Question 2: Help me write the words "objective evaluation, basically consistent", which feels like cursive script. Hello! Here are three kinds of writing methods for you to learn: "the evaluation is objective and basically consistent":

1. How to write Weeds:

2. "Hairstyle" cursive writing

Question 3: How to write Song's cursive script? The use of any kind of characters requires simplicity and easy writing, and there is a tendency to save stick figures and scribble. This trend is the main reason for the evolution of characters. In the period of social change and cultural development, characters are frequently used, individuals are easy to simplify, and variant characters are accelerated. In order to make the text more conducive to application, it is necessary to revise it.

There are traces of cursive script in Oracle Bone Inscriptions period. Tai Shi Shu, Li Si Zhuan, Cheng Miao Li Shu and Cai Yong's Xiping Book of Songs, written in eight-part script, are all standard characters promulgated by Zhou, Qin and Han dynasties respectively to standardize the popular characters at that time, and are also recognized as the beginning of a new script that has formed regular script. But the trend towards simplicity has not stopped. As early as in the inscriptions of Shang Dynasty Oracle Bone Inscriptions and Zhou Dynasty, which recorded the important events of emperors and generals, there were stick figures and scrawled handwriting. "Qu Yuan is a grasshopper" and "Dong Zhongshu's calligraphy is not on the page" in Historical Records show that the ancient prose of the Warring States period and the official script of the Western Han Dynasty are incorrect in rapid writing. According to Wei Jinzhi, Liu Mu, the revered king of Beihai in the Eastern Han Dynasty, is "good at history books, and today people think it is a model". Before Liu Mu died, Ming Di sent a post horse to write ten cursive scripts. During the reign of Zhang, it was a good example to learn Chinese characters. Emperor Zhang once ordered the writing of cursive script. It can be seen that since the middle of 1 century, cursive characters have not been written in a hurry, but have been cherished and imitated. It can be seen from the Han bamboo slips unearthed in modern times that the simplified characters of the official script of the Western Han Dynasty have become popular. In the era of Xin Mang, there were more stroke-saving and ligature characters. In the 22nd year of Jianwu (AD 46), the bamboo slips were completely cursive. However, from the Zhou Dynasty to Xin Mang, cursive script was never listed as a kind of calligraphy. Shuo Wen Jie Zi was written in the 12th year (AD 100), and Xu Shen said in Xu that "there was a cursive script in Han Dynasty", which was the beginning of cursive script. At the end of the Eastern Han Dynasty, famous artists such as Zhang and later Zhong You emerged in large numbers, each of which became a genre. At that time, Zhao Yi had an article "Non-cursive script", and Cai Yong also had a similar discussion on maintaining the status of orthography, which reflected that cursive script was very popular. From the end of the Han Dynasty to the Tang Dynasty, cursive script developed from Cao Zhang with the meaning of official script to today's cursive script, and even to wild cursive script. Liu Tianyi's cursive works

Cao Zhang originated in the Western Han Dynasty and flourished in the Eastern Han Dynasty. The font is in the form of official script, and the characters are different and correct each other. Cao Zhang's name has been interpreted in different dynasties. It is the most absurd to say that Cao Zhang got his name from the chapter in Urgent Chapter since the end of Han Dynasty. It is speculated that Zhang Di liked cursive script or ordered it to be used as a souvenir, and even said that Zhang Di created cursive script. Some chapters are synonymous with the articles of association and Zhang Kaizhang, which are in line with the early cursive script with eight strokes, and the words are not related to each other, and the strokes have changed into rules to follow, which many people believe. When did this grass come into being? There are two viewpoints: Zhang Zhi in the late Han Dynasty, Wang Xizhi in the Eastern Jin Dynasty and Wang Qia. From the handed down tables, stickers and unearthed Han bamboo slips and bricks, it can be seen that at the end of the Han Dynasty, eight-part essay, as a regular script, had a writing method similar to real books. Cursive scripts can also mutate. Cui Yuan, a cursive writer a little later than Zhang Zhi, wrote the cursive script "Like a string of beads, never leave" and "Stop the momentum, what is left?" The descriptions of "tangling", "hanging from the head without a tail" and "being clever and adapting temporarily" show that the cursive script in the late Han Dynasty was smooth and unconventional. The development of calligraphy has no obvious boundaries. It is said that this grass originated from the bud of Zhang Zhi as a new body; It is said that this grass originated from the two kings, focusing on the typical formation. True books have been handed down since the Tang Dynasty. In the Tang Dynasty, cursive script, represented by Zhang Xu and Huai Su, became an artistic creation completely divorced from practicality. The cursive script, also known as the big grass, is bold and unrestrained, with a continuous momentum, such as Zhang Xu's Thousand Stones, the Four Methods of Ancient Poetry in the Tang Dynasty, and the Autobiographical Post by the monk Huai Su. Zhang Xu was called "the sage of grass" in history, but Sun's "Pu Shu" is another way of saying it, and there is no connection. "Big grass" and "small grass" are symmetrical. Big grass is pure grass-based and difficult to identify. Zhang Xu and Huai Su are good at it, and their words are written in one stroke, sometimes out of line, but the context is constant. In Qing Dynasty, Feng Ban gave a lecture on cursive script in "Blunt Printing Book": learn from it, learn from it, learn from it, and learn from Zhang Xu as weeds, so it is better to learn from Huai Su. Huai Su's cursive script is easy to recognize, the handwriting is fine, and the relationship between words is clear and easy to put pen to paper. Zhang Xu's glyphs vary widely, often a number, and the momentum between them is constant, which is difficult to identify and forms a unique style. As mentioned in Han Yu's Preface to Giving People a Noble Mind, Zhang Xu's cursive script is "angry and embarrassed, sad and sorrowful, resentful and resentful, yearning, drunk and annoyed, unfair and moving in the heart, which is bound to be reflected in the cursive script", so it is difficult to learn from Zhang. The Derivation and Development of Huai Su's Calligraphy Works

