In the second and third seasons, scientific theories were added, and evolution theory was used to prove how the hero's superpowers were possessed. The chaotic and orderly relationship between the characters is more complicated, and there are more and more super-power owners, which once again strengthens the plot and needs, and also makes the drama's main slogan: "Save cheerleading, save the world." A fire without rhyme or reason ...
The main line of Hero is actually very similar to the prequel of X-Men, which tells the story of a group of haunters who can't be exposed in front of human beings and make choices for their rights.
As a drama series, he is undoubtedly more representative. While telling stories, writers use the unique rights of dramas to explain the sources of these superpowers. This is also the difference between a drama and a movie. He has enough time to tell stories, and he can spend a long time perfecting a story.
You can treat him as an outsider, and even in the theory of parallel worlds, you can see some shadows in Star Trek. Just like Hiro travels to the future, sees the future, and tells other haunters to change the world with his super power, which is actually similar to some travel theories in Star Trek.
Unlike many superhero movies, the heroes in Hero are more like civilians. They have doubts about their abilities and their lives, and so on. They are no longer fighting senselessly like those heroic movies, but discussing whether this ability is good or bad. ...
In the words of Greg Beeman, the screenwriter of Hero, "Heroes come from the side."