Chen Zilong (Wozi), Yun Jian School (Wenli, Song,), etc. ) and Xiling school (Mao,,) and so on. ) is famous for their poems. At the beginning of the Qing Dynasty, the beauty they learned from Qianmu Zhai created a clear poetic atmosphere for the first time. They are also called Wu Meicun and Gong Zhi. They are both talented, not vulgar. Especially for adherents writers (China's excellent adherents' poems, I sometimes wonder whether this is related to the adherents' temperament of China's poems), such as Gu (), Wu Jiaji (savage), Du Jun (Yu Huang), Qian Chengzhi (field), Qu Dajun and so on. Later in the same year, the famous Southern Zhu (Yizun), Northern Wang (), Southern History (Leap Chapter), Northern Song Dynasty (Wan), Southern Cha (Shen) and Northern Zhao (Zhong) all made great achievements.

Under the advocacy of Zhu Yizun and others, the wind of attaching Song Dynasty gradually prevailed in Jiangsu and Zhejiang, but it became a grand sight during the Qianlong period. Ganjia famous artists flourished in Jiangsu and Zhejiang provinces, and their veins can be roughly divided into four categories: Shen Deqian's theory of tune, which inherited the seven-son retro vein (very different from the seven-son study); Xiushui School and Zhejiang School in Song Dynasty (muscle theory is nominal), Li Jian's Wing Xiushui School; Yuan Mei, Zhao Yi and Zhang Wentao, who emphasize the natural spirit; There are also some relatively marginal independent creators, such as beautiful Huang Zhongze, Hu Tianyou, Wang Tan (from Xiushui School) and Shu Wei (from Soul School).

During Jia Daoxian's transitional period, besides Gong Dingchang and Wei, Chen Ling, Cheng Enze and others are worth mentioning. .

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