performances for several months. The loss is not small for the group; secondly, to ensure the synthesis of theater, good artistic works must be practiced on the stage, and must be perfect and rigorous to the extreme. ”

Through performance. The details and stage beauty accurately outline a Shanghai full of the sense of the times.