Tell the story first. The story of the master is simple: fight-fight again-it's over!
Anyone who can punch, regardless of gender or age, always feels that if he doesn't do something brilliant, he will be sorry for his limbs. So around whether to fight or not? How to fight? Why did you fight? Who will play first? Fight who? And so on, a series of questions that can be thoroughly reflected after fighting have made generations of martial arts masters and one after another. "The Grand Master" is very old, and the wholesale group buys a team to brush the blame, and hits a pack of grand masters. There is always a theme in Wong Kar-wai's films, that is, loneliness and nostalgia, and there is a layer of lingering sadness everywhere. The whole movie lasted more than two hours, and I almost lost my kidney. All I see is a desolate gesture, a wet sigh, an old story and a lonely love.
After telling the story, I have to tell the picture. It's a beautiful man and woman. There is no passionate scene, no sacrifice of any hue, and even no kissing scene. Zhang Ziyi and Song Hye Kyo are so beautiful that people can envy them, and each front can be cut directly as wallpaper. Born in a noble family, Mrs. Ye Song Hui Jing raised her hand, raised her head and turned around. Without saying a word, it is a classic. Zhang Ziyi, who was born in martial arts, stared intently, closed his eyes and stretched his legs, which was called simply. Master Ye Tony Leung Chiu Wai is a lovely man. The older he gets, the better he looks. Master Max Zhang always makes people want to laugh when he plays octupole boxing. Zhang zhen, who had his hair cut, came out of nowhere and was as cool as a cartoon. Teacher Zhao Benshan and his new apprentice, Xiao Shenyang, went out to make soy sauce, but nobody cared.
Go on with your lines. On the surface, it is extremely calm, but in fact, it is dark. Wong Kar-wai's low-key proof through this film is that no one can compare with the vernacular lines in Lao Zi's previous films, and now writing scripts in classical Chinese is still excellent. Especially in the second half of the film, it is almost a classic. In an exclusive interview, Xiaogang Feng once sneered at Wong Kar-wai's habit of making movies without scripts, sneered at him as much as he could, and said contemptuously, "What is the skill of making movies without scripts? You can't write it. Write for me if you can. . . "I don't know how Zhang Yimou, Xiaogang Feng and Chen Kaige, the great directors who engaged in the murder of steamed bread, would feel when they saw The Master? Everyone has made kung fu blockbusters, all of which are so-called well-read and brilliant, but the lines written have been hovering at the level of the third grade of primary school, which has made a Hong Kong director who is not fluent in Mandarin win the first place.
Finally, say something miscellaneous. It is convenient for a fish to eat eggs, and it is never necessary to investigate what chickens eat and what eggs they lay. So Wong Kar-wai doesn't know me very well, so he doesn't judge me. Two girls always pretend to be * and go to Japan to shoot * * memoirs. From then on, when they see her movies, the fish system will automatically block her face. I heard that after the film was finished, she said that she would never make a martial arts film again. Is it that the sea is already difficult for water? Although Yumou believes that in the near future, two girls will keep jumping out and wandering in the Wulin again, and the person who said "no more filming" just said that P was released after listening to it, but there is such a film, which is enough for me to watch all my life. Mrs. Ye had better go back to Bangzi Township, instead of seeing her off. Every time I look at Tony Leung Chiu Wai frowning at Fish Head Chen, I am always concerned. Emma is very depressed. You have to live well.
It is said that Tony Leung Chiu Wai and Zhang zhen both started from scratch. After the film was finished, Zhang zhen won the Wushu championship in the national Bajiquan competition held in Changchun. Could it be that this is the second girl's desperate efforts to tell Master Ye that "there will be repercussions if you don't forget"?
If you don't forget, there will be repercussions. Well, close the door, read books, live forever, and take exams.
Extract some classic lines, perhaps as a signature. You should hurry up with the exam and pretend to be thirteen and don't relax.
July rhapsody should do something when he is twenty.
There must be a person with temperament in the dust.
Talking too much will hurt people.
If the heat is not enough, it is difficult for everyone to adjust. When the heat is over, things will be urgent.
It is easy to do things in the dark, but difficult to do things in the light.
The so-called great achievements are insufficient, and there are shortcomings to make progress.
One can't tolerate the kindness and cleverness of others.
You come and I'll wait for you.
Once an agreement is reached, all the problems are clear.
The flowers hidden at the bottom of leaves have dreamed of stepping through the snow several times.
Take a breath, light a lamp and someone will hold it.
The hardest thing to overcome is life.
I would rather think about it than stop thinking about it.
I don't want to live forever, just temporarily.
I have you in my heart. But I can only like it until I like it.
I am lucky to meet you at the best time, but I have no time.
Think about it, saying that life has no regrets is all anger. How boring it would be if there were no regrets in life.
People are not hard, tigers are not hard.
Life is like chess, you have no regrets.
Don't forget, there will be consequences
I chose to stay in my own years, which was a happy time in my life.
Look at yourself, look at heaven and earth, and look at all beings.
People in other places only have the road ahead, and there is no body behind them.
Romance is a dream.
Langxin has his own feet, and he will come back across the river.
Words must be called three, and hands must be called fists.
All the encounters in the world are reunions after a long separation.