After reading this picture, it is really a rare treasure, which was written in the Ming Dynasty. The teacher is far away, and his meticulous brushwork is by no means comparable to that of ordinary painters.
In the ninth year of Guangxu (1883), Weng (1830- 1904) was 53 years old. When he was middle-aged and old, he looked at his calligraphy experience. Learn from Han and Song Dynasties, be literate in Tongcheng, and have poems near Jiangxi. Calligraphy is vigorous and bone-opening. Young students learn from Europe and Chu, while middle-aged students concentrate on Yan Zhenqing, especially Suzhou and rice. He writes poetry and occasionally paints, especially calligraphy. Immersed in Han Li in his later years, he was the first calligrapher with the same age and the same light. Calligraphers at that time admired his calligraphy attainments. At this time, there should be one of the characteristics of Su style, Mi style and Yan style, which is not shown in the above picture at all. For example, it is appropriate to choose sacred objects.
Look at its signature seal, the above picture is obviously fake.
Look at Yuan Jiang (1662- 1735)
Yuan Jiang (painter in Qing Dynasty)
Yuan Jiangzi Wen Tao,No. Xiuquan. During the Yongzheng period, he was called into the DPRK as prime minister. Yuan Jiang is an influential painter, court painter and master of landscape painting in the history of painting in China. During the Kangxi, Yongzheng and Qianlong periods of the Qing Dynasty, Yuanjiang was the most famous pavilion with neat scenery. At that time, there was his nephew Yuan. The two of them were hired by Shanxi salt merchants in Yangzhou to paint in Shanxi, and their works were widely circulated in the north. Be good at painting landscapes and terraces, and be good at learning from Song people. Landscape painting mainly learns from Yan Ciping in the Song Dynasty, painting stones full of ghosts, and pavilions mainly learn from Guo Zhongshu, which is neat and rigorous. Most of his painting materials are ancient palaces, especially boundary paintings.
Yuan Jiang's works can be divided into meticulous painting and meticulous painting. Most of them are neat and meticulous, and a few are rough with pens. In addition to painting landscapes, pavilions and pavilions, Yuan Jiang also works as flowers, and some of his works have been handed down to this day. Yao Yuan's style is basically the same as that of Yuan Jiang.
Its signature is more than two words, neat, exquisite and powerful. The pen on it is soft and thick.
Look at this version of Daming Shi Sheng.
Look at Dai Jin again
Dai Jin (1388— 1462), a native of Yuquan Mountain, Jing 'an. Qiantang (now Hangzhou, Zhejiang) people. In his early years, he was a craftsman of gold and silver jewelry, and later he changed to painting and calligraphy. Xuande Room (1426 ——1435) is dedicated to the imperial court with paintings, and Guan Zhiren Hall is waiting for a letter. Later, he was slandered and released, wandering the rivers and lakes. He is good at painting landscapes, figures, flowers and birds, and cordyceps. Famayuan and Xia Gui, landscape teachers, remained loyal to Chen Fa in middle age, but fled in different ways in their later years. Gao Shuang, the protagonist, is vigorous and powerful, and his brushwork is quite hard; The brushwork of drawing characters is skillful, and the expression between setbacks is beneficial; Flowers, birds and cordyceps are also very profitable. Founder of Zhejiang School. His works include Scenery of Spring Mountain, Wind and Rain in Gui Zhoutu, Three Visits to Caotang, and Six Dynasties of Fa Hui Neng, etc.
Look at his paintings and refine them with a pen, but the above picture is hesitant with a pen, with soft lines and no layers of pen and ink. It's obviously a forgery.