WenboYang

For some pupils or teenagers, it is generally easier to practice hard pen calligraphy than adults. Because their fonts have not been finalized, they are easy to accept new things and new ideas, and generally can achieve better results in a short time. However, a common problem of such students is that their understanding and acceptance ability is worse than that of adults. When the teacher is around, they can write carefully, but the following is still the same, and they don't understand the characteristics and charm of words. Therefore, this is something that should be avoided as far as possible in the teaching of hard-pen calligraphy.

Besides, adults. For adults, the font has been basically finalized, and it seems difficult to practice hard pen writing. Adults practice hard pen writing at the age of 40. Their previous wrong writing habits have been repeated for 30 years, and it is difficult to correct them in a short time. Many adults begin to pay attention to their second image after their successful careers, so they are also practicing hard pen calligraphy. I bought a lot of copybooks and spent several hours practicing calligraphy every day. However, the effect received is very small, and some even become more and more ugly with practice.

They walked into a misunderstanding in the practice of hard pen writing, thinking that as long as they write repeatedly and work as hard as what is written in the copybook, they can write hard pen well, but it is not. If you want to write hard pen characters well, you must master some characteristics and learning methods of hard pen characters, so that you can make great and obvious progress.

In my practical experience, adults should pay attention to the following questions if they want to write hard words well:

First, do you copy, sketch or copy when practicing?

This is very important, which determines the success of your handwriting practice.

Tracing posts is a common method for adults to learn hard-written characters. An important feature of tracing posts is passive exercise, which is a mechanical repetition of an action. This is completely different from practice. We know that when drawing a picture, we can basically draw one, but when drawing a gourd ladle, we often can't even draw three or four points. Even after dozens of strokes, your painting level has not improved. Because description is mechanical, the components of brain learning are only secondary. To write a word well, we should pay attention to "the idea first", that is, we can write it after we have the image of the word in our mind, but the description is just the opposite. Good words can't produce conditioned reflex in the brain, so they leave the copybook and write the same words as before.

Copying posts is a misunderstanding, and all you care about every day is quantity. Copy dozens of times and hundreds of times, the words on the copybook are the same, and the words written by yourself are the same. This practice method is nothing more than a kind of "copying homework", and you can't learn anything. Quantity and quality are not a concept, so copying is actually copying the words of copybooks, not the calligraphy of copybooks. Copying posts is still your own words, and repeating them is still your own fault.

Persistence is an important learning method. But you must know the essentials of posting, which cannot be explained clearly in a few words. But there are a few things to know: first, when posting, you should use your brains to think about how the words on the copybook are written, what are the strokes and what are the combinations. Second, the post should always be compared with the original post. After the first time, you have to go back and compare it with the original post. After discovering the shortcomings, write it again, compare it again, and repeat it until it is written. Otherwise, repetition over and over again is still reinforcing your mistakes. Third, the post should "make up your mind before writing", which means that you should have the image of words in your mind before writing, so you are required to read the copybook often and remember the writing method of the words on the copybook, and you will be familiar with it after reading it too much. Calligraphy "reading thousands of books, writing like a god" is still very important.

Second, forget your previous fonts and practice in a down-to-earth manner.

If adults want to learn Chinese characters thoroughly, they must forget their previous fonts, realize the ugliness of their own words, and even feel disgusted and disgusted with their own words. Then start from scratch, from the most basic exercises, and then to the structure. Temporary posts should be like this. When you write, you should still write in the way of practicing hard pen writing. No matter how slow you are, you should forget the previous font.

Third, correct the structure

For hard writing, the structure must be corrected first. This is also my opinion. Whether it is a hard pen or a soft pen, we must first adjust the structure. The quality of the structure directly affects the overall effect of words. Choose a regular script copybook you like, but it must look good. I don't want you to write regular script. Of course, regular script is the best. The function of pro-regular script copybook is to correct the font and adjust the structure.

Fourth, we should build interest ... >>

Question 2: How do beginners learn hard pen calligraphy well? First, practice basic strokes and radicals.

Then practice a letter combination,

Be patient and practice one by one.

