The style presented in the trailer of "Dear" is so heavy that people have a premonition of instant tears. However, after watching the feature film, they can't help but sigh that Chen Kexin is still the same Chen Kexin. Some humor is essential, and some optimism is also necessary. This is a style spread from the filming of Golden Rooster, which reflects the reality of Hong Kong. There are bound to be some spectators leaving with the feeling that the goods are not right, but if you are familiar with Chen's humor, you can completely laugh at these seemingly abrupt gods. There are too many jokes, and the most impressive thing is the "child-seeking meeting" led by the character of Han Zongji in the film. Riding a bike with the slogan of "encouragement" and singing "Invisible Wings" despised by the audience loudly, the journey of finding children is quite a spring outing under the guidance of teacher Han's packaging ... These tearful smiles are not only necessary strength, but also essential beliefs and beliefs. There is also the rookie lawyer played by David, which does not exist in the real story and is also the setting for the director to convey hope and energy. It can be seen that Chen Kexin's realism is heavy and intense, dark and full of hope. There is a controversial point in the film that can extend beyond the scene and let the audience ask themselves-you lost your only child. Do you want to never give up and find or have a second child with betrayal? But I don't think there can be a perfect answer to this question no matter how you think about it. Just like Tian Wenjun and Zhang Yi in the film, the former's persistence brings a little hope of regret, but isn't the latter's waiting worth a penny? But the reality is not to give him a happy ending. If I had doubts about the positioning of the film "tenderness" before the opening, I would be convinced after watching it. It may be a little criticism of the apathy of the world, a little dissatisfaction with the lack of human feelings under the jurisprudence, and a little irony of the class nature of the real society, but above these criticisms, dissatisfaction and irony, it is the hope and human feelings emphasized from beginning to end.