Height: 167cm Weight: 48~50kg Birthday: October 5, 1986 Zodiac Sign: Versatile Libra Hobbies: writing, music, travel, movies, photography (hates being photographed) Education: 2003-2005 Studied at Chengdu Foreign Languages ??School, a private high school in Grade 05. Before the college entrance examination, I passed the GRE in foreign languages, and successfully passed the written and oral test of Tsinghua University's independent enrollment selection. Finally, I unexpectedly failed in the college entrance examination and missed out on Tsinghua University, so I improved Tianjin International Studies University. Currently holds a master's degree from Hong Kong Baptist University. Favorite writers/celebrities: Lu Xun, Guo Shan, Jian Yu, Shi Tiesheng, Huang Biyun, Chen Qizhen, Zhang Ailing,

Writing history

The Year of Qi Jin

Since childhood I have studied painting and piano for nearly ten years. Passed level 10 piano in middle school. She admits that she does not have a large amount of reading accumulation, but she wanted to write a book when she was in elementary school. She still followed the rules and learned piano and painting under the guidance of her mother, became a team captain, a monitor, and attended the Mathematical Olympiad class. When I was in middle school, I was exposed to guitar, jazz drums and a little bit of movies. Later I found that the only gain was to gain access to a way to express the world. I used to have dreams of becoming a cartoonist and making movies, but I still hold onto my dreams. I encountered a lot of precious things while growing up, and I began to yearn to pay homage to those people and things, so I found the cheapest form of expression, that is, writing, to prevent myself from betraying time and memory. He is living toward death with an impetuous attitude of looking forward between memories and fantasies. In 2002, Jinnian wrote her first text, "The Bed Is the Tomb of Youth." She said that looking back yesterday, she saw another kind of metaphysical growth that writing had brought to me. Now it seems to be a trivial and complicated writing, but the reason why I despise the past is because I have made progress. Jinnian met some valuable friends in high school, from whom she benefited a lot, such as Qu He (one of the chief editors of the Chengdu electronic magazine "MOY"), etc., and she lived a life related to writing, music, and movies. But corresponding to this is that I hate the math test and feel at a loss at the same time. When Qi Jinnian was growing up, she kept reading a few of her favorite books because she had already learned them by heart through repeated reading. For example, Shi Tiesheng's thousand-word essay "Autumn Memories" she often read under the 25-watt small lamp in the dormitory. The first time she learned about the power of words was when she was doing the reading question "Autumn Memories" in Chinese class, and she was at a loss because she cried unknowingly. She claimed that Shi Tiesheng's works led me to re-examine the origins of literature and writing, and it will always have the supreme status in my heart. In 2003, during the days and nights accompanying "The Temple of Earth and Me", she remained at an age of panic because she had not yet gotten used to the loneliness that a residential student must get used to. The pure solitude of writing made her feel at ease, and she wrote some of her own poems. Words that I think are insincere - "North", "Audio Hallucination", "Old City" and "Yesterday". In the second half of 2003, I started writing "Far Town" during evening self-study; before the winter vacation, I went to Shanghai to participate in the semi-finals of the 6th New Concept Composition Competition (previously, I was shortlisted for the preliminary round with the article "The quilt is the grave of youth"), and wrote "On the Road" Yiwen won the first prize, and the red carton containing the trophy still bears Wang Meng's signature when the award was presented. In 2004, I completed "Far Town" during evening self-study in the second semester of high school, and sent this article to my friends to introduce "Island", which ranked first in the readers' reply list. At this time, when weighing the huge and heavy study pressure and the gushing desire to write, she finally chose the latter. She said that the heartfelt moments were often blended with words and she couldn't control herself. The strong desire to express and the smoothness of the expression process were unprecedented, but it was just a flash in the pan. In the chaotic senior year of high school, she gave up all kinds of betrayal and completed the form of self-comfort. After June 2005, she couldn't vent her frustration after failing the college entrance examination and embarked on a journey. The desolate wilderness made her fall in love, and she had the outlines of several short stories. After returning home, I wrote some innocuous writing exercises, such as "Letters". This article was described by Qu He as having the character of Shen Congwen, which made Jinnian feel both uproar and joy. In 2006, he wrote his first novel "Lamp of the Earth". Since the publication of "Far Town", he has been contributing to "Island" and "Mind Stories" for a long time, which has become quite controversial. Guo Jingming once regarded Qijingnian as a core member of his team when Hansey left Ke Ai.

In 2009, he served as the honorary president of "One-Way Road", the first society under the banyan tree. After the expiration of the contract with Ke Ai in 2010, the contract was not renewed. Later, he published a collection of essays "Dust Song", which is divided into three parts: travel notes, essays, and novels. It contains fine essays that were scattered in publications in the late Qi Jin years, the latest wonderful travel notes, and the novella "Dust Song". The entire book is illustrated with the author's original travel photography illustrations. Among them, the novella "Chen Song" breaks through the previous style of the Qi Jin Dynasty. The writing style is sharp and sharp. The three representative protagonists were born in different eras: father, son and daughter. It alludes to the huge alienation among Chinese family members, and The shackles of communication that refuse to communicate tell the story of a family where hidden conflicts erupt in one day. The story unfolds like a drama, with each family member's secret past unfolding in their hearts: the father's emotional entanglement with his ex-wife in his early years; the son's love story that he has hidden for many years as a non-heterosexual; and the daughter's unique experience in college. In the novel, there is a lack of communication between family members. Although they live together every day, there is a deep gap between them. "A family under the same roof looks close, but in fact they have their own thoughts." Those sad past events would rather be shared with near-strangers than with close relatives, all because Chinese-style family affection carries a huge sense of alienation and The shackles of refusing to communicate. Delicately presents the painful struggle and entanglement deep in each person's heart.