Before Degang Guo Deyun Society became famous, almost all the crosstalk performers we saw came from official groups, and what people saw seemed to be just TV crosstalk. Jiang Kun, the darling of crosstalk in TV evenings in 1980s and 1990s, is famous all over the world, and can be said to be the best crosstalk performer of that generation. It can be said with certainty that Jiang Kun completed the ultimate role that crosstalk performers could play in that era, and also left behind classic works such as So Taking a Picture, Scared Dream in the Tiger's Mouth, Elevator Storm, Trouble and Breaking News.
At that time, Jiang Kun was an eloquent crosstalk performer in people's eyes. He usually says what actors say, and the audience looks very comfortable. However, since Jiang Kun began to step into the ranks of managers in the cross talk industry, he is no longer a simple cross talk actor. What he said in the interview began to be official and routine. His words are no longer funny, and they are less and less like cross talk actors, which is far from the image he created on the stage.
More importantly, because he has a new manager status, his attributes as an actor have gradually faded, and his cross talk has become mediocre, which can no longer arouse people's strong interest. The audience can't see his wonderful works but only hear his official speech, and he becomes less and less cool.
It should be said that Jiang Kun, as the manager of the cross talk industry, has made a lot of contributions. He excavated traditional crosstalk, published it collectively, and held various activities to promote the development of crosstalk. However, in such an impetuous era, no one can draw a conclusion about the future of cross talk. Who will be the home of the music industry? No one will be too comfortable and may not be as convincing as Jiang Kun. Coupled with the feud with Deyun Society, Degang Guo has a large number of fans, and all kinds of critical remarks about Jiang Kun are prevalent.