Never practice this word in an article,

You won't remember. You must break them.

Practice only 5-6 words or radicals every day.

Copy while writing, combined with dictation,

Try to remember what you have learned,

And then slowly combine together,

I won't go into details,

I have a lot of relevant answers,

You can refer to it

I wish you success!

I have some tips for practicing calligraphy quickly. There are several ways to read and copy posts for your reference:

The so-called fast, is the right method, get twice the result with half the effort, improper method, haste makes waste.

My method is to break the basic strokes and radicals one by one, not the copybooks written in the market. Not so good. You just need to buy a basic copybook. Don't buy articles with many repetitive words. Personally, I prefer Pang Zhonghua, so I choose copybooks according to my own preferences. Just practice a few radicals and simple words every day, remember not to write more. You can't write too much.

Write according to it first, then compare and analyze it, then color it in red, then understand it with your heart and copy it again. When combining radicals and basic characters, we should consider the size, density, priority, structure, center of gravity, degree of relaxation, and most importantly, we should have patience and confidence. With these, your writing will change by leaps and bounds. May your writing become more and more refined. Remember that writing is like eating, you should review every day and make new breakthroughs. The so-called heaven rewards diligence, only diligence and intention are shortcuts.

Question 3: How to write "walking" in hard pen calligraphy?

Writing method

involve

Question 4: How to write hard pen calligraphy well? If you want to write a good word, you must first improve your aesthetic consciousness, that is, know what the word looks like and why it looks good; Secondly, you can write the beautiful shape you want to write with the pen in your hand. This is your pen control ability, which is the basic skill of writing. So if you have a certain aesthetic awareness and basic skills, you will be able to write well! Whether it is to improve aesthetic awareness or to strengthen the training of basic skills, it is required to read more, write more and ponder more at ordinary times, so as to achieve eye-to-eye, hand in hand and heart in heart. There is no shortcut to practicing calligraphy. So what kind of words are good-looking words? The quality of a word is nothing more than its line and frame structure. For a word, besides a single word, it depends on its layout (that is, composition). Beautiful lines should be clearly explained, strokes should be smooth and free, priorities should be appropriate, beautiful forms and expressions should be displayed, full of vitality, light or heavy, slow or urgent, rigid or soft, and return to nature. And those lines that are unclear, inflexible, hesitant and impermanent are naturally not good-looking; Shelf structure, that is, the stroke collocation of a word, such as length, straightness, placement angle, stroke spacing, thickness (thickness), context and so on. For beginners, before considering changes according to needs and personal habits (personality), it is advisable to be symmetrical and dignified in the structure of the font frame. Layout, also called "composition", is the arrangement of words. For example, the size, shape, arrangement position and placement angle of words, the reference relationship between up and down, left and right, and so on. As far as brush calligraphy is concerned, we should also consider the change of ink color, which can be ignored in practical hard pen calligraphy. As far as general practical writing is concerned, composition typesetting should be done in two aspects: first, in a row or a column, the center of gravity of each word should be basically on the same straight line; Secondly, the size and shape of words are slightly different. Generally speaking, words with many strokes should be written compactly, lines should be as thin as possible, words with few strokes should be written loosely, and lines with small shapes should be as thick as possible. But in general, words with more strokes are still relatively large, and words with fewer strokes are relatively small. However, although some strokes are short, they can be lengthened or written larger, such as the vertical painting of the word "Zhong", the horizontal painting of the word "An" and the horizontal painting of the word "Ren", which can be changed according to the needs of the collocation of the words before and after. In the composition of regular script, the size distinction of words is not obvious; In the composition of running script, the size difference of words can be very obvious, especially in some cursive scripts. In addition, properly exaggerating the main strokes of individual words in the running script will also have a vivid and beautiful effect on the whole article. For example, in * * *' s calligraphy, the size of the characters varies greatly, and they are scattered and magnificent. If you know how to write better, practice quickly! Practice with interest, practice hard and copy more, which can not only strengthen the ability of pen control, but also learn from other people's good writing. Read more copybooks and copy them repeatedly. Practice makes perfect. This is the best way. As long as you insist on doing this, you will certainly gain a lot, and the fun will come from this! You can't say that practicing calligraphy will bring unexpected gains to your life! Or improve your life from now on! Actually, I'm not sure, but I'm sure There are many benefits of practicing calligraphy, such as improving your writing level and improving your character. Because of the limited space here, I won't go into details. Let's experience it later. Ordinary paper is enough for tool materials and writing exercises. Of course, when writing with a pen, it is required that the paper is not soaked in water. The pens used for practicing calligraphy are also ordinary pens, ballpoint pens and pencils. It is best for the pen to run smoothly, especially when carbon ink is used, it should be washed with clear water frequently, because carbon ink is easy to agglomerate and block the pen. When using a pen, you should also pay attention to putting on the pen cover in time when you are not writing, so as to avoid the ink from caking due to evaporation of water. There are different opinions about the method of writing. For the writing brush, there is a saying that "there is no fixed method for writing", and some people say that "beginners should be more careful in holding the pen and can practice hard. After proficiency, they are required to be moderately elastic and able to write freely. " Even if the parts of the pen are different, the forms of the words written will be very different. For hard pens, the general writing method is that the middle finger holds the pen at the bottom and the forefinger and thumb hold the pen at the top to control the pen holder, which makes writing comfortable and natural, and the pen can be used freely in all directions. The pen holding position is low, and the pen control ability is enhanced, but it is difficult to stretch when writing; Because of the high position, it is difficult to control the pen, but you can write long and stretched strokes freely. Therefore, you should ponder carefully, experience for yourself, and find a writing method that suits you. You might as well ... >>

