2. Idiom allusions: Lu Xun's "Answering Xu Maoyong's essays at the end of the pavilion and about the anti-Japanese United front": "The first thing to sweep is to pull the banner as a tiger skin and wrap yourself up to scare others.
3. Answer Xu Maoyong in "On the Anti-Japanese United Front". Lu Xun was ill at that time. This article was drafted by Feng Xuefeng according to Lu Xun's opinion, supplemented and revised by Lu Xun.
1,1In the second half of 935, China's * * * production party determined the policy of establishing an anti-Japanese national United front, which was warmly supported by the people of the whole country and promoted the arrival of the anti-Japanese climax. At that time, the party leaders of the Shanghai Left-wing Cultural Movement (mainly Zhou Yang and Xia Yan) were influenced by the suggestion that some members of the international delegation of the China Production Party entrusted Xiao San to write a letter. They realized that there was indeed a tendency of "Left" closed-doorism and sectarianism in the work of the Left-wing Writers' Union, and thought that the organization of "Left-wing Writers' Union" could not adapt to the new situation. At the end of this year, they decided to automatically dissolve the "Left League" and prepare for its establishment.
2. The dissolution of the "Left League" once sought Mao Dun's opinion, and Lu Xun once agreed, but he was not satisfied with the simple way to decide and implement this important step. Later, Zhou Yang and others put forward the slogan of "national defense literature", calling on writers from all walks of life to join the anti-Japanese national United front and strive to create literary and artistic works to resist Japan and save the country. However, in the propaganda of the slogan "national defense literature", some authors unilaterally emphasize that "national defense literature" must be used as the creative slogan; Some authors ignore the leading role of the proletariat in the United front.
3. Lu Xun noticed these situations and put forward the slogan "Popular Literature during the National Revolutionary War" as a requirement for left-wing writers and a hope for other writers. Revolutionary literary and art circles have had a heated debate around these two slogans. Lu Xun's Letter to Trotsky School and On Our Current Literary Movement published in June have already indicated his attitude towards the anti-Japanese national United front policy and literary movement at that time, and further elaborated his views in this paper.