How to evaluate the painting style of the film Ponyo on a cliff by the sea when it was decided to file? Miyazaki Hayao's work Ponyo on a Cliff by the Sea tells the story of a little boy who meets Jin Yuji and tries to become a little girl and named him Ponyo. In the book, Ponyo's father keeps her brothers and sisters in the underwater world, trying to protect them. Ponyo longed for the outside world, so she sneaked out, causing a tsunami, and finally met a little boy who lived by the sea. Both children are growing up with each other.
As always, Miyazaki Hayao's cartoons always bring us soft aesthetic enjoyment. Sosuke's hut under the blue sea and blue sky, the starry sky shining after the storm and the magical water world under the clear sea make this animation have a fairy tale color. Although the trust and affection between two five-year-old children can't reach the height of love, I think the purest feelings of children should be the best. I like the lovely Ponyo. She is brave, persistent, kind and optimistic. The characters inside are full of warmth, the warmth of the intermediary family, the warmth of the sunflower house and the rescue team after the storm are all flashes of human nature. There is no gorgeous picture, no magnificent story, no profound revelation, but it is this simplicity that allows you to find the most beautiful and innocent thing you have ever had.
When Poseidon asked Ponyo if she was willing to give up magic and become human, Ponyo also firmly said yes. This is another climax of the film. I do. This is the love that many people yearn for. At the end of the film, everything is calm, Ponyo kisses Sosuke and becomes human, and finally ends with a kiss. Perhaps this is the pure friendship and love of children.
The film conveys environmental protection and true love. Sosuke and Ponyo, the two protagonists who are only five years old, have broken the realistic concept of adults. They see the beauty of the world through their children's clear and innocent eyes, and everything is so natural and innocent. I think Miyazaki Hayao can really see things from the perspective of children. Everything is true and the story is warm.
My Neighbor Totoro, close your eyes. Do you smell the grass and mud by the river? This dreamlike work is full of summer energy from beginning to end, and the children's joys and sorrows are mixed with the smell of grass by the river, which is as refreshing as the wind. It doesn't even tell a complete story, because it is like a chinchilla standing on the treetop, a childhood dream woven by Miyazaki Hayao, and we have all done it.
There is almost no conflict in My Neighbor Totoro, which is unique in Miyazaki Hayao's works. When the corn was almost ripe, my father took his two daughters to the house in the country, waiting for the mother who was about to leave the hospital. It's that simple. All the stories revolve around these two little girls, one is four and the other is twelve. Cleaning the house, going to school, planting trees, visiting my mother and getting lost, perhaps, these simple things were also done in our teenagers' summer vacation. However, it is precisely because of these deja vu things that we feel cordial and unforgettable about the stories of two little girls. Even the appearance of my neighbor totoro is not surprising. Didn't we dream that a huge and powerful friend took us through the dense forest and flew over the green cornfields? The happiest thing for people is to relive their previous dreams, not to mention those innocent dreams without any impurities in childhood. So don't leave in a hurry at the end of the movie. When we grow up, our wonderful childhood dreams have long been forgotten by us. The movie helped us find it and close our eyes. Do you smell the grass and mud by the river again?