Running script is a treasure of calligraphy art and a form of traditional culture and art in China. Peng Hangshu's writing method refers to guiding the writing of running script through its structural characteristics and writing rules on the basis of Peng's personality.

The word Peng consists of two parts: Peng and Peng, in which Peng refers to the way people walk and Peng refers to the gathering and intimacy of friends. The word Peng itself means friendship and mutual help between people. In running script, the structural features of Peng character are widely used and become one of the basic laws of running script writing.

Running script requires smooth and powerful strokes. When writing Peng characters, we should pay attention to the obvious turning point at the beginning and end of each stroke to make the whole font look natural. At the same time, the strokes of the running script are required to be thick and thin, and there are obvious changes to highlight the three-dimensional sense and movement of the font.

The structure of running script requires balance and coordination. The font structure of running script is complex, which requires harmonious proportion of all parts and moderate bending degree of lines to avoid being too stiff or too straight. The glyph of the running script requires the overall beauty of smooth curves, giving people a comfortable and pleasant feeling.

The layout of the running script needs to be simple and clear. Running script fonts are generally large, so pay attention to the spacing between words to avoid being too dense or too scattered. Every running script

The structure of words should be legible to avoid overlapping or blurring of glyphs. The overall layout of the running script requires simplicity and clarity, giving people a sense of order.

The strokes of running script require a strong and restrained pen. The running script font should be written in hard pen, which has certain strength and restraint, and highlights the changes of the bones and lines of the font. The strokes of the running script are required to be undulating and thick to increase the three-dimensional sense and movement of the font.

The writing method of Peng Hangshu is based on Peng's character, and it guides the writing of running script through its structural characteristics and writing rules. Running script requires fluent and powerful fonts, balanced and coordinated structure, concise and clear layout and powerful and restrained strokes. Learning from Peng's writing method of running script can improve the writing level of running script and make it more artistic and ornamental.