Types and Introduction of Chinese Painting
Shishanmen
Chinese painting terminology. Chinese painting is divided into six branches, namely, figures, houses, landscapes, pommel horses, ghosts and gods, flowers and birds, etc. Xuanhe Garden in the Northern Song Dynasty is divided into ten gates, namely, Taoist Gate, Zimen Gate, Gongmen Gate, Gate, Arowana Gate, Shanshui Gate, Animal Gate, Flower and Bird Gate, Zhu Mo Gate and Vegetable Gate. Deng Chun's Painting with the Southern Song Dynasty is divided into eight categories (doors), namely, immortals, buddhas, ghosts and gods, biographies of people, landscapes, forests and stones, flowers, bamboo feathers, animals, insects and fish, houses, trees, boats and cars, melons and fruits, vegetables and grasses, and small miscellaneous paintings.
Red and green
Scarlet and cyan are commonly used in ancient paintings in China, so they are called "painters". Hanshu? Biography of Su Wu: "It was painted on bamboo and silk by Dan Qing." Du Fu's "Dan Qing presents General Cao Ba": "I am loyal to your art, I don't know my age, and my fame and fortune are like clouds."
Bi gong painting
Also known as "fine pen". Symmetry with "freehand brushwork". Chinese painting technique name. It belongs to a neat and meticulous painting method. Such as the courtyard painting in Song Dynasty, Chou Ying figure painting in Ming Dynasty, and Shenquan flower-and-bird painting in Qing Dynasty. Han Zhuo's Complete Works of Mountains and Rivers in the Northern Song Dynasty has the saying that "the brushwork is simple and complete, and the brushwork is clever and precise", and the requirement of meticulous brushwork belongs to the latter.
Literati painting
Also known as "master painting". A Chinese painting. Generally refers to the paintings made by literati in China feudal society. It is different from the paintings of folk painters and professional painters in the Palace Painting Academy. Su Shi put forward "literati painting" in the Northern Song Dynasty, and Dong Qichang advocated it in the Ming Dynasty, with Wang Wei as the founder in the Tang Dynasty and Wang Wei as the ancestor in the Southern Song Dynasty (see Northern and Southern Song Dynasty). But in the old days, it was often used to raise the painting art of the literati class and despise folk painters and institutional painters. In the Tang Dynasty, Zhang Yanyuan once said in Notes on Famous Paintings of Past Dynasties: "Those who have been good at painting since ancient times are better than others without elegant clothes." This theory has far-reaching influence. In modern times, Chen Hengke thought that "literati painting has four elements: personality, knowledge, talent and thought. Only with these four elements can it be perfected." Usually, "literati painting" takes landscape, flowers and birds, plum blossoms, bamboo, chrysanthemum, wood and stone as the theme. To express "spiritual spirit" or personal ambition, sometimes it also contains feelings of oppression to the nation or resentment against decadent politics. 、
Palace decorative painting
Referred to as "courtyard body" and "courtyard painting". A Chinese painting. Generally speaking, it refers to the paintings of Hanlin Painting Academy in Song Dynasty and later court painters. There are also works specifically referring to the Southern Song Dynasty Painting Academy, or generally referring to non-court painters who imitate the style of the Southern Song Dynasty Painting Academy. This kind of works mainly focus on flowers and birds, landscapes, court life and religious content to meet the needs of the court. They pay attention to statutes, have both form and spirit, and have a gorgeous and delicate style. Because different times and painters have different specialties, their painting styles are different and have their own characteristics.
Blue-green landscape [Chinese painting painted in blue-green]
A landscape painting. Landscape painting with mineral azurite and stone green as the main colors. There are big turquoise and small turquoise. The former has more hooks, fewer strokes, strong coloring and strong decoration; The latter is dominated by the light color of ink and wash. Zhang Geng in Qing Dynasty said: "Painting is also a matter of painting; All colors have been fixed since ancient times, and they are all green. " In the Yuan Dynasty, the Tang Dynasty said, "It is a family law that mountains and rivers take gold and jade as their color."
