Du, born in 1955, is a native of Wuhu, Anhui Province and Taipei, Taiwan Province Province. He is a filmmaker, editor and musician. He has recorded almost all the films of Taiwan's new film movement and is a world-class filmmaker. He witnessed the ups and downs of movies in Taiwan Province Province since 1980s, and made outstanding contributions to the development of movie sound technology in Taiwan Province Province.

20 17, 165438+ 10 won the best sound effect award in the 54th Taiwan Film Golden Horse Award.

On July 20 19, he won the Best Sound Design Award of 2 1 Taipei Film Awards.

Chinese name: Du.

Mbth: TUDuunChih

Nationality: China.

Place of birth: Taipei

Date of birth: 1955

Occupation: Recording engineer, editor, musician.

Graduate School: China Film Technology Training Course.

Main achievements: Best Technology Award at the 54th Cannes International Film Festival.

Best Sound Effect Award at the 34th Hong Kong Film Awards

The 1st 1 1 Golden Horse Award for Best Sound Effect in Taiwan Film

12 Best Sound Award of Asian Film Awards

Masterpiece: City of Sorrow

Personal experience

1973 du, age 18, attended the film technology training class in China and studied recording engineering technology, which was the beginning of his career. 198 1 year participated in the recording of the film "Winter of 1905", 1982 officially promoted to recording, and began to ride a bicycle to collect various sounds. In the same year, I recorded the story of time. Du's view of recording technology was deeply influenced. He watched tarkovsky's films under the introduction of Yang Dechang, and was deeply impressed by tarkovsky's exquisite post-recording technology. 1983, the first feature film "A Day by the Sea", Du's post-recording technology reached a high level, showing a high degree of realism, which made him very satisfied, and was praised by Hong Kong film director Tsui Hark. During this period, Du also recorded two other works, childhood friends and terrorists, and recorded two films, The Man from the Cabinet, Winter Holiday and Childhood Past.

1955 was born in Taipei. 1973 attended the China film film technology training class to learn recording engineering technology. 1978 joined China film as an assistant. 198 1 recorded the film 1905 Winter for the first time. 1982 was officially promoted to sound engineer, and took over the recording work of Time Story. Since then, he has cooperated with Taiwanese new film directors for many times, and many important Taiwanese new film works, such as Terrorists (1986), Sad City (1989) and Brighter Summer (199 1), have been recorded by him. Du has made great contributions to the development of Taiwan Province's recording industry.

For example, 1988, he used synchronous recording for the first time in "City of Sadness" and set a good example; 200 1 Won the Best Technology Award at the 54th Cannes Film Festival with "Millennium Mambo" and "Your View".

Du doubted the mode of film dubbing at that time from the early contact with recording, and sometimes some new ideas never came true. It was not until later that he cooperated with a new film director who attached importance to realism that he was gradually able to develop his ideas about sound. "Undetected sound is the best sound", which Du often tells himself. He believes that if things are not credible, it is futile to do more.

With outstanding performance and rich experience in recording, Du Zeng won the Golden Horse Award for Best Recording for seven times, the Advanced Technology Award at the 54th Cannes Film Festival in 20001,and the Eighth National Literature and Art Award in 2004.

Recorded works include 1983 People from the Wind Cabin, 1983 Youma Caizi, 1992 Brighter Summer, 1997 Spring Festival and 1997 Blue Moon. Boys, 2004, 2046, 2006, dark circles, 2006, Twilight, 2006, my aunt's postmodern life, 2006, etudes, 2007, tattoos, and 2007, the farthest distance.

Winning record

◎ 1984 "Little Fugitive" won the Best Sound Effect Award in the 29th Asia-Pacific Film Festival.

◎ 1985 "Super Citizen" won the Best Recording of the 22nd Taiwan Film Golden Horse Award.

◎ 1988 "dissatisfied housewife" won the first Zhong Shi Evening News Film Award, which was a special award for commercial screening.

◎ 1992 "Youth, be safe! Best recording of the 29th Taiwan Film Golden Horse Award.

◎ 1993 "Dream Life" won the best recording in the 30th Taiwan Film Golden Horse Award.

◎ 1994 "Dream Life" won the best recording in the first Zhuhai Film Festival.

◎ 1995 "Good Boys and Good Girls" won the Best Recording Award in the 32nd Taiwan Film Golden Horse Award.

2001Millennium mambo and when were you there won the "advanced technology award" at the 54th Cannes Film Festival.

"Millennium Mambo" won the "Best Sound Effect" in the 38th Taiwan Film Golden Horse Award.

◎ Won the 8th National Literature and Art Award in 2004.

◎ In 2005, Smiling Fish won the Best Recording Award in the 28th Golden Ear Award.

◎ In 2006, Squirrel Suicide won the Best Sound Effect Award in the 43rd Taiwan Film Golden Horse Award (with Guo Liqi and Ke Yijun * * *).

◎ In 2007, "The Farthest Distance" won the Best Sound Effect Award in the 44th Taiwan Film Golden Horse Award (with Shiang-Chu Tang and Guo Liqi * * *).

