In addition, there are many Asian countries such as South Korea, Myanmar and Thailand, as well as all countries in Africa, Northern Europe and Eastern Europe. Arab countries, in particular, attach great importance to their national costumes.

The Chinese nation has been known as the "clothing kingdom" since ancient times. Yijing says, "Yao and Shun hang down their clothes to rule the world and take Gan and Kun." The folk experience is that "a man matches his clothes and a horse matches his saddle". According to experts' research, "from the Shang Dynasty, clothes with big waist and right skirt gradually formed, and in the Zhou Dynasty, clothes such as' deep clothes' appeared." In modern times, the west wind spread to the east, and Hanfu was gradually replaced by a suit. At one time, Chinese people placed their hopes on the Zhongshan suit, but in turbulent times, they were proud of being poor and took ugliness as beauty. Both men and women wear casual clothes, blue uniforms and work clothes.

200 1 At the APEC Summit held in Shanghai, leaders of various countries collectively appeared in China's Tang suit, which made the Tang suit quickly popular among Chinese at home and abroad and set off a "Tang suit fever". However, this "Tang suit" has nothing to do with the Tang Dynasty. In fact, it is a "revised suit" based on Manchu mandarin jacket and western-style three-dimensional tailoring, which cannot represent China's clothing culture for thousands of years.

Regarding the standard of "national costumes", Ye Hongming suggested that we can choose elements from various national costumes, or from ancient Chinese costumes, or we can learn from the advantages of national costumes and western-style costumes. "The standard is not' service', but' country'." He also suggested that civil servants should pay attention to dress. Kimono (わふく, wafuku) originally meant "the general name of clothing" in Japanese, and later referred to its traditional clothing. The antonym of this word is dress.

The earliest Japanese clothes were women's clothes and men's clothes, which were called "banners". The so-called "Toutouyi" is to dig a hole in the cloth, cover it from the head, then tie the cloth hanging under the armpit with a belt, and then match it with a skirt-like bottoms. Its practice is quite primitive, but it is quite practical.

In the 8th century A.D., the costumes of the Tang Dynasty in China were introduced to Japan, which had a great influence on Japanese kimonos. The headgear, flag and later kimono in Southeast Asia were all influenced by China. In cutting and making, kimono inherits the sewing method of Hanfu: kimono belongs to plane cutting, almost all of which is composed of straight lines, that is, the beauty of kimono is created by straight lines. Kimono has almost no curve, but the collar has a 20 cm cut, and the extra parts are stacked together when wearing the collar. If the kimono is disassembled, people can see that the cloth used to make the kimono is still a complete rectangle.

Kimono is divided into men's wear, women's wear, children's wear, single coat and double coat, as well as "wearing" (outer robe) and "wearing" (inner robe) and so on. Kimono is usually ankle-long, with a cross collar, a right shoulder, wide sleeves, eight legs, no buttons, and a belt with a family emblem printed on it.

1840, after the British ship crashed into the gateway of China, in 1853, the United States knocked on the Japanese sea gate with artillery. Western capitalist social thoughts flooded into China and Japan at the same time. Japan took advantage of absorbing foreign cultures and carried out the Meiji Restoration. Put forward three slogans, among which "civilization" slogan advocates learning from developed countries and actively absorbing the nourishment of western culture and lifestyle. Emperor Meiji took the lead in westernization and advocated that officials wear suits to make them formal. Due to the advocacy of the government, Japanese suits, short hair and western food were once very popular. On the other hand, Japan implemented the Europeanization policy economically, and used a large amount of funds to fully introduce European and American technologies and equipment, which exhausted the country's financial resources and threatened to "destroy the country and destroy the country". The Meiji government decisively put forward the "domestic incentive policy" and gave up all Europeanized "external omnipotence". At the same time, people are also clearly aware of the side effects of introducing foreign culture in an all-round way, which makes culture lose its nationality. So in 1886 (the twentieth year of Meiji), the westernization momentum weakened. During this period, people wearing dresses and kimonos entered a stage of coexistence and integration, and a street view combining kimonos and shoes with foreign styles appeared. The national costume of Filipino men is called "Balong Tagalog" shirt. This is a silk tight-fitting shirt, which is hip-length. The neckline can be tied like a shirt, and the long-sleeved cuffs are like a suit top. From the front neckline to both sides of the lower lapel, there are hollows with different patterns, which are quite generous. It is said that during the Spanish rule, in order to distinguish Spaniards from Filipinos from a distance, the colonists ordered all Filipinos to wear shirts outside and not to tie them under their pants. Later, Filipinos began to embroider various patterns on shirts to show their pride. In the early 1950s, this kind of costume was officially promoted to the national costume of Filipino men, and became a formal dress for diplomatic occasions, celebrations and banquets.

The national costume of Filipino women is called "Terno". This is a round neck and short sleeve dress. It is also called "butterfly suit" because its sleeves are straight and the sides are slightly higher than the shoulders, just like a butterfly spreading its wings. This kind of clothing combines the characteristics of women's clothing in many western European countries, especially in Spain. After three or four hundred years of evolution, it has become the national clothing of Filipino women. The costumes of the Korean Peninsula have been greatly influenced by China's Hanfu in history, especially in the period of the Korean Kingdom, and the costumes of Koreans are no different from those of the Ming Dynasty. Like traditional Hanfu, Hanfu is characterized by simple design, bright colors and no pockets. In South Korea, it is generally believed that Hanbok has three beauties, namely, the curve of sleeves, the white overskirt and the shape of skirts. The common costumes of modern women's Hanbok are called "Eternal Skirt", including Eternal Skirt and High Waist vest skirt. Hanbok for men is commonly known as "Gu Chi Ribacchi", including Chiguli and pants. For ordinary people, women's hanbok, which is more formal, still wears the Tang Dynasty outside the chiguli skirt, while men add Zhouyi outside the chiguli libaqi. Traditional high-end hanbok was usually used in the Ming Dynasty. Spun silk made in Ming dynasty. Hanbok worn by ordinary people is usually made of hemp, ramie or cotton. Korean white ramie was often presented to the Tang Dynasty in the Koryo era. Due to the inconvenience of wearing Hanbok, few Koreans will wear Hanbok in their daily life except in formal occasions and some ancient villages. Some people also make improved Hanbok (also known as life Hanbok) for daily life.

Hanbok is a traditional costume that has evolved from ancient times to modern times under the influence of Hanbok and Mongolian costumes. The lines of Hanbok are both curvy and straight, especially the tops and long skirts of women's Hanbok, which are thin and thick, dignified and elegant. A suit of Hanbok reveals the perfect combination of oriental ethics and ultra-secular beauty.