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Which two painters were the most influential in the Enlightenment?
1, Flower God is the representative work of Titian 15 15- 1520. Just like love on earth and love in heaven, it was completed in the most harmonious historical period.

2. Susanna and the elder after bathing, Tintoretto.

Susanna is presented here in a delicate and beautiful nude image. Skilled oil painting techniques make Tintoretto's creation have the style of Italian classical beauty. The dark brown background strengthens the soft tone of the naked woman, and the silver gray, pink and sky blue of her skin make her plump and fat body lifelike.

3. The Virgin in the Chair Raphael, Italy

This is a very famous portrait of the Virgin painted by Raphael. This painting depicts a beautiful, dignified, elegant and serene young mother. Dressed in fashionable clothes and a plaid headscarf, she has a gentle and virtuous manner. This is Raphael's image of the Virgin with the flavor of the times.

4. Elizabeth is like Crewe.

This is one of Crewe's representative works. The painter showed the girl's noble and solemn temperament with superb painting skills. The characters look subtle and changeable, and the jewelry descriptions of eyes, hands and costumes are nuanced. The color of the whole painting is simple and heavy, which gives people a strong visual impact.

5. Bathing woman, Crewe, France.

The protagonist of this painting is Diana Moantiya, who is a legend in the history of French court.

6. Cupid and Psyche, Zhu Ji, Italy

This painting is based on ancient Greek mythology. Eros, the goddess of love, fell in love with the beautiful princess Psyche. They meet in a palace every night, but the goddess of love forbids each other to look at his face.

7. The Angel of Songs and the Virgin Botticelli, Italy.

There are many characters in this painting, all arranged in a circle reasonably. The expression of the Virgin is solemn and slightly worried, and the expressions of angels around the Virgin are also different. This is a typical gentle and charming style of the painter, which is quiet but not sweet and vulgar and has great artistic charm.