◎20 10 "Hong _" won the Best Sound Effect Award in the 47th Taiwan Film Golden Horse Award.

◎20 1 1 "Sidek Bale" won the best sound effect award in the 48th Taiwan Film Golden Horse Award.

◎20 15 "Taiping wheel (I)" won the best sound effect award in the 34th Hong Kong Film Awards.

◎20 15 "Gorgeous Office Worker" was nominated for the best sound effect in the 52nd Taiwan Film Golden Horse Award.

◎ In 2065438+08, the Giant Buddha Plath won the Best Sound Award at the 12 Asian Film Awards.

◎ In 2065438+09, he was nominated for the Best Sound Effect Award in the 38th Hong Kong Film Awards for "G Kill".

Bose moi

However, with the development of Taiwan's new film movement, post-recording gradually showed its disadvantages, because of the inherent defects of this recording technology, and more importantly, the directors of the new film movement liked to use extras, which greatly improved the requirements for the degree of live sound reproduction. If you use a voice actor, the formatted voice and intonation of the voice actor will be very different from the spoken way of the extras. To some extent, this will lead to the unreality of the characters' emotions, and Du is obviously aware of this. 1986, in "Love Dust", Du started the attempt of live recording. According to his own memory, the simultaneous interpretation in the history of Taiwanese movies began with Hou Hsiao-hsien dubbing Grandpa Li Tianlu.

In another film "City of Sadness" filmed by 1989, Du moved the studio to the scene, which initiated the era of simultaneous recording of Taiwanese films. The City of Sadness is the first Taiwan Province provincial film recorded completely in the same period, and its great success is inseparable from Du Fu's contribution. After The City of Sorrow won the Golden Lion Award in Venice, it spent a large sum of money to buy a complete set of recording equipment worth more than NT$ 6,543,800 as a gift to Du, encouraging him to continue his recording work. What Hou Hsiao-hsien brought to Du was a spirit of struggle for the same cause among people, a disdain for utilitarianism, and mutual trust and support among people, which deeply touched Du and gradually internalized it as the basic principle of his future life.

international fame

Since 1990s, the films in Taiwan Province Province have gradually declined, and the film market has never recovered. However, Du's recording technology is getting better and better. He is in 1992 Xu Xiaoming's "Boys, Come on! Dolby stereo system is adopted for the first time. The film, together with the masterpieces Dream Life of 1993 and Good Boys and Girls of 1995, won Du the Golden Horse Award for Best Recording for three times in four years. 200 1 du went one step further and won the best technology award at the 54th Cannes Film Festival with two films, The Millennium Mambo: The Name of the Rose and When Were You There, which won global recognition. In 2004, Nantes Three Continents International Film Festival held "Du Retrospect Exhibition" under the slogan of "Hail to Du" in recognition of his contribution to the world film recording technology. In the same year, he also won the "National" Literature Award in Taiwan Province Province, becoming the first filmmaker in Taiwan Province Province to win the Literature Award. This year, Du also founded his own studio "Speaker Co., Ltd.", which marked that his film recording career began to enter a new stage.

Related remarks

Du said:

Movies are such things, so you say, what role am I? Sometimes it is the protagonist, sometimes it is a supporting role, but most of the time it is a supporting role. Moreover, movies in Taiwan Province Province are not designed to really play with sound, and if the sound is wrong, points will be lost; If you do well, you will get extra points, not for the sound, but for the film. That's the point. You will add points to the film, not to yourself. You should work hard in this respect, not be strong. I thought the same thing.

When watching movies, I often don't read subtitles. My reaction is to listen to the sound, watch the action and watch the mouth shape.

We are very lucky. When Taiwan's new films rose, directors supported these ideas and practices because they also hoped so.

Including Taiwan Province's new films, most of them are non-professional actors, and the shooting atmosphere and atmosphere are natural. Dubbing is not easy, so synchronous recording was developed.

We are friends, and we get along with friends. This way is more China. We cooperate with people in this China way. This is what kindness told me.

Why do movies have to be easy to understand or have a market effect?

Say it's Du Du Zhi.

Hou Xiaoxian: He is an idiot. When he hears a good voice in the middle of the night, he will record it with a tape recorder.

Yang Dechang: Du is a typical example of romanticism: if you love something, you will become idealistic, spend a lot of time, concentrate on overcoming difficulties, and learn useful experiences from failed experiences. One day, I suddenly found myself at the top of the world in my favorite major.

Zhu Tianwen: Because of Du Fu, I know there is a so-called "empty sound". I thought it was silent, but Du Fu called it empty sound, the sound of space. Take City of Sadness as an example. After filming, the recorded parts, such as Song of Sapporo Carriage sung by prisoners in prison, will not be recorded on the set when they have time, and will be sung in the abandoned welfare station in Jinguashi mining area. Four people, Hou Xiaoxian, Tang Nuo and Zhu Tianxin, and my mother, the only person who can speak Japanese, recorded Japanese lyrics with phonetic symbols.