Thirteen families
Terminology of Chinese painting. Chinese painting is divided into six branches: Zhang Yanyuan's Record of Famous Paintings in Tang Dynasty; In the Northern Song Dynasty, Xuanhe Huapu was divided into ten branches. Deng Chun's painting in the Southern Song Dynasty is divided into eight categories. The Painting Guide of the Tang Dynasty in the Yuan Dynasty said: "There are thirteen subjects for secular painters, starting with mountains and rivers and based on interfaces."
Goule
Chinese painting technique name. Call it "hook" with a pen, and "music" against the trend; There is also a single pen as "hook" and a double pen as "le" (used as "fu" in landscape painting); And those who are called left "hook" and right "le" It usually refers to drawing the outline of an object with a line hook, whether it is straight, inverted, simple or complex, which is called "double hook". Hooks are filled with many colors, which is opposite to "boneless" and "point cluster" in technique, and is generally used for precision flower-and-bird painting.
Brush texture technique
Chinese painting technique name. Used to represent the texture of rocks and bark. The main methods of cutting rocks are horse, straight, raindrop, cirrus cloud, Jie Suocun, Niu Maocun, lotus leaf, wire, long axe, small axe and big axe. There are three manifestations of tree epidermis: scale (pine bark), rope (cypress bark), cross hemp (willow bark), cross brush (plum bark) and cross brush (buttonwood bark). The above painting method is a form of expression created by painters of past dynasties according to the geological structure and appearance of rocks and the epidermal state of trees. Descendants are listed as ... >>
Question 2: What does ink painting mean? Ink painting: it is a form of painting. More often, ink painting is considered as the representative of China traditional painting, that is, Chinese painting. Basic ink painting, only ink painting, black and white, but advanced ink painting, but also meticulous flower-and-bird painting, colorful. The latter is sometimes called color ink painting. Chinese painting takes ink, one of the unique materials of Chinese painting, as the main raw material, and the amount of clear water is referred to as thick ink, light ink, dry ink, wet ink and Jiao Mo. , and draw different shadows (black, white and gray). Don't have a charm called "Mo Yun". And form a painting form dominated by ink and wash.
A Chinese painting. Refers to a painting made of pure ink and wash. Legend has it that it began in the Tang Dynasty, became in the Five Dynasties, flourished in the Song and Yuan Dynasties, and continued to develop in the Ming and Qing Dynasties and modern times. Give full play to the function of ink painting with brushwork as the leading factor. "Ink is color" means that the shade change of ink is a hierarchical change of color, and "ink is color" means that multi-level ink chromaticity can be used instead of colorful colors. In the Northern Song Dynasty, Shen Kuo's "Tu Song" said: "The south of the Yangtze River spread to Ju Ran, and the light ink and light blue became one." Which is ink painting. People in the Tang and Song Dynasties painted landscapes with wet strokes, which had the effect of "water fainting ink printing". People in the Yuan Dynasty began to use dry pen, and the ink color changed a lot, which had the artistic effect of "giving color at the same time". Wang Wei put forward the style of painting in the Tang Dynasty, and later generations followed suit. Ink painting has always occupied an important position in the history of China painting.
Ink painting has its own obvious characteristics. Traditional ink painting, according to the comments on the ancient paintings of Sheikh in the Southern Dynasties, pays attention to "vivid charm", does not stick to the appearance of objects, but emphasizes the expression of the author's subjective interest. Chinese painting emphasizes "expressive form", pursues a feeling of "beauty lies between similarity and dissimilarity", and pays attention to the charm of pen and ink. Writing requirements: flat, round, left, heavy and varied. Ink method requires ink to be divided into five colors, thick, light, broken, splashed, dyed, burnt and lingering. Pay attention to "brushwork", not focus perspective, not the influence of environment on the change of light color of objects, but the blank layout and the "momentum" of objects. It can be said that western painting is an art of "reappearance" and Chinese painting is an art of "expression". Chinese painting is to express "verve" and "realm". In addition, Chinese painting loves to write poems and mention words, and then add red seals to sign.