Almost common brushwork of official script is ... >>

Question 4: The characteristics of cursive script. Cursive script is a font of Chinese characters. It appeared earlier. From the early Han Dynasty, when writing official script, it was sometimes written "hastily". Because Emperor Zhang of Han Dynasty likes cursive script, it is called "",which is a kind of cursive script of official script. Cao Zhang's words are independent and close to cursive, but the difficult words are not simplified much, and the writing style remains unchanged. Later, regular script appeared, which evolved into "modern cursive script", that is, regular script cursive script, which was written quickly, and the upper and lower characters were often written together, and the last stroke echoed the beginning. Every word is generally simplified, but it is sometimes difficult for unfamiliar people to recognize it. Generally speaking, the cursive scripts of Wang Xizhi and Wang Xianzhi are also called modern cursive scripts. The basic method to simplify modern cursive script is to replace the radicals of regular script with simple cursive symbols and substitute them into traditional regular script (although the cursive script appeared no later than regular script). Many regular script radicals can often be replaced by a cursive symbol, and the structure of the characters has also changed for convenience. So unfamiliar people are more difficult to identify. The arrangement of cursive symbols can be found in standard cursive scripts. In the Tang Dynasty, cursive script has become a kind of calligraphy art, and it has evolved into "wild cursive script", and its function as a tool for transmitting information has weakened, becoming a work of art. It doesn't matter whether people can recognize what they are writing as long as they pay attention to the black and white arrangement of bookshelves and papers. In Weeds, there is a symbol of word association, that is, two words (common phrases) are written into one symbol. At that time, writing was mostly vertical, and even the design of Chinese characters was similar. There are cursive couplets in Tu Tou Ji and Nirvana Ji.

Structural characteristics of cursive script

1) Simplicity-based, point-to-point painting is based on the structure of regular script, while running script is increased or decreased. Increase refers to hairspring, and subtraction is the abbreviation of running script. cursive script mainly uses subtraction, such as "float", which is drawn with a little algebraic points; Such as "ok, think", and so on. 2) the jump is uneven, and the cursive script reads as a whole, a whole line, at least four words of up, down, left and right are combined together. In fact, sometimes cursive scripts connect two or three words to form a "comprehensive structure". So every word doesn't have to be balanced, as long as it is full of energy. The forms of glyphs should be varied. 3) A cursive script with a small circle and many curves, and easy to use the rotation method to avoid being dragged by the hairspring. So its dotted line moves in the shape of an arc. In order to make strokes smooth, it has many circles. In particular, even the number of grasses is one, and the circles are staggered, which is difficult to distinguish. 4 > there is grass in the grass. Habitual cursive writing comes from seal script, which conforms to the open writing method and has a unique cursive writing method, called cursive calligraphy. These include sketches of foreign countries and different institutions. Grass method is established by convention. There are certain basic rules.

In addition to cursive script, the stroke order of cursive script is also different from that of running script and regular script, which is one of the reasons for the special structure of cursive script. In short, cursive script requires a variety of words.

