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How to treat the "power of capital" behind Better Days's draft?
Anyone who knows about the talent show knows that a large part of the tickets for the talent show are obtained by buying milk from the spokesperson of the talent show. However, the milk of these spokespersons is generally not very delicious, and many star supporters have not announced how to deal with this batch of milk after purchasing tickets.

Recently, a photo of the spokesperson of "Youth has You" was exposed on the Internet, and piles of milk were poured into the river ditch, which aroused the anger of many netizens and viewers. Even in the era of material abundance, there are still many children who can't drink dairy products, but the talent show has contributed to such a large-scale waste. Everyone thinks that the talent show that seems full of dreams is actually just a competition for capital.

How to treat the power of capital behind talent show? Let's take a look together.

First, it seems that relying on the audience's love is more about raising funds from fans' support clubs. There are still many netizens who think that the contestants selected by the talent show are really popular with the public. In fact, the number of votes of passers-by is not very high in the ticket pool. What's more, the fan support club can decide the players to debut, and the money raised by the fund is used to buy milk tickets and add tickets to their idols on a large scale. This encourages the phenomenon of comparison. Many underage children have to use the money given by their parents to help Aidou realize her so-called dream, even if it is frugal.

Second, chasing dreams on the surface is actually a contest of capital. Many talent shows are under the banner of chasing dreams, but in fact dreams are not worth mentioning in front of capital. If a company wants its artists to debut, then. Just buy a lot of milk tickets, or more directly, negotiate with the producers to debut. And some artists without company or small company background may not be exposed from the beginning, and neither the audience nor netizens have a chance to notice.

Third, children who really pursue dreams have long been brushed off. As mentioned earlier, in fact, many artists from small companies are not unpopular or not good enough, but because the company's resources can't expose them and let the audience notice them. They came to the stage with their dreams, but they still lost to capital.