Du Fu's voice database has everything. The subway environment sounds in Tokyo, Paris, Shanghai and Taipei are totally different. Wherever he goes, he and the children he raises are instinctive. They must first record the local environmental sounds, which he admires as rare things that cannot be bought.

Introduction of works

record

198 1 1905 winter (directed by Wei-yen Yu)

1982 The Story of Time (directed by Te-chen Tao/Yang Dechang/I-Chen Ko/Zhang Yi)

1983 One-day trip to the beach (directed by Yang Dechang)

1983 My son's doll (director:/Zhuang Xiangzeng/Wan Jen)

1983 The man in the cupboard (directed by Hou Xiaoxian)

1983 Xiao Bi's story (directed by Chen)

1983 "Youmalai Seeds" (directed by Wan Jen)

1984 winter vacation (directed by Hou Xiaoxian)

1985 childhood friends (directed by Yang Dechang)

1985 super citizen (directed by Wan Jen)

1985 "I ended my life like this" (director: Zhang Yi)

1985 childhood (directed by Hou Xiaoxian)

1986 terrorists (directed by Yang Dechang)

1986 Love Dust (directed by Hou Xiaoxian)

1988 yellow story (directed by Zhang Aijia)

1988 The Daughter of the Nile (directed by Hou Xiaoxian)

1989 City of Sorrow (directed by Hou Xiaoxian)

1992 Brighter Summer (directed by Yang Dechang)

1992 "Come on, young man!" (Director: Xu Xiaoming)

1992 "Peach Blossom Garden" (directed by Lai Shengchuan)

1992 Silent Hill (directed by Tong Wang)

1993 "Dream Life" (Director: Hou Xiaoxian)

1993 "just live for you for one day" (directed by Chen)

1994 Independent Times (directed by Yang Dechang)

1994 Ada the Flash (directed by Lai Shengchuan)

1994 My Beauty and Sorrow (directed by Chen)

1994 Dosan (directed by Wu Nianzhen)

1995 Taiping Heavenly Kingdom (directed by Wu Nianzhen)

1995 Good boy and good girl (directed by Hou Xiaoxian)

1995 Super National (directed by Wan Jen)

1996 Mahjong (directed by Yang Dechang)

1996 "Spring Flowers and Monroe" (directed by Lin Chengsheng)

1996 Goodbye South, South China (directed by Hou Xiaoxian)

1996 "Don't go home today" (directed by Zhang Aijia)

1997 "Spring is bursting" (directed by Wong Kar-wai)

1997 Wandering (directed by Lin Chengsheng)

1997 portrait of Hou Xiaoxian (directed by Oliver? Alsace)

1998 Three people (directed by Du Kefeng)

1998 Beauty is Singing (directed by Lin Chengsheng)

1998 Flower of the Sea (directed by Hou Xiaoxian)

1998 jam (directed by Chen Yiwen)

1998 Character (directed by Chen)

1998 super citizen (directed by Wan Jen)

1998 "The happier, the more depraved" (directed by Guan)

1999 thousand words (directed by Xu Anhua)

1999 Sometimes dancing (Director Guan)

2000 In the Mood for Love (directed by Wong Kar-wai)

2000 Forgive All Small Mistakes (directed by Zhang Weiwei)

One by One in 2000 (directed by Yang Dechang)

2000 Love of Running Hands (directed by Chen Yiwen)

2000 Running at Night (directed by Li-Kong Hsu)

200 1 Millennium mambo: the name of the rose (directed by Hou Xiaoxian)

200 1 What time is it (directed by Cai Mingliang)

Rhapsody in July 2002 (directed by Xu Anhua)

2003 "Be there or be square" (directed by Cai Mingliang)

Coffee time in 2003 (directed by Hou Xiaoxian)

2004 2046 (directed by Wong Kar-wai)

2004 wayward clouds (directed by Cai Mingliang)

The Best Time of 2005 (directed by Hou Xiaoxian)

Dark circles in 2006 (directed by Cai Mingliang)

2006 Summer Lightyear (directed by Chen Zhengdao)

Early 2006 (directed by Yu-Chieh Cheng)

2007 Tattoo (directed by Zhou Meiling)

In 2007, My Aunt's Postmodern Life (directed by Xu Anhua)

2008 The Painted Skin (directed by Chen Jiashang)

2008 Cape Seven (directed by Wei Desheng)

2008 Etudes (directed by Huai-en Chen)

2009 "Heard" (directed by Zheng Fenfen)

20 10 Victoria 1 (directed by Peng Haoxiang)

20 13 love season (directed by Lin Xiaoqian)

20 13 love on the roof (directed by Jay Chou)

montage

1996 "Spring Flowers and Monroe" (directed by Lin Chengsheng)

1982 my grandfather (directed by Ke Junxiong)

198 1 the man carrying the national flag (directed by Liu Jiachang)

Sound design

1999 thousand words (directed by Xu Anhua)

Match to the original tape

1995 Taiping Heavenly Kingdom (directed by Wu Nianzhen)

Music splicing

1997 "Spring is bursting" (directed by Wong Kar-wai)

background music

1984 winter vacation (directed by Hou Xiaoxian)

Winning record