1, netting CG circle. Whether it is a big manufacturer in the industry (Netease Tencent) or an illustrator, there should be no more than 1000 kols with names. After all, CG circle is a small circle, so far there is no real industry association. Get everyone together through the competition, and then what? We haven't given a clue yet. Nothing more than selling goods, selling people, selling classes and so on.
2. There is no direct transaction with training institutions for the time being. It is good to have training institutions to advertise, but how can dozens of judges cooperate because all the judges in this competition have training institutions? After the bonus is dispersed, it is not money at all for training institutions.
In other words, who in this line of work hasn't attended training? It is normal for successful people to come out of training institutions. (After all, people have gone to training, which shows that they are still a little enterprising. It really makes sense to look at the works. )
3. The award selection is controversial, but it is the only chance to free yourself from casual painting. What do you mean? Many winners are really not practical, but isn't this the pain point at work? Free play, no technical restrictions, and money if you are lucky. This kind of opportunity is really hard to get. I think the difference between this competition and the competition is to expand the limitations of practical technology.
It is really unnecessary to promote the official media, because the teachers they promote are much larger than their official traffic. That is to say, K Da and Uncle Guang are hundreds of thousands of fans, and their official Weibo is only tens of thousands, so the tuba needs a trumpet to promote it? The flow of God is the right solution.
After the work was finally submitted, even my little transparency was turned over. As long as it's official, you can go to the wall again. Usually just send some A station handling, there is no job advertisement. To tell the truth, this kind of media is not as strong as 7.game, and it is not a step to determine the promotion target.
To sum up, it is "everything is business". Since the judges are invited to participate in the competition and the great gods have training institutions, the coverage of the great gods' publicity is naturally in the training institutions. With more students participating in the competition, there are naturally more awards. Logically speaking, there is nothing wrong. Think about it. If you want to promote this competition, how will you promote it? Why not go to a training institution and hand out leaflets on the street?
It remains to be seen how the game will go next. However, at this stage, there are official media willing to help us climb the wall, as well as various activities and lottery activities. I didn't spend a penny. Painting always requires painting and training always requires training, which has nothing to do with this competition. Generally speaking, it's neither blowing nor black. I think we can see it again in the next session.
GGAC Global Game Art Competition is the world's top game art competition sponsored by Shanghai Dianqing Technology's Art Box (ABOX), and the prize money per season exceeds 6,543.8+0,000 yuan.
GGAC takes it as its mission to build the top-level games in the whole industry, and takes it as its vision to promote the exchange and development between China and the world's game artists. It aims to create a world-renowned and magnificent visual art feast for game artists and fans by coordinating the strength of the whole industry.
Global Game Art Competition (GGAC) is the world's top game art competition sponsored by Shanghai Dianqing Technology's Art Box (ABOX), with a prize of more than 6,543.8+0,000 yuan per season.
GGAC hopes to fill the gap in the global game art competition after "War of Domination" and become one of the highest-level games in the game art industry in terms of scale, bonus and professionalism.