The characteristics of writing cursive script with a pen are that cursive scripts are divided into three categories: Cao Zhang, Xiaocao and Dashao. When it comes to cursive stippling, the pens of these three cursive scripts should be separated. The brushwork of grass and grass belongs to the same category, so Cao Zhang's brushwork is omitted. The brushstrokes between grass are endless. Sun said, "Grass is expensive and flowing smoothly". In other words, cursive script should be fluent. The so-called flow means that the pen should be flexible and unconstrained. Use strokes in order, reverse, positive, horizontal, reuse, light, false, real and free. Let nature take its course, let nature take its course, let nature take its course, there are still setbacks in using a pen. The so-called fluency means that you can take advantage of the situation in the air and gallop freely without any stagnation. With the dignity of a real book, we must never-brush it and use it to slide, let alone confuse it and increase its complexity. In short, cursive writing has its own rules and characteristics: pen simplification, stippling variation and interconnection, turning in circles, reducing frustration, reversing stroke order, extremely complicated radical replacement and so on. Due to the inheritance and development of 1000 years, cursive script has its own system, and some of them have become established rules, so there should be no mistakes, so the writing method of stippling should be extremely correct. (1) lines are the basic elements of a glyph. The stippling of Chinese characters consists of various lines such as thickness, length and straightness. "Line" is the basic element of a glyph. So some people directly call the beauty of calligraphy the beauty of lines. Straight lines give people a feeling of being vigorous, straight and strong, while curves give people a feeling of being round, changeable and soft. The straight line without change is stiff, while too many bends and arcs are powerless, which will make people think of "ugliness". Calligraphy artists are good at expressing their deep feelings in the form of "lines". The * * * in the artist's mind is sometimes like a roaring sea and a volcano; Sometimes it will be like a trickle, euphemistic piano sound. By >>

Question 5: Basic information of standard cursive symbols of Yu Youren Publishing House: Jindun Publishing House Author: Yu Youren Yuyuan ISBN: 978-7-5082-6245- 1 format: 16 binding: paperback pricing: 22.00 yuan, publication date: 20 10 March.

Question 6: Introduction of Yu Youren standard cursive script symbols Cursive script is the most abstract art of calligraphy, which is regarded as the highest realm of calligraphy art by calligraphers in past dynasties and has a large number of appreciators and followers. The standard cursive script in "Yu Youren" is the most standardized and established cursive script, the most popular introductory textbook and the best model for learning cursive script. This book captures the essence of Yu Youren's standard cursive script. In addition to focusing on the authoritative version of Yu Youren standard cursive symbols, the standard cursive symbols will be marked in detail. Thousand-character "Double Hook Edition" and Yu Youren's Last Standard Cursive Script? The final edition of Taiwan Province Province with thousands of characters is not only a rare textbook for beginners of cursive script, but also a precious edition worthy of appreciation, exchange and collection by artists from all over the world.

Question 7: Introduction to cursive script Cursive script is a font of Chinese characters, which is characterized by simple structure and continuous strokes. Formed in the Han Dynasty, it evolved on the basis of official script for the convenience of writing. There are Cao Zhang, modern grass and weeds, and it feels beautiful in madness.

Question 8: The format of hard pen calligraphy is the same as that of China calligraphy, but the horizontal and vertical sectors are slightly smaller, and it can be A4 A3 or ordinary stationery.

1. Banner: Take the long Xuan paper works as the banner, fully fold in half (half or half fold), and straight books as the banner.

2. Couplets: people who write couplets in two directions, also known as couplets, couplets or couplets.

3. nave: Banners with full paper or slightly smaller than full paper are hung on couplets separately or side by side.

4. Doufang: Cut rice paper into a genre of about eight quarts (about 1 square), which is called.

5. plaque: also known as horizontal shawl, banners are placed horizontally or engraved on wooden boards and hung on the wall.

6. Striped screen: Use nave, banners and other similar materials to write a group of works according to the length of the poem.

7. Fans: The size is fan-shaped, including round fans and folding fans. It can also be framed or rolled into a book.

8. Album: small works are bound and read, combined into a book, and expanded into a book, called an album. These contents are either coherent or established separately.

9. Handroll: it is also a horizontal axis, which is not convenient to hang. It is only suitable for stretching on the desk and rolling up after watching.

Question 9: Is there a mobile phone input method that supports cursive script and cursive script, which is relatively standardized and highly differentiated? That is to say, write cursive script directly when inputting, and the alternative score is 10. At present, we are studying how to transplant the original input into the input method, but the simple running script input method has come out, which belongs to the structural input method and can also input characters from other countries.

