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Who are the four great calligraphers in China?
Four great calligraphers in the early Tang Dynasty: Ou Yangxun, Zhu Suiliang, Yu Shinan and Xue Ji.

Yu's representative works include Confucius Temple Monument, Ouyang Xiu's representative works such as Liquan Ming in Jiucheng Palace, Buddhist Pagoda of Yong Zen Master in Huadu Temple, Mianhe Monument by Yu Gonggong, Huangfu Birthday Monument, and Chu's masterpieces such as Preface to the Wild Goose Pagoda and Master Meng Monument. Xue's representative works include.

Four Great Calligraphers in Song Dynasty: Su Dongpo, Huang Tingjian, Mi Fei and Cai Xiang.

Four masters of regular script: Yan Zhenqing, Liu Gongquan, Ou Yangxun and Zhao Mengfu.

The four great calligraphers in China generally refer to the founders of Yan and Zhao Kaishu: Yan Zhenqing, Liu Gongquan, Ou Yangxun and Zhao Mengfu. Among them, Yan Zhenqing and Liu Gongquan are not controversial, while Ou Yangxun and Zhao Mengfu are controversial.

Ni Zan, Huang, Zhenwu and Wang Meng were the "four great masters" in the Yuan Dynasty.

Four Great Masters in the Early Qing Dynasty "(,He Chao, Jiang,, Chen)

The "Four Masters" in Kangxi Period (,Jiang,,, He Chao)

"Four Great Masters in Qing Dynasty" (Liu Yong, Weng Fanggang, Liang

(Weng Fanggang, liuyong, Liang,)

At the end of the Qing Dynasty and the beginning of the Republic of China, there appeared four famous calligraphers in Tianjin: Yan, Hua, Meng, Zhao, Yan Xiu, Meng Guanghui and Zhao Yuanli. Their fonts were different and had their own characteristics.

Wu Zhihui's seal script, Hu's official script, Yu Youren's running script and Tan's regular script.