Question 5: What is good for hard pen calligraphy? How to typeset? If you want to be a great musical instrument, you should learn from the past and serve the present. If it's junior high school or junior high school, I think it's better to use this book. The ancient version is written with a brush, which is different from the hard pen, with thickness changes, lifting and pressing, etc. There are few changes in the hard pen, and the structure is basically the same.

I think my favorite posts will do. Honggen Shen, Gu Zhongan, Ren Ping and Ding Yongkang.

The above is my personal opinion.

Question 6: How to practice hard pen calligraphy, neither too late nor too late. You have formed your own font style for more than ten years. It is completely impossible to change into a skeleton style.

In fact, if you just want to write your own handwriting better, first of all, you should change your previous writing habits. Remember that as long as you write, you must write carefully, don't worry, don't scribble.

Usually you can contact hard pen calligraphy. If you are interested in copybooks, you can do it according to your personal preference. There are many bookstores. If you see whose handwriting is clean, clear and pleasing to the eye, you can buy it back. Practice is slow. You should have perseverance.

Question 7: How to teach children to write well with pens? The most important feature of a pen is its practicality. Practicality is the most basic value of a font. The more widely a font is used in real life, the higher its practical value. No matter in China or in the world, people who write with pens can be seen everywhere, and they all want to write well. This is almost a sign of social civilization. In fact, writing well can really improve work efficiency, reduce mistakes and improve grades.

So, how should children write with a pen?

First, you must have a correct posture when practicing calligraphy.

People who write in a wrong posture often don't feel that their posture is wrong. However, when others look at his handwriting, they will know that it is "crooked". Posture has a great influence on Chinese characters. Some people write like "the wind blows" and all fall in one direction; Some people write a line like "climbing", which is low on the left and high on the right, all of which are caused by the wrong posture. After a long time, not only the handwriting is not good, but also the body will be deformed. The correct posture is as follows:

1. Writing with a pen is different from writing with a brush. You don't need to have an absolutely straight head, but you can lean slightly to the left. Because the pen is tilted slightly to the left, it is easy to see the operation of the nib and the structure of handling fonts. Write ordinary words with your eyes about a foot away from the pen tip, so that you can observe and adjust the relationship between a word and the top, bottom, left and right. The distance between the eyes and the pen tip should be adjusted according to the size of the words. Generally speaking, writing is closer to fine print, and cursive writing and big characters are far away.

