Several critical articles by Zhou Zuoren are worth noting, such as Sinking published in March, 1922, Love Poems published in this newspaper in June, 10, 10, What is immoral literature, 165438. At that time, Yu Dafu's and Wang Jingzhi's works were full of infatuation and affair, without any pride, and described the sexual anguish of young people wonderfully. Scholars who are used to Confucius' poems naturally frown and get angry, denouncing them as obscene words and disorderly language. The Zhou brothers have always held a sober view on this. Their remarks are not as moral as those of today's literati, but they speak a lot of strange voices from the perspective of sexual psychology and human emotion, which is very weighty. In the early 1920s, the poet Wang Jingzhi wrote a collection of love poems, The Wind of Hui, which exposed the love affair between men and women. There are many lingering places, and there is a strong desire for love in depression, which caused some criticism at that time. Someone once wrote an article accusing it of being "depraved and frivolous" and losing its elegance. After seeing each other, the Zhou brothers wrote their own articles and said many good things for Huifeng. Lu Xun's article is called Critics Against Tears, while Zhou Zuoren has written many articles, especially love poems, which are quite powerful. From the perspective of sexual psychology, the author first quotes the views of Kabend and Ellen Kay, explaining that sex is "the purpose of love in the universe" and that love poems should not be simply considered obscene and lascivious. At the end of the article, he said: "We should look at the essence of love poems first, and then discuss their art ... Love poems can be glamorous, but not frivolous, not intimate, but not profane; In short, you can do anything as long as it is not chaotic ... in this way, even if the artistic value of love poems is different, you can believe that there is no' immoral suspicion'. However, this morality is based on my own definition. From the perspective of traditional authority, this is particularly suspicious and indeed immoral. This immorality of old morality is the spirit of love poems, and I don't need any excuses. Due to the relationship between age and circumstances, Jing has not written a passionate work yet, but there are many beautiful sentences in his sentimental love poems. My impression of these poems, like the light of cosmic love scattered in space, was more or less in a butterfly net, radiating tiny lightning. Therefore, after seeing the' affectionate duet' in the Wind of Hui, we should think of the call for the liberation of the poetry circle and expect him to make progress. If we make a fuss and think that' the revolution can't be reformed like this', it's like accusing an elephant of being bigger than an ox and being too short-sighted. " Therefore, the loudest slogan during the May 4th Movement was to oppose feudal ethics and strive for individual liberation. As a part of personality liberation, freedom of love and marital autonomy are not only welcomed by young people, but also attracted the attention of writers. In feudal society, "keeping righteousness and destroying human desires" is like a tangible and intangible chain, which tightly binds people's body and mind; Falling in love and singing songs about love are also considered guilty and shameful. Traditional poetics emphasizes "thinking without evil", that is, it requires poets to write poems without evil thoughts, that is, it does not violate feudal ethical norms. The emphasis on love and beauty during the May 4th Movement was directed at feudal ethics. As for the significance of Zhou Zuoren's love poems about "lakeside society", Mr. Longquan Ming once pointed out: "On the one hand, we should fully see its position and artistic originality in the development of China's love poems, on the other hand, we should see its thoughts and feelings of pursuing love freedom and personality liberation, which objectively has anti-feudal historical significance.