Question 10: What is the basis of calligraphy? What are its requirements? Traditionally, it is believed that we should start from Tang Kai, and practice Hanliqin seal script in the reverse direction on the basis of regular script. Another way of thinking is that starting from the immature characteristics of young people's hand muscles, we can start from Qin Zhuan, which has not changed much, from cursive script to regular script. These two concepts have their own reasons. However, I think the hard pen calligraphy we learn is essentially different from the brush calligraphy mentioned above. We can't follow its practice method, and we can't be confused by the traditional concept of learning brush first and then learning hard pen. Hard pen is widely used now. If you can't write China's calligraphy well, you can still write well. There is no need to take a detour.

What font should I practice in hard pen writing? In my opinion, starting from the characteristics of young people's hand muscle development and the characteristics of uniform strokes and less changes in hard pen calligraphy, we should start with fonts that never require fast strokes and heavy changes. It is best to print in bold. The beauty of this font mainly lies in its structure. We can master the structure of fonts by trying to figure out and analyzing bold. On this basis, you can choose your favorite font according to your personality and hobbies and practice hard.

2. What should I practice when practicing calligraphy?

First of all, practice your eyesight, that is, read the post carefully. Huang Tingjian, a calligrapher in the Song Dynasty, said: "The ancients learned to write, not all of them copied. They often hang ancient calligraphy works on the wall, watch them intently, and decide to start writing. " Ou Yangxun in the Tang Dynasty found the inscription written by Suo Jing in the Jin Dynasty, and was reluctant to leave, so he sat down and read it for three days. The more posts you read, the higher your horizon, and you will know how to write. There is an idiom called "eyes are superior but eyes are inferior". I think: eye height is the premise of hand height. If you can't find beauty, you don't know what beauty is, let alone create it. Many students think that scribbling is the so-called running script, and the reason why ugliness is beautiful is because "the eyes are superior and the eyes are inferior."

Secondly, we should practice our brains or our hearts. On the basis of careful observation, we should keep well-written model figures firmly in mind and engrave their glyphs deeply in our minds. Whenever the word is mentioned, we can immediately guess the shape of the word on the copybook. Do it with confidence and words in your heart.

Third, we should practice our hands. Practice your eyes and brain to find out how to write words. You can think of the best effect of words in your mind, but it may not be written in your hand, because your brain may not be able to command your hand, and your hand may not be able to command your pen. Hand training is to achieve the consistency of heart and hand and handwriting, so hand training is also very important. Hand training mainly refers to strength, wrist strength and hand feeling. If you write for a long time, you will feel sore fingers, sore wrists, hands that don't work, and exercise more. This phenomenon will disappear. Students who often help teachers copy questions on the blackboard and students who run blackboard newspapers often write quickly and well. This is how their finger strength and wrist strength are trained. Also pay attention to practice the sense of touch, let the brain command the hand, and feel that the pen has become a part of the hand and an extension of the hand. Hands can easily command the pen, think fast, think slow, think light, think heavy, and write whatever effect you want.

Fourth, we should practice structure, because the key to practicing Chinese characters is to master the structure of Chinese characters. The structure of a word refers to the proportion of stroke length and the relationship between strokes. Xie Xiaodong sang in the song "China People": "The favorite character is the square character taught by Mr. Wang, and the square character should be like him …" The square character summarizes the structural characteristics of Chinese characters. I have mastered the structure of Chinese characters, and I have written square and beautiful bold characters. With a little change of strokes, I can write Chinese characters in various fonts, such as Song Ti, Wei Ti, Kai Ti, Imitation Song Ti, Pang Ti, Sima Ti and Li Shu. If you can't master the structure of Chinese characters, no matter how the strokes of Chinese characters are decorated and beautified, they are ugly. Therefore, mastering the structure of characters and writing bold characters is the key and foundation for practicing all fonts.

Fifth, we should practice strokes. Many students have practiced calligraphy. Since they began to practice regular script, they have forgotten many writing rules and only remember pens. As a result, the words written are very cumbersome, like ghost symbols. I advocate practicing in bold, mastering fonts and canceling pens. Let me introduce some common strokes to you, and the common problems that most students have when writing these strokes:

1 o'clock, the pen is transported from the upper left to the lower right, and there is a pen transport process. Note that "points" also have lengths, don't they? Represented by dots.

(2) Put the pen horizontally and divide it equally from left to right. The key is to be "horizontal and vertical", not high at one end and low at the other, nor wavy. The length should be controlled according to the font of the square characters, not too short or too long.

(3) vertical pen, vertical pen from top to bottom. Keys ... >>