2. Generally, the body and buttocks sit flat on the side of the chair slightly close to the table, with the back straight and slightly leaning forward.

3. Relax your chest, keep breathing freely, and have a punch away from the edge of the table.

4. Relax the shoulders of both arms, the upper arm is naturally supported on the desktop, the forearm is flat, the hands cooperate, the left hand presses the paper, and the right hand writes. The edge of the paper is slightly inclined to the left, making an angle of 15 degrees with the desktop, but it should not affect the movement of the body's center of gravity.

Second, we should have correct writing and writing methods when practicing calligraphy.

It seems that everyone can use a pen, but there are still some details to pay attention to if you want to practice writing well. Generally speaking, it is now a "three-finger writing". That is, "the fingers of thumb and forefinger hold the pen tightly on it, and the upper part of the pen naturally leans against the palm source." In fact, these three fingers are not enough. Ignorant fingers and little fingers also play an important role. They bend in rows and stick to the paper, which ensures the fluency of the pen.

Pen writing pays attention to "empty palm". The so-called "reality" means that the fingers holding the pen must exert force at the fingertips, especially on the left side of the upper end of the middle finger nail. If you write for a long time, you will press out a small pit or even grind out a cocoon. If you don't push hard here, you can't hold the pen stably and can't move it. The so-called "virtual" means that the center of the palm of your hand should be naturally virtual, and it also means that the ring finger and the little finger as a drag pen should not be crushed to death on the table, but "virtual" to make the pen flexible.

With regard to pens, the first thing to do is to move the pen holder with your fingers. The pen tip has a small range of motion and little fluctuation. Secondly, the range of activities of the "hanging wrist" pen tip is expanded, and the ups and downs are also rich. But the disadvantage of the latter is that writing small words with big moves is unstable. In order to keep the length of the "hanging wrist" and make up for the short instability, the little finger can be mobilized to support and adjust. When writing in this way, the wrist is separated from the desktop by an arm, and when leaving, the little finger acts as a fulcrum slightly, making the writing stable; In real time, the little finger is slightly propped up, making the pen flexible.

Third, pay attention to the brushwork.

We primary school students usually write and wipe books, and pens can't copy the "reverse strokes" of writing brushes. But we need to understand the spirit of "no drooping, no shrinking, no moving forward", that is to say, we should use the changes of weight, speed and rigidity to achieve a calm and powerful goal. In short, we should learn to use both light and heavy, and combine rigidity and softness. To sum up, we should pay attention to the words "grasp" and "press". In this way, although the handwriting is small, there is also a contrast between calm and flying, thick and thin, masculine and feminine; Between points and strokes, it is not a simple combination of uniform lines like fine wire, but rhythmic, charming and dynamic. So ... The aesthetic feeling can be expressed in a proper shelf structure.

Fourth, the inter-frame structure of Chinese characters should be tried repeatedly.

Whether a word looks good or not is the second step. The first step is the shelf structure. The word "shelf structure" is borrowed from building a house. This word is not "facade"? To build a facade, we must first build a shelf with seven beams and eight columns. This shelf is called a "shelf". After the shelf is set up, some interconnected components should be added between beams and columns, and doors and windows should be installed, which are collectively called "structures". The "shelf structure" of a word includes various radicals and others. & gt

Question 8: How to write the layout of hard-pen calligraphy depends on the style of calligraphy. Regular script mainly talks about line spacing and word spacing, not density. The spacing between lines is basically the same, leaving at least half a word. In running script, the line spacing should be greater than the word spacing, and the words should echo and be coherent, forming a smooth brush gesture. You can read more famous books as models and references.

Question 9: How to write 1 in pen? The writing font has been formed. Can you change it? How?

A: It can be changed, and it won't take long. Many comrades think that the style of writing has taken shape and is getting older and older, and it cannot be changed ... This view is wrong. You know, it is not difficult to write a good hand, nor is it unattainable, but you are extremely diligent and eager to learn, as long as you use the right method and correct your old writing habits. Specifically, when you practice writing, you must correct your writing posture and writing method, which is the first condition.

