The product of this era. This era gave birth to the explosive development of Berlioz and Schumann symphonies in the mid-Kloc-0/9th century. arrive
Looking ahead, they are undoubtedly influenced by Haydn and Mozart, and on the other hand, they can find Crosby during the French Revolution.
Tony Gausek and Meyer. Undoubtedly, without their influence, Beethoven's symphonies would not be today.
Some form.
In practical sense, Mozart's spirit permeated Beethoven's early music, especially the second symphony, such as the finale.
The sudden octave change in the second bar comes from the beginning of Mozart's hafner Symphony. People changed from heroes to heroes.
You can get the same feeling in a symphony, but it is stronger. Many melodic, rhythmic and even harmonic features,
Are directly from Mozart, not only the theme is borrowed from the beginning of Mozart's ninth symphony, but also
When people hear the typical Pahlavi pain, roughness and disharmony in the first movement, they explore them one by one.
ACEF's chord, the listener must think it is his own original creation. Actually, it's not. Please look at Mozart's symphony in E flat major above.
The introduction part of the song (K5432), where you will find almost the same type. It's just Mozart's way, isn't it?
It has the shocking effect of Beethoven's Heroic Symphony. I think this is the key. Beethoven's attitude towards communication
The concept of loud band sound is that it can immediately attract and catch people's attention, and this sound can even be grotesque.
Beethoven created a unique form of symphony. He may get some material from other composers? He may learn from others.
Rhythm forms, other people's themes and harmony are used as springboard, but his handling of these materials is completely new. For example, he
Using wind instruments to provide continuous dialogue, let the melody present fragments. In the dialogue, there is a kind of mercury spilling,
The kaleidoscope-like texture is not found in previous composers' works.
Beethoven's demands on the performers are not only ruthless, but also on the audience. He doesn't care that the player may
Mistakes or technical difficulties may be due to disrespect or carelessness in other composers, but in Beethoven's case,
Because his works contain great energy and humanity, these are insignificant. Even in his creative skills.
The part that is awkward to operate and difficult to play, because it contains rich musical essence and makes people eat.
Rich sense of surprise also forces musicians to overcome technical difficulties in order to keep up with the spirit of music.
Of course, nothing needs many qualities more than a band playing Beethoven's music, especially playing the seventh movement.
Symphony, it gives you a feeling of excitement and strength. People can get it from early musical instruments.
What you get is extra clarity. The special components of each instrument can make all the components of Beethoven's symphony clear at the same time.
I clearly feel that, especially when the outline of the rhythm has sharp edges and corners, the note rhythm with dots will not be as usual.
Degenerate to double time. In the first part of the first movement of the Seventh Symphony, people heard the horn blowing loudly and tuning at the same time.
The drums seem to radiate the rhythmic energy of the whole music and push the band forward. At the same time, there are many kinds of magic.
Color sounds come from woodwind and brass instruments, while stringed instruments play very fast. I believe in Beethoven's early music.
This instrument not only helps us to hear more things, but also strengthens the revolutionary side of his genius. For L[ land,
Later musical instruments were reformed in the19th century, which had the function of blurring the edge of music. They have nothing to do with later music.
There is an inevitable connection between the expression of. Therefore, the technical extra fluency and extra volume of modern musical instruments.
There is a price to pay. What impressed us deeply was that every musical instrument in Beethoven's era had its own completely unique timbre and sound.
Sex can convey Beethoven's ideological tendency more conveniently and directly than modern musical instruments. You lost the hazy dragon and got it.
Extra transparency and rhetorical expression. If there is one musical instrument that Beethoven used in a brand-new way, it is the bronze drum.
(kettle drum). The bronze drum in Beethoven's era is completely different from the plastic leather timpani used by modern symphony orchestras;
Because they are smaller, have masks of animal skins, and make completely different sounds, making it easier to change the tone?
More colorful; Contemporary timpani is plump and round. What surprised me most was Beethoven's use of timpani.
Especially in the ninth symphony, his handling reached a level that shocked me, making the timpani the driving force and motive force of the work.
The carrier of content. There is a wonderful passage in the harmony part. At the beginning, there are nine bars played by wind instruments in E minor, and
Mendelssohn's style, and then nine bars in A minor were added to seven in A minor, all of which were whispered, and then suddenly decided.
The tambourine emits an octave of strong sound, and the effect of this timpani intervention in F major is to force the wind instrument to suddenly change to D minor. Suoye
Timpani is a means to make tone sandhi happen. Before Beethoven, no one dreamed of doing this. This charming land
On the other hand, Beethoven's notes in the timpani part of the score are weakened rather than strengthened, and the effect is amazing. this is not
When the volume decreases, a weak sound appears after the strong sound, but as a whole, it is inverted and like a sound.
The source is getting farther and farther away from us, which adds a strong drama to this musical dialogue. These seemingly trivial details.
Part of it, but it is very important and foreshadows what some scholars, such as John Delmar and Kerry Brown, have done in their work recently.
That is, it changed our understanding of these famous songs.
It is almost unbelievable that these very famous works are often not played from beginning to end according to Beethoven's wishes.
Yes, according to the music score signed by him personally or the first edition of music score revised by him personally. We are here this time.
