Jiang Guangci calls himself "Xia Sheng". So I named myself Xia Sheng, and I will be a knight-errant in the future and kill all these corrupt officials. During the period of Beiyang warlord government, I wanted to become a monk in a rage, but I changed to a "chivalrous man". When you become a monk, you will still be a knight.

In Shanghai, I entered the "Foreign Language Society" run by * * Production International to study Russian, and then I went to Moscow Oriental * * * Production and Labor University with Ren. 1922, he changed from the socialist youth league to party member, and signed his name Jiang Guangchi for the first time to show his inclination to the revolution.

1924, Jiang Guangchi returned to China after staying in the Soviet Union for three years, and began to shout loudly about proletarian revolutionary literature in the literary world. 1925 published the poetry anthology "New Dream", and Qian Xingcun commented that "China's first revolutionary poetry anthology" can be said to be the founder of China's revolutionary literature. Qian Xingcun, who made this comment, was less than 20 years old at that time. Today, his comments have become the most frequently quoted conclusion in the history of literature.

Jiang Guangchi's poems are completely explanatory. In his poems, cynicism, petty bourgeoisie and capitalist ideology are combined, and the light he writes is beautiful and fresh. "Bright red flowers, charming green willows." (Dreamland) Red Army soldiers "put down their guns and pick up hoes; Freedom is obtained from the gun head, and this freedom should be cultivated from the hoe. " ("A Soldier Retired from the Red Army and Returning to Agriculture")

Compared with poetry, his novels are even less artistic. He provides popular literature, but he has a hopeless petty bourgeoisie sentiment. As a poor writer, he is very picky and time-consuming. His comment is "Drink' Shanghai Coffee' and advocate popular literature". His revolutionary novels have been published and few revolutionaries read them.

Chen Duxiu turned to "Young Wanderer" and said, "Although it is hot, my capillaries will stand up." Qu Qiubai lamented: "This person is so talented."

But at that time, China was a dramatically changed society. In two or three years, Jiang Guangci's fate has changed. 1927 After the failure of the Great Revolution, general literature occupied the mainstream of the literary world. The Moon Beyond the Clouds was written by Jiang Guangci when he went to Japan to treat lung disease in 1929. It was reprinted six times in the year of publication.

Bookstore owners often reprint Jiang Guangci's old works in order to make money. For example, The Prodigal Boy was changed to a long letter, and The Yalu River was changed to Li Menghan and Yungu. This is still similar to contemporary publishing, and history often repeats these details. It's clumsy, but it works.

China's society is a country of moral education, and the public does not have much determination and sufficient cognitive ability, and is always influenced by the atmosphere of the times. Once the frustration after the failure of the Great Revolution dominated the young people's thoughts, the catharsis works became the comfort of readers.

Like a clumsy quack, Jiang Guangci stumbled into the hearts of young people in China at that time, and revolution, love and ideals became the main elements in his novels.

1930 in may, the pioneers edited by Jiang Guangci was banned by the authorities, and his lung disease was aggravated. He moved to the French Concession in Shanghai to recuperate. After drinking milk, cocoa tea and cream soup sent by the American landlord every morning, he went to the French park alone and continued to conceive the second half of Roaring Land while walking.

But the organization needs his contribution and needs him to provide a place for meetings. 1in the autumn of 930, Jiang Guangci opposed the meeting in his own residence, and emphasized that "a room that could have been written often fell down as soon as it was opened ..." A few days later, the head of the left-wing party group said to Jiang Guangci: "Writing is not a job, but also trouble on Nanjing Road!" Jiang Guangci submitted a "resignation letter" for this purpose.

On October 20th, 65438/KLOC-0, Red Flag Daily published the news that Jiang Guangci was a counter-revolutionary and was expelled from the Party. In addition to being unwilling to observe discipline and participate in organizational life, one of the accusations is that he is greedy for royalties, loses his position and lives a bourgeois life with rich manuscript fees.

Although he has been dismissed, he still has creative passion. 1930, 1 1 In June, his novel Roaring Land was released. This is Jiang Guangci's last work, and it is also the highest-rated work in the history of literature after his artistic achievements have been despised and criticized repeatedly.

Just as people were full of optimism about his future, the roaring land was occupied. After Jiang's works were banned, life became increasingly difficult. Jiang Guangci has not only lung disease, but also intestinal tuberculosis. At that time, intestinal tuberculosis was a terminal disease.

This rootless young revolutionary literature has come and gone naked. He died in 193 1 at the age of 30. He has nothing to do with any big political and literary forces, but simply expresses his personal experience and feelings.

On September 15 of the same year, Literary and Art Newspaper, a peripheral publication issued by the Left-wing League in Shanghai, specially published a "mourning number" to mourn the unfortunate death of Jiang Guangci and other comrades. Qian xing? An article in memory of Jiang Guangci published under the pseudonym of Fang Ying in the Memorial Hall pointed out: "He lived for 30 years, and during his life, he devoted infinite energy to the revolution."

Yu Dafu, a famous writer, pointed out in his commemorative article: "After all, his early death is the loss of China's literary world." .

After the founding of People's Republic of China (PRC), the Party and people spoke highly of Jiang Guangci. 1953, on the eve of the 22nd anniversary of Jiang Guangci's death, Shanghai Federation of Literary and Art Circles finally found Jiang Guangci's body and officially moved to Shanghai Hongqiao Cemetery.

Although Jiang Guangci has never returned to his hometown after taking part in the revolution, the people of Dabie Mountain have not forgotten this son who has made outstanding contributions to revolutionary literature. 1957 In February, the People's Committee of Lu 'an County, Anhui Province decided to ratify Jiang Guangci as a revolutionary martyr.

Extended data

Poetic idea

Influenced by the trend of international literature ("Lapp" in the Soviet Union and "Nap" in Japan).

1, the prose school regards poetry as a weapon of class struggle and infinitely exaggerates the political propaganda function of literature.

Jiang Guangci's On Revolutionary Literature "uses dialectical methods to write the way out of life and promote the development of proletarian literature, otherwise it is nothing."

Russian literature praised Russian proletarian poets for "using poetry as the cannon of the Red Army to meet the needs of the times"

Qian Xing's Disillusionment and Shake of the Times "The connection between literature and propaganda is inevitable. No matter what class of literary writers are promoting their own classes, they also have their own class slogans in their creation. " "The form of literature is inevitably close to slogans and slogans, and it often receives a stirring effect from the form of' slogans and slogans'."

Hua Han's popular literature and art "as long as it can encourage and publicize millions of workers and peasants to unite in hand-to-hand combat with the enemy ... then we should also praise it as the proletarian literature and art of Tianan No.1, which is the most artistic thing."

2. Ordinary poets reject artistic skills and deliberately lower their aesthetic requirements for poetry.

Qian Xing Dun's "From Tokyo to Wuhan" "Only bourgeois artists are specially for people to appreciate and play with." "The working class is not a gentleman, revolutionaries are not beautiful virgins, and the life of labor literature is bumpy."

The artistic style of the proletariat is "simple and strong".

Guo "fully wrote vulgar slogans and slogans that elegant scribes didn't like. I just want to be a slogan person, a slogan person, but I don't have to be a poet and a history of my poetry.

Baidu Encyclopedia-Jiang Guangci