He has also played an important role in more than 20 film and television dramas, such as The Story of Shrimp Ball, Looking for the World to Come Back and Lighthouse Boys. Many film crews asked him to film, but for the sake of his beloved children's drama career, he gave up filming film and television many times, holding a salary of 100 times, and stood on the children's drama stage for 25 years, taking every role and performance in his drama performance career seriously, without a trace of burnout.
Participated in public welfare performances and youth volunteer activities for many times, performed for teenagers who lost their feet, soldiers in naval bases, primary and secondary schools, and served as off-campus counselors in many schools.
Since assuming the post of vice president, under the guidance of the president, and in line with the principle of "inheritance, development and innovation", I have led the creative staff of the crew to brainstorm and live in the next life, so that artists can fully draw nutrition and inspiration from their lives and lay a solid foundation for their creation. Lead the performance marketing department to formulate a series of large-scale performance projects, and strive to open up the commercial performance market while establishing the brand image of the national theater. In 2006, the main reserved space of the school was realized, and commercial performances only accounted for a small share of the big reversal! The number of performances reached more than 300, and the performance income reached more than 7 million yuan, achieving a double harvest of social and economic benefits.