Strictly speaking, Degang Guo and Pan Changjiang belong to different artistic categories, so it is not easy to discuss seniority. Degang Guo is in the cross talk industry, and the cross talk line has a strict generational relationship. As long as an actor has a formal teacher, Degang Guo can line up with him and call each other.
Why are Degang Guo and Pan Changjiang comparable to their peers? This involves an interesting topic, that is, how cross talk actors talk about their qualifications with sketch actors.
Although crosstalk performers and sketch actors are not in the same sub-industry, they both belong to Quyi in theory. Usually they look up and don't bow their heads, but they can often cooperate. Sometimes even crosstalk performers have to perform skits (crosstalk dramas) across banks.
For example, when Degang Guo was just popular, he cooperated with Pan Changjiang in the movie "The Big Stomach King" and the * * * guest sitcom "Underground Traffic Station". What do you call Degang Guo, who was just popular at that time, when he first met Pan Changjiang?
Generally speaking, there are two ways to discuss seniority among actors from different industries. The first way is a single theory.
If both sides have relatives of the same ancestry or michel platini foster mothers, this can be discussed separately. Or the relationship between the two sides is good, and it is easier to talk alone. Others can't say anything about this single theory, but pay attention to it in public to avoid controversy. For example, Fang Qingping's program on Oriental TV is called Uncle Degang Guo, not Brother, because that occasion is not suitable for discussing Brothers.
Second, find an intermediary.
The so-called intermediary is the person who can talk to both sides. For example, A and B are brothers, and B and C are brothers. Then A and C meet for the first time. They are both B's brothers. Well, let's be brothers. This b is the relationship intermediary.
For example, his father's apprentice can be regarded as a peer with the literary generation, and his son Wang Yu is Hou's apprentice, so we know that Liu Lanfang is also regarded as a peer and Hou Wenyao.
As for the discussion about peers between Degang Guo and Pan Changjiang, some people say that it is because Degang Guo studied Pingju and Pan Changjiang's parents are Pingju artists, so according to the seniority of Pingju, Degang Guo and Pan Changjiang are brothers.
In fact, this statement is not very reliable, because first of all, Degang Guo is a drama critic, but I haven't heard that he has qualifications in drama critic. Secondly, the production of Pingju is very chaotic, and there are various factions everywhere, regardless of east road and west road. Relatively speaking, this school is argumentative and it is very troublesome to discuss with other schools.
In fact, it is relatively easy to discuss seniority between phonology and sketch circles, because there are many intermediaries among them.
Gong Hanlin was born in 1957. He studied cross talk and then turned to sketch. In the phonology world, his master is Tang Jiezhong of the literary generation. In other words, Gong Hanlin was a crosstalk artist in Ming Dynasty, the same age as Degang Guo. At the same time, Gong Hanlin and Pan Changjiang are old partners and the same age.
Huang Hong was born in 1960, and he is also a generation in phonology. Huang Hong's master is Ma Ji, so he also belongs to the crosstalk artist in Ming Dynasty.
Huang Hong's father, Huang Feng, is an artist of Shandong Kuaishu, and his master is Gao Yuanjun. There is also a cross talk teacher, and the master is a long-lived teacher. Therefore, Gao Yuanjun belongs to the Baozi generation of artists. Although Huang Feng worships Gao Yuanjun as a Shandong quick book, he and Gao Yuanjun's crosstalk disciples Li Lishan and Shi Xiaojie are the same generation, that is, the literary generation.
There is an apprentice named Guo in Aauto Quicker calligraphy circle. Guo has no crosstalk teacher, but his father Guo Changyi is Hou's apprentice and his brother Guo Qiulin is Hou's apprentice and brother. Therefore, there is nothing wrong with Guo's peers in the Ming Dynasty.
Zhao Benshan was recommended by Jiang Kun in the sketch world, and they have always been equal, while Jiang Kun was a crosstalk performer in the Ming Dynasty, so Zhao Benshan can also be regarded as an artist in the Ming Dynasty. Zhao Benshan and Pan Changjiang are not only old partners or colleagues, but also peers.
Degang Guo and Pan Changjiang are of the same age. Therefore, no matter from Gong Hanlin or from Zhao Benshan and Guo, and Pan Changjiang are both peers, it is ok for Degang Guo to be called Brother Pan Changjiang.
There is another thing that we must actively recognize. In view of Degang Guo's age, Degang Guo's experience and Degang Guo's position in the comic dialogue circle, I personally think that Pan Changjiang will feel embarrassed, and Degang Guo will not be called Uncle Pan Changjiang or Dad.
Then there is a saying in the rivers and lakes that brothers are shoulder to shoulder. Since they are both Jianghu people and folk artists, they don't care so much. After all, there are two people who are not from the same family, and it is normal for brothers to be commensurate.