Question 3: What is Chinese painting? Chinese painting, also known as "Chinese painting", is a traditional painting in China (different from "Western painting"). Draw on special rice paper or silk with brush, ink and traditional Chinese painting pigments. The main themes are people, landscapes, flowers and birds. Techniques can be divided into two types: brushwork and freehand brushwork, which are full of traditional characteristics.
From the perspective of art history, all Chinese paintings before the Republic of China are collectively called ancient paintings. In ancient times, Chinese painting did not have a clear name, and it was generally called Danqing, which mainly refers to scroll painting painted on silk, rice paper and silk and mounted. Known as Chinese painting in modern times, it is different from foreign paintings such as oil paintings (also known as western paintings) imported from the west. It is a painting created by China's unique pen and ink and pigments according to the long-term expression and artistic law.
Chinese painting reflects the social consciousness and aesthetic taste of the Chinese nation in terms of ideological content and artistic creation, and embodies China people's understanding of nature, society and politics, philosophy, religion, morality, literature and art related to it. Traditional Chinese painting emphasizes "the nature of foreign teachers is the source of China's heart", requires "meaning to save the pen first, and draw as best as possible", and emphasizes the integration of things and the creation of artistic conception, so as to achieve the purpose of describing the spirit with form, having both form and spirit and vivid charm. Because calligraphy and painting are of the same origin, they are closely related to the operation of bone and line, so the seal cutting of calligraphy and painting affects each other and forms a remarkable artistic feature. The tool materials for painting are pens, ink, paper, inkstone and silk specially made in China. Modern Chinese painting has made a breakthrough and development in inheriting tradition and absorbing foreign techniques.
Question 4: Classification of Landscape Paintings Classification of China Landscape Paintings: As far as the relationship between color and ink painting is concerned, China landscape paintings can be divided into three categories: turquoise, light crimson and ink painting. Green landscape is a landscape painting format dominated by color; In ink painting, ochre is endowed with a light crimson landscape; Ink landscape is a landscape painting based on ink. Green mountains and rivers can be divided into big green mountains and rivers, small green mountains and rivers and golden blue mountains and rivers. Those who don't show ink bones are big turquoise, those who fill the gold bottom with gold thread are resplendent, and those who show ink bones and have a certain ink interest are small turquoise.
Satisfied, please adopt.
Question 5: What's the difference between Chinese painting and ink painting? Chinese painting was put forward during the May 4th Movement for foreign goods, foreign culture and foreign paintings.
In fact, at that time and afterwards, the cultural circles once suggested that the term "Chinese painting" was inaccurate and there was a "dispute between pen and ink".
Ink painting is also available abroad. Instead of using China's traditional pen and ink techniques, we use some special techniques to express the strange changes of ink and wash colors.
Therefore, some scholars suggest that ink painting should include China's "Chinese painting" (which the scholar calls "China ink painting technique") and western ink painting techniques, and subdivide traditional techniques and modern techniques under two categories.
I think this division is reasonable. what do you think of it ?
Question 6: What paper is used for ink painting?
Question 7: What is the traditional landscape painting in China? Traditional landscape painting is divided into ink and wash, turquoise, resplendent, boneless, light crimson and light color.
Hope to adopt
Question 8: What is ink painting and what paper is used? Ink painting is a form of painting. More often, ink painting is considered as the representative of traditional painting in China, that is, Chinese painting. Basic ink painting, only ink painting, black and white, but advanced ink painting, but also meticulous flower-and-bird painting, colorful.
Its tools are pen, ink, paper and inkstone, in which paper refers to Xuan paper.
Question 9: What is the artistic conception of China's landscape painting? Khan, there are so many copies upstairs. Does the landlord have the patience to finish reading them? Let me give you a short answer. China landscape painters often pursue a more profound and attractive realm, such as realistically depicting the forests and mountains of nature. Media is artistic conception.