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Mo Lingchun's comments
Spring in Liling puts the sense of ups and downs on the subjective feelings of the characters in the play, which is not necessarily related to the joys and sorrows of love. When Huang Ji, the general of the Southern Tang Dynasty, appeared, "The bells are scattered and the flowers are not old." When I was old, I looked at my old sword sadly and remembered that year when I crossed the river. Sad place, the setting sun is like a swallow, relatively speaking, ups and downs "; Xu Shiyi visited Houzhu Temple. "The Southern Dynasties painted moss murals, and Xiangchuan Temple was full of tears. Elegy of mountains and rivers, grass in the dark, sorrow in the breeze, knowing the rise and fall of ancestors; Even the boudoir girl, Zhan Niang, lamented that "Zhu door is wide open, not like the old days", revealing the pain of national subjugation through the sadness and subjective feelings of the characters. The first drama "The Dust Settles" said: "I am annoyed by who is disabled, leaving a acacia. Yusheng is romantic and we love it. A roll of sincere heart paper, changed to wipe the history of warbler flowers, "rewritten the thought of the old country into the style of love." "In fact, there are not many sentimental scenes between the two people in the play. What they love is not the love between Zhan Niang and Xu Shi, but homesickness, which is the yearning for the old country. Important props in the play-antiques such as jade cups and mirrors. -they are all old things from the southern Tang dynasty. Collecting antiques is not only the subjective hobby of the people in the play, but also the author's nostalgia for history. Love is just an auxiliary line. In two dynasties, two "everyone" were realized. Structurally speaking, the sense of ups and downs is mainly reflected in the illusory description of the former emperors in the first half and the author's wandering on the road of real life in the second half. This vagrancy will be discussed in the second part.

Wu's "Moling Spring" was called by Mao Xiang: "Every word is a faded pearl, and Mr. Wu pinned it in the distance", and his script "used ancient songs to laugh and scold, and used pottery to write my anguish and complaints".