During the performance, I hope to correct it. Sooner or later, any Beethoven player must face the important problem of speed.
Title. In the reports of Beethoven's conversation record and his contemporaries, Beethoven doubted whether the contemporary performers realized this.
He asked for the ability, so he welcomed the invention of the beater. Whether or not there is something wrong with his hitting machine sometimes,
Under normal circumstances, Beethoven's thinking speed is faster than that of a huge band playing in a resounding auditorium.
Come on. There is such a proof that when Beethoven faced a much bigger band than he asked, the speed dropped, which
Makes him very uneasy. He prefers the condensed and refined sound made by a band of about 60 people. We are now.
So is the performance.
Beethoven also asked his players to try their best to achieve the limit, which is part of his aesthetics. Most of the eighth symphony
Take the later movement as an example, it is full of vitality, fantasy and brilliance. It's useless if you want to play the fast triplet accurately.
It is extremely difficult to use modern and early musical instruments at the same time, but this is not the main problem. When you command-a.
When a band is composed of early musical instruments, the greatest advantage is that the sounds made by those instruments will not collide with each other to form sounds.
The traffic is heavy because it is easy to conduct a modern band. You can clearly hear the savings of each triplet.
The speed of such a section has reached the limit of the performer, which is exactly what Beethoven pursues. If a person is not absolute
To show Beethoven's speed accurately on the ground is to pass the buck. I think the key is that we must
Think of his notes on the beat as a by-product of his overall expression of music, not omnipotent, but simple.
In order to correct the misunderstanding of translators in the past. Take the Alla Marcia part of the last movement of the ninth symphony as an example.
There are two things that can easily lead to the interpreter's mistakes: first, it is now clear that when Beethoven told his nephew Carl about speed,
Carl wrote it wrong. But this is not a wrong rhythm, but a time unit used to measure this rhythm.
Wrong. Beethoven said: 6/8 is 2/84, and Karl seems to have explained that each bar consists of two beats with two dotted L/4 notes.
But Beethoven means that the whole bar is 84. This explanation is completely in line with the fact that when the chorus appears again.
Allegro is also marked with 84. Beethoven said, "always speed",
But this instruction was ignored by the commander. This seems to be in line with the standard beat of the French March at that time.
The first thing I heard in Alla Marcia was wild music played with strange percussion instruments, which was
/kloc-typical Turkish music in the late 8th century. It first appeared in Gluck's opera, and later appeared in Mozambique.
Zat's works also appeared in some of Beethoven's early music. Here he used musical instruments to hint at the departure of the army.
Near, the effect is brand-new. The solo tenor seems to be a messenger, from the other side of the city or from another world.
Bring exciting news. Then Beethoven's music is full of great energy.
Musically, only the last part of the work 133 "The Grand Fugue" and "The Solemn Mass" can match it.
Significantly, Beethoven's first symphony is all his own tinkering around the edges and has his own philosophy.
Information sometimes has a political dimension. Taking the Fifth Symphony as an example, Beethoven promoted the French Revolution at that time.
Taiwan Province used themes, marches and even poems at that time as the content of his music. obvious
For example, in the first movement, he quoted a poem by the French poet Carlo Sene: "What shall we do when carrying the coffin of the hero?"
Some people will die for the country and human rights with weapons in their hands. "The beautiful rhythm of this poem,
Very consistent with the theme of the whole symphony. To some extent, our revolutionary and romantic symphony orchestra is a continuation of Pakistan.
According to the band mode of Li Conservatory of Music. The members of the band are professors and honorary musicians of the Paris Conservatory of Music.
Musician, the band of Paris Conservatory of Music was founded by Herbert Nike in 1828. The band has made several achievements:
They regard Beethoven as their own and are going to play Beethoven's symphony.
His works are impeccable, far from what Beethoven could have seen before his death. The band used the same bow for the first time,
And the performance of music is accurate to an unaccustomed degree. The band went on in a typical French way, grasping fate by the neck.
Son, tell the music industry the future of music. Berlioz, Liszt, Wagner and countless others have heard this kind of performance.
The influence of musicians in these performances is enormous. Its purpose is obviously to express the romantic spirit of Beethoven's revolution.
It was to express Beethoven's revolutionary and romantic nature that our band was born in 1989 (although it was not made public at that time).
I recorded Beethoven's solemn mass, Op. 123. I don't think anything can
This is more important and core than conducting these nine Beethoven symphonies to a person's entire commanding achievement. Accept and
Mastering this music is an attractive challenge for any conductor. With a group of devoted musicians.
When recording, they risked their lives for this music. As a group and an individual, they did everything.
What must be done in order to master Beethoven's music accurately. This seems to be an adventure trip, and the participants are very proud.
Fortunately, nothing can weaken this excitement, nothing can weaken the fear and awe of Beethoven, and you.
We are faced with such a person who can't be surrendered, his great creation and his massive technology injection.
Ingenuity and many musical difficulties. For me, this is very important and ironic, and it is a study of Bedo.
Otto Kolppo, a famous Finnish expert, said many years ago: I tell you, there is nothing better than conducting a performance.
Dove's symphony is more difficult, because since he wrote these scores, the instruments have been reformed. So what?
Are getting bigger. Beethoven should never be modernized. Amen.