"The Storm" caused a wave of discussion when the trailer was released, and it has received widespread attention and praise after it was officially broadcast. This passionate and inspirational drama of the times combines narrative and emotion to create distinctive characters, presenting a group of passionate and youthful young people and teachers with strong character and ambition. The wonderful performances of the young actors and powerful actors in the play add to the rich story content.
This is a drama that focuses on the feelings of family and country. It also tells the story of young people walking hand in hand on the road to pursue the same faith in troubled times. "Leaning on the fence when the storm is rising, don't be a helpless person in China" has been on air for a week, and the patriotic feelings expressed in the series have made many viewers break their guard. Many viewers said they really liked "the Chinese people's feelings of not being afraid of death" and "the fiery yet implicit love of the Republic of China."
The pilots in the play are dedicated to serving the country and soaring into the sky. It is their ideal and ambition to serve the country with their bodies. Among them, Zhang Qi, the captain of the Hanguang Squadron played by Hu Yitian, is a representative. He chose to study after joining the army. Fly, put on military uniform and become a combat pilot. There are many passionate young people like him in the play, who are eager to kill the enemy on the battlefield and serve the motherland, without fear of every life or death.
The female characters in the play are also outstanding. Young women choose to burn their ideals in their best years and never stop pursuing their faith. Meng Haitang, played by Zhang Ruonan, is a progressive young woman. She first studied oracle bone inscriptions with Professor Ling Wenyue, and then believed that teaching and educating people was also one of the ways to save the country, so she chose to be a teacher and work together with her predecessors. Protect the cultural bloodline and sow the fire of awakening on the three-foot podium. There are also many veteran actors in the play, who are capable of interpreting the unyielding literati character of that era. Professor Ling Wenyue, played by Wang Jinsong, strives to protect the country's treasured oracle bone culture and measure the land with his feet, awakening aspiring young people and continuing the national spirit. There is also Secretary-General Meng Wuran, played by Zhang Xilin, who "bows down and is willing to be a coward" and is dedicated to seeking better development for the school. These people, both civilized and military, worked hard to find a way out for the country in the darkness, and together they contributed to the victory of the Anti-Japanese War.
Behind the civil and military efforts to save the country, there is also the love of the Republic of China that makes many people unhappy. It is said that love affairs during the Republic of China were 9 times out of 10 miserable. In the turbulent times, aspiring young people sacrificed small loves for big ones. In the face of love, the country's crisis is at the forefront, so you must be patient and restrain your feelings. However, in the age of war, love will always seem insignificant and regrettable. After all, it is "no matter how hard it is for the country to accept its Qing". "Leaning on the Railing" takes passionate beliefs and cultural inheritance as the entry point, integrates grand narratives with emotional carvings, breaks out of the stereotype of small family love, and long-lasting love between children, and truly creates multiple characters with distinctive personalities. In this context, the belief of people with lofty ideals who are willing to serve as lamps to illuminate the fertile land and protect the cultural heritage is even more precious. How will people with lofty ideals work together to protect their homeland? Stay tuned!
"Leaning on the Railing" is a Republic of China drama that combines family, country and national sentiments with sweet love. Gods fall in love in the flames of war. The male and female protagonists are both very good-looking, and the deputy CP There are several couples, and they are all super sweet and cute. This drama is an anti-Japanese drama, but the plot of the drama is more outstanding in that it focuses on intellectuals. The different actions of the three protagonists depict the war of that era in a broad way.
Haitang, a female student with independent female ideas, and Zhang Qi, an ace pilot who abandoned school to join the army, had a childhood relative. In the war-torn era, they met, and they talked through the door and climbed over the wall. An unexpected meeting, the blooming crabapple flowers amazed him, an accidental need to take photos of the navigation tower on the plane, mutual help again and again, escape from death, gambling under a crabapple tree, the difficult survival of each family, facing Faced with the changing times and the survival of the country, let's see how three intellectual families explore a way out and move towards the bright future!
The acting skills of two young actors, Hu Yitian and Zhang Ruonan, in previous film and television dramas The level can still satisfy the audience. Of course, we cannot deny that the acting skills of the two young actors are still a bit immature. But in "Leaning on the Railing", this sense of immaturity of youth may be an important plus point for the character - under the premise that the country is broken, immature young people also join the army and serve the motherland. This in itself is Constitute a sense of aesthetic correspondence. But at the same time, this youthful and youthful narrative also takes care of the aesthetic tastes of young audiences to a certain extent. On the one hand, this TV series clearly explains the two lines of anti-Japanese resistance. On the other hand, it also adds passion, love and other content that young people like, without losing the flavor of love in the context of the times. This kind of narrative takes good care of the aesthetic level of young audiences.