The so-called high imitation calligraphy and painting means that the level of counterfeiters is quite high, almost exactly the same as the real thing. At present, there are many such fakes in society. For example, Qi Baishi, Liu Kuiling and Wang Xuetao imitated in Tianjin; Shanghai imitates and thanks; Cheng Shifa and Yaming imitated in Nanjing; Guangzhou imitates Luhe; Shi Lu and He An imitate; There are countless imitations of Zhang Daqian's paintings and calligraphy works in Hong Kong.

There is an old saying in the line drawing: "If you want to know the truth, you must first be a prophet." Therefore, in addition to relying on experience, we should always compare and analyze the authenticity. If there is no collection, it can be based on the picture books published by some authoritative units. Generally speaking, the personal album published by the painter before his death is quite reliable.

So, how to identify high imitation calligraphy and painting? First of all, people should have a comprehensive understanding of the style of painters and calligraphers, which is basically the same as the identification of traditional paintings and calligraphy. All successful painters and painters have their own styles, such as Mr. Cui Zifan's simplicity, richness and magnificence; Mr. Cheng Shifa is lively and humorous; Zhu Qizhan's boldness, composure, strength and so on, as long as you look more, you will gradually get familiar with it. An experienced appraiser can tell who wrote this painting without looking at stamps.

Secondly, in addition to the content style, people should also master some basic knowledge of calligraphy and painting appraisal. For example, modern fake paintings and calligraphy mostly use photographic plate printing, which is almost the same as the author's original printing. But after careful observation, it is not difficult to find that the seal looks flat and lacks the smell of stone. The drawing age of the work should also be mastered, and usually the author has already written it in the signature. If there is no date, it should be judged according to the author's style in different periods. The date has been set. If the appraisal time is more than five or six years, you can stick a small piece of white soft paper on the seal and rub it with your nails a few times. The seal engraved for more than five or six years will not fade. Of course, there are paintings and calligraphy on the back cover, which need specific analysis.

Inscription is also one of the keys to distinguish the authenticity of modern calligraphy and painting. Generally speaking, paintings can be imitated to 890%, and it is good to have 670% signatures. Obviously, imitation is more difficult than imitation. The authenticity of the signature can be judged from the following points: (1) Whether the signature is "breathable" will be problematic. A normal signature is "connected" in "charm". (2) Unspent calligraphy and painting can also be observed from the back. If the pen stops where it shouldn't (in the middle of a horizontal or vertical line), this paragraph is false. As long as the counterfeiter hesitates a little when signing, the pen tip will leave a mark on the rice paper, which is not visible from the front of the painting, but obvious from the back. Real models rarely leave such traces. (3) Observing from the pen of Ming Kuan. As long as we compare the famous paintings of painters and painters in different periods, we will find the law of their changes. For example, Mr Lou Shibai's money has different forms at different times. In his later years, the vertical center on the right side of the teacher's word was used, and then the left side of the white word suddenly turned to the side peak; For another example, in Tian Shiguang's famous Tian Zi, the left vertical center is used, while the top horizontal center and the right vertical center are completed by turning to the flank, and there is no pause in the middle, forming an arc. Most forgers ignore these details.

In short, there are many forgery methods of modern calligraphy and painting, some of which are fake paintings, fake seals and fake money; Some are real paintings, fake seals and fake money; Some fake paintings were inscribed by famous appraisers or painters; Some are directly faking on old rice paper; Some fake new rice paper and then make old rice paper; Some are really small and famous in an album; Have a plenty of big and small famous cooperation, small famous is true, big famous is false; Some deliberately give someone a fake title, and so on. As long as we keep observing, thinking seriously and consulting experienced people, we will definitely distinguish between true and false and between right and wrong.