1, lines are firm and muddy-passion comes from familiarity with lines. Line is the combination of force and potential, so the pen should be calm and pleasant, steady and light, emphasizing the pen potential (that is, potential), and the typesetting should be based on the size of the font size, the lines are inclined, and the overall vertical potential.

2, the structure is strange and stable-pay attention to the center of gravity. Side, escapement, density and height.

3, the rules are consistent-there is a gap in the number of bamboo joints (a few words); Penetrating bead type (centerline); Serpentine (swinging from side to side); Thin shadow type (sparse and bright).

Seven layout points:

1, not a word.

2, there is echo between words, connecting the preceding with the following, connecting the left and right, and the line spacing and word spacing cannot be equal. Put the book eye in the middle, but it can be bigger. The words are connected with the surrounding air.

Generally speaking, exhibit's works use strong pen and ink. Hanging works are suitable for thinning at home.

4. There should be no typos in the works, and the variant characters should not be too uncommon.

5. The overall layout of the work is light on the top and light on the bottom.

6. The quality of a work mainly depends on the overall visual effect: rhythm, ink color and pen use.

7. In twos and threes, it seems to be scattered and continuous, and the pulse condition is consistent. This layout is also wonderful.

Ten writing keys:

1, eight fronts. With the help of the eight peaks, the ink color naturally changes in light and dark, dry and wet, dry and wet, shades and shades, making the work full of rhythm.

2. combine rigidity with softness. Rigid force-iron lacquer silver hook (thick): soft force-running water (thin).

3, cherish ink as gold. Regular script requires dipping in ink once to write a word or even a number; Write 3-5 words with cursive strokes. At the end of each stroke, the bristles should be restored and the paper should be lifted.

4, suddenly enlightened. Blank space is wide and narrow, and the wide space gives people a feeling of being suddenly enlightened. Art is a process from creating contradictions to solving them.

5, the middle side is used. The center has a solid foundation and the winger has changed. Center is the requirement of rationality and the core of calligraphy aesthetics; The side is the embodiment of emotion and the means of communication between calligraphy and spirit.

6. Thoughtful. Think again and again before you create, so that you have a well-thought-out plan.

7. One go. Calligraphy is an expression of feelings, not skills. Write in a good physical and emotional state. Write casually, in one go.

8, patchwork. In general, the line spacing of works should be wide and the word spacing should be important. Avoid juxtaposition and interlacing of words. There is a gap between the number of sections, the arrangement and combination should be rhythmic, the size and characters should be staggered, and the middle book eye should be highlighted.

9. The pen is interesting. Calligraphy is silent music and invisible dance. Respond to changes, make the whole harmonious, and have a strong sense of rhythm and visual impact. Make good use of my poor pen, use it slowly, move, and write ink.

10, pay attention to gas penetration. The spirit of calligraphy refers to the echo between strokes and different words, and the trend between words.

Twelve pens details:

1, cursive script is not horizontal. Cursive scripts with horizontal lines should be as short as possible and have a sense of verticality. You can use dotted lines and thin lines instead.

2, to avoid the phenomenon of flat drag, dry pen, thickness unchanged caused by fast, everywhere.

3, the ink is light and there is no god. Start from thick ink again, and the strokes of thick ink characters should be clearly stated.

4. Avoid using the word "eyes" to prevent too many "eyes".

5. The center line is the focus of the work. In a work, there should be several outstanding, wonderful and individual words. This is also called "book eye".

6. Long line characters are very important. Be careful when you collect the pen. Generally, dry pen is used at the end of strokes.

7. Words with heavy pen and ink should not be equal in area, and there should be a transition between the weight of words and the lightness of words, so as not to be uneven.

8. Fine pens should be tough and thick pens should be strong. There should be a thick pen with iron and silver grooves and a fine pen with running water. 9. Ink is slightly slower when dry, slightly faster when wet, slightly slower when coarse, and slightly faster when fine. Cursive script means regular script, so you should write regular script.

10, when handing in the pen, the beginning and the end are very clear, and each pen should be explained clearly.

1 1. Pay attention to the pressure increase: even but uneven, straight but not straight, straight in the curve, straight in the curve. To "press down with a pen".

12, center and winger, eight wingers, center details, winger thickness.

The four main points of signature:

The inscription and postscript refers to the author's signature, seal, year, month, porch number, etc. The main content of the painting and calligraphy works is completed to show the integrity of the works. Inscription is an integral part of writing and cannot be underestimated.

1, the signature is less than half the size of the text. These two lines should be right high and left low. Don't change pens.

2. Don't leave too many spaces in the signature, and pay attention to the proportion of light and heavy.

3. Impressed works are filled with glass and books.

4. It is best not to have more than three seals.

To hone pen and ink skills, we must also handle the following groups of contradictions:

One is the size, which refers to the size of the knot. When creating, we must pay attention to the change of the size of words and avoid rigidity.

The second is the thickness. We often say that pens should be affordable and can be pressed. Lifting means that we dare to suddenly write with a pen tip under normal writing conditions. Although we write with a pen tip, there must be changes in lifting and pressing, so we must write hard, not tracing. The so-called pressure is to dare to let the brush eat paper in a large area, and even use the flank. What I want to explain here is that although the strokes are heavy, we should also look at the strokes, and the strokes should have texture.

The third is dryness and dampness. Dry means that the ink on the brush is almost used up, and then it appears white. Wet, naturally, is the state when it is just dipped in ink. At this time, the words written are prone to ink rising, and the words after ink rising must be recognizable, otherwise they are ink pigs. Look at the pen dry, look at the shape wet, and the transition between dry and wet should be natural.

The fourth is density. In addition to considerable pen and ink skills, it is more important to standardize the whole article.

The fifth is Yan Zheng. In a masterpiece of calligraphy, there must be opposites and uneven levels.

The sixth is disconnection, which refers to the connection between words. There should be no hard and fast rules for breaking and connecting, but there must be no response.

Seventh, sensibility and rationality. Sensibility and willfulness; Be rational and arrange skillfully. The repeated use of sensibility and rationality can not only express the author's emotional changes, but also play a role in regulating the rhythm in form, making the work more rhythmic and more touching to the audience.