(1) Confirm that the existing characteristics of all cognitive objects, including nature and society, even human beings and self, are systematic, conflicting, vague and open.
(2) The way of intuitive insight is the carrier of the original way, and finally achieves self-realization and sublimation.
Yan Yu, a poetic theorist in the Song Dynasty, said: "Generally speaking, Zen is only in wonderful enlightenment, and poetry is also in wonderful enlightenment." The so-called enlightenment is to avoid or escape from rational logical reasoning, capture images through the mystery of intuition, and thus complete the perspective and understanding of the existence of cognitive objects in an instant.
Epiphany refers to the poet's artistic intuition in the face of internal or external stimuli, which directly reflects the emotion, experience and intelligence of stimuli through the sensory organs, omitting the cognitive results of logical reasoning or scientific argumentation.
Bergson said that the so-called intuition is a kind of rational blending, which makes people put themselves in the object in order to conform to the unique and therefore unspeakable things.
The process of intuitive thinking in poetry is the choice of images and the formation of poetic schema. The highest realm of poetry is a pure art that uses a series of expressive techniques to reproduce intuitive feelings and pursue the absolute coincidence of intuitive world and comfort. If we only pay attention to the concreteness of ontology without knowing and understanding Tao, poetry will easily become a simple and superficial vocabulary.
Generally speaking, intuition is divided into perceptual intuition, rational intuition, empirical intuition and intellectual intuition.
Perceptual intuition refers to the cognitive ability to intuitively perceive the external representation of cognitive objects through sensory organs.
Rational intuition refers to a kind of intuitive perception ability formed by repeated analysis, induction, reasoning and judgment of cognitive objects through sensory organs.
Empirical intuition refers to the cognitive ability to verify his own judgment on things through countless factual experiences. A person's consciousness will produce a transcendental intuition through numerous fact tests or special forms of training. For example, one day, the famous Japanese samurai Yagyu Ma Danshou was enjoying flowers in the garden when he suddenly felt a strong murderous look coming from behind. When he looked around, he was puzzled that there was no one except the little waiter who brought him a sword. It turned out that the waiter saw the master concentrate on enjoying the flowers and thought, "Although he is good at fencing, I'm afraid he can't defend himself if I attack him from behind with a sword?" This is a fleeting idea, which is actually perceived by its owner. # Suzuki Dazuo and Fromm co-authored Zen and Psychoanalysis, p. 49.
Intellectual intuition, that is, Zen intuition, refers to the cognitive ability of the cognitive to enter the realm of wisdom and see everything intuitively.
When a poet is at different levels of intuition, he has different levels of intuitive perception and expressive force. In other words, the higher the poet's intuition level, the deeper and wider his perception and the newer and greater his expressive force.
The rational intuition and emotional impulse hidden behind experience, experience and ideas have a large number of specific permutation password formulas, an intellectual structure, and show the dual characteristics of universal rationality and image emotion, which constitute the deep psychology, mode and performance framework of artistic inspiration. Poets must stimulate their creative inspiration through intuitive epiphany, so as to turn the word image into the life organ of poetry, awaken the organic connection between the inner spirit and the external world through imagination and association, and leap from the poet's inner world to the self's external world through the word image of poetry.
Intuition breeds inspiration, and inspiration breeds intuition. Intuition is a kind of psychological perception activity that precedes perception and concept, which lasts for a very short time and is often just a bulge of a simple image or the appearance of a simple life scene. Inspiration is the psychological experience after intuition, which is more complicated and stronger than intuition with emotional excitement and tension. After the poet's senses were mobilized and his thinking and memory became more active, many images poured in, and poetry poured out of his heart like a spring.
Poets understand or perceive the world with intuitive eyes, abandon abstract concepts and vividly reproduce the poet's internal and external multiple worlds. The highest realm of poetry is to completely reproduce the truth of Tao in the body.
The poet consciously integrates his keen intuition, passionate enthusiasm, endless thoughts and mysterious spirit into his "self"
In the exploration and excavation of "Tao" and the outside world, we can enter the visual language through intuition, so that the light of life wisdom can reach the induction and ringing of all things in the universe, reveal or present the extreme of soul singing and shouting in the openness and clarity of life, and turn the perception of Tao into the instinct of life and then express it through the visual language of poetry.
