◎ Ingenious integration of pentatonic scales in the upper corner of the work
"chinked-out" combines the strengths of the East and the West, creating a higher quality borderless music.
The so-called "chinked-out" spirit is actually not as heavy and terrible as imagined. Leehom truly integrated the spirit of oriental music with the form of western music without trace. Unless otherwise pointed out, you will only find this album very pleasant, with diversified music, such as Hip Hop, R& etc. B tastes more China, just like the works of international singers such as Usher Usher or Justin. If we compare Leehom's "chinked-out" to building a house, it's like building a magnificent building without borders in the new century with western reinforced concrete and China's unique mortise and tenon technology and internal structure. Just look at the appearance of this building, you won't know whether it is located in new york, Taibei, Paris or Beijing, because you will find it suitable in these places!
Although many works used elements of China music in the past, most of them used Chinese style as a kind of "feature" or "tidbit" rather than a complete integration. Leehom's works have further surpassed the original barriers, such as flute, guzheng and R&. The natural collocation of b rhythm; Tibetan female voice sings, and China drums and flutes echo the rhythm of western hip-hop clapping in the "deep bamboo forest". "In that faraway place" is not only a folk song that China people are familiar with, but also a wind-like dialogue among the ocarina, dulcimer and piano. It sounds that these instruments and elements are integrated, and there is no difference. This is Leehom's real attempt. "chinked-out" creates oriental characteristics, but better integrates with the west, so that western Renye Fang can understand and enjoy his favorite borderless music.