Here are two examples of ancestors practicing calligraphy. Now I will talk about this problem with my own experience.

As we all know, Wang Xizhi, a book sage in China, first studied books in Wei Shuo, and later saw the famous works of Zhong You, a famous scholar of the previous generation, so he changed to a beginner. It is he who, as a link between the past and the future, turned the simple calligraphy style into a beautiful and fluent modern style, and made creative contributions to the opening of letters, lines and cursive scripts. This is Wang Xizhi's historic contribution in the history of calligraphy in China.

Besides, Yan Zhenqing, a beginner of Chu Suiliang, learned the law from Zhang Xu. He used the brushwork of seal script to write dignified and dignified regular script. It was he who created a new style other than the two kings.

I will learn Zhong Shaojing's regular script first, then Ou Yangxun's and Huang Ziyuan's regular script, and Huang Ruozhou's running script. I feel that I still have a long way to go, but I still have to work hard. But no matter how many years it has been written, it can be changed.

Some comrades suggested: is it ok to write a pen to imitate a brush copybook? Practice has proved that the same effect can be achieved.

No matter how old you are, no matter whether your writing is shaped or not, you can write well as long as you are diligent and firm and realize that this is crucial to your work and future. After some hard work, you can write well.

Although it started too late, many famous teachers didn't start learning until after thirty. Liang Hao of Song Dynasty was admitted to Jinshi at the age of 82. He chanted, "I also know that young people are eager to get into the business and strive to be the boss is mature." In the Ming Dynasty, when Li Zhi abandoned his official position and decided to write a book, he was 54 years old. His masterpieces "Burning Books" and "Collection of Books" were completed at the age of sixty-four and seventy-three.

Achievement lies not in age, but in ambition and perseverance.

Second, where should I learn to write?

Answer: First of all, you should choose your ideal copybook and consider whether it is similar to your own font. After you choose it, read it several times and analyze the main points and structural rules of the font. This is called "expressing meaning in words first", then describing it with transparent white paper first, then copying it and memorizing the key parts of each word. The specific steps are as follows:

Writing posture and writing.

(1) Sit up straight, with your shoulders flat, your back straight, your body and head straight, not low. The eyes are about one foot away from the desktop, and the chest is about three inches away from the edge of the table.

(2) Hold the pen straight, the nib should be straight, and it is forbidden to tilt inward (as long as the palm is flat, the nib will naturally move forward); The tip of the index finger is about an inch from the nib. If the pen is not straight or the nib is tilted inward, it is difficult to write well and it is difficult to write well. Even if you write with a pen, you should move your right hand. At the same time, the lines written have no backbone and rhythm, and the font is not generous.

(3) Inclination of the pen: write big letters up, the inclination of the pen is slightly larger, write small letters down, and the inclination of the pen is slightly smaller. Generally, the slope should be inclined at the index finger joint, and the strokes written here are either rigid and flexible. The inclination of the pen is not suitable, and the speed of using the pen is limited, so you can't write floating and verve glyphs, so you shouldn't tilt at the "tiger's mouth".

(4) Hold the pen easily and then move freely; Hold the pen too tightly, and the written words will not be open and generous. According to the middle school lecture, in a class of 50 students, 45 students hold the pen incorrectly or the tip of the pen tilts inward, and so does the university. It is precisely for this reason that these students' handwriting is not like a hook, and the strokes are piled horizontally.

As I said before, writing is good or bad, and posture is absolutely related to writing. Just like a carpenter sawing wood, if the posture and grip of the saw are incorrect, even if the "line" is drawn straight, it will be sawed askew. This is the same as writing good words.

Third, how should the steps of learning calligraphy be arranged?

Answer: Let's talk about the basic strokes of regular script, that is, point, horizontal, vertical, left-off, grip, lift, hook and fold.

A word is like a machine. When the basic strokes are practiced, it is equivalent to processing the "parts"; Practicing radicals well is like starting to "assemble"; Practicing the whole shape is equivalent to entering the "final assembly". In other words, learn "decomposition" first, and then learn "coherence". Suo ... >>