(3) Improve one's own wisdom, strive to achieve truth and profundity, mobilize all methods of expression, and strive to make its artistic expression vivid and novel. The depth and strength of poetry reflect the thickness and weight of wisdom accumulated by the poet's mind. The poet's wisdom determines the depth of his perception and the artistic charm and realm of poetry. In other words, how much wisdom a poet has absorbed, what level of wisdom he has reached, how many poems he has created and what level of poetry he has reached.
If a poet wants to gain wisdom, he must go deep into his soul and reflect on his complexity. Through the verification of "harmony between man and nature", he can deduce the truth of the universe, find countless conflicting and harmonious selves in the alternating changes of everything, and finally reach the realm of harmony between things and me. Wisdom is the expression of Tao. How many "Tao" a person has achieved, how much wisdom he has gained. Only by maintaining a keen sense of "scene" can a real poet cross the emotional level, open the deep channel of the subconscious and reach the realm of wisdom that sees through everything in the original process of poetry.
Different poets' intellectual structures, although pursuing the blending and agreement of reason and emotion, all have some abstract schema that penetrates the essential attributes of self and the outside world to varying degrees. Various concepts formed by various experiences, experiences and epiphany accumulate in psychology, forming a conditioned reflex to cognitive stimuli and forming an intellectual schema of cognitive process. In other words, the imagery and spirituality of poetic language not only need to be captured by the poet's emotional and rational intuition, but also must be confirmed and highlighted by his aesthetic wisdom schema.
With this intellectual schema formed by aesthetic intuition, the poet can connect many independent images and endow them with images through the synaesthesia of sound, shape, spirit and state. With the continuous flow and jumping of the poet's consciousness, the metaphor endowed by his thoughts will naturally and appropriately change in depth, and strive to show the poet's rich imagination and the magic of controlling language.
In order to truly and accurately reproduce their deep feelings, we must rely on certain artistic expressions to express the novel metaphors of figurative language. That is to say, we must express our deep feelings and novel metaphors according to the creative methods of postmodernism, postmodernism and postmodernism that Ji Damo said. Oscar Wilde, an English writer, once said, "The first person who compares a woman to a flower is a genius, the second is a mediocre person, and the third is a fool." In other words, novel metaphor is a sign of genius. Any strange imagination, novel metaphor or variation of words and phrases must be based on the poet's promotion of wisdom. Therefore, only by grasping and composing poems wisely can poets adhere to the creative principle of "profound perception and true and novel expression".
(4) follow the inspiration and write without affectation. Poetry is the rhyme of nature, the voice of the soul, the spontaneous flow and eruption of the image of natural blood and the expression of inspiration. The so-called inspiration is a sudden epiphany after meditation, a whimsy after careful consideration, and a crystallization of wisdom condensed from life experience. A poet never knows what he will write until his inspiration appears. Therefore, a real poem is never to express any theme or idea, and it is impossible to set up a picture according to a certain idea, so as to express it in advance. Real poetry is just a series of inexplicable sentences that burst out of inspiration. Only by filtering the surging passion through the perception of the soul can poetry reach a rational height.
A true poet can make any kind of mistakes, but the only mistakes he cannot and should not make are hypocrisy and affectation. Writing poetry for the sake of writing poetry is the biggest blasphemy and crime against poetry.
(5) On the basis of respecting self-personality and individuality, it extends to respecting the personality and individuality of every poet, adheres to the principle of "everyone is equal before poetry", and publicizes independent and free creative individuality.
A. Every poet inevitably brings his own personal experience, knowledge structure, emotional experience and habits of appreciation and expression into his poetry creation, so he must adhere to the principle of "equality, mutual benefit and tolerance" in his poetry creation.
B, a real poet, each of his poems is a dynamic reflection of his whole life, and every moment's emotions and feelings are unrepeatable life experiences. Therefore, when a real poet writes a poem, he must keep his personal feelings at the moment of creation and restore and repair his inner spiritual forgetfulness.
C, in the daily life of secular disputes and emotional events, into the subtle plot of an era. Create a great personality, support yourself to write for the truth, and transform everything you feel into poetry through spiritual language.