I think "See You Again" is a road movie. On the road, what you see is not only the story of growing up, but also a lot of father-son love, brotherhood, friendship, love and respect for hometown. love.
A movie that doesn’t look like a movie, it seems to be a patchwork of life, some black humor, a little chicken soup for the soul, but inside you can see Han Han’s inner monologue. This is a life journey, you can see Emotions and impulses can also be seen as rationality and innocent human nature. It is a collision that has lost innocence and reality, sensibility and rationality, and emotion and reality. A journey, three passers-by, three liars. That unexpected encounter, that young and frivolous impulse, that twists and turns of redemption, I can't help but wonder, what is love? What is a dream? What is hope? Life is so fucked up. In fact, you and I are all ordinary people. We don’t long for the ordinary after seeing all the prosperity. It’s just that at that moment, we feel that we have nothing. Just like the song says, okay, okay, I accept all failures, life is an opportunity, just once.
The whole movie is a fable, and this fable has already been pointed out when the title appears: the car is not traveling on the road, but floating on the sea, just like life, there is no built road for it. When you leave, it is a kind of aimless wandering, passing by countless people, and then there will be no future, so if Hu Sheng is lost, he is lost, if Sumi is gone, he is gone, Alu is gone, you They can never be found again, there is no logic, the story is broken, and the ending is neither sad nor happy. It just continues to wander... This is the original life.
More like an essay than a novel. The sentences are concise, almost three words, one golden sentence, two words and one conclusion. It is ruffian yet literary, and the audience laughs constantly. Those who are used to Han Han's articles seem to enjoy it, but those who are not familiar with Han Han's style will wonder why it is so abrupt. Yuan Quan's sentence "Like is unrestrained, but love means restraint." "It's very artistic, but why is there no foreshadowing at all? Jia Zhangke's "Children only ask about right and wrong, adults only look at the pros and cons" is very philosophical, but why? With this dialogue, could it be that Han Han was possessed by Wong Kar-Wai for a moment? Han Han once said that movies are about telling a story well (similar meaning, I can’t remember). Although the narrative of "The End of Time" is higher than the level of domestic films and dozens of "Little Times", if you want to achieve a truly good work, you still need to Be restrained.