1, Rong Zishan is really a long person rather than a long acting skill. He is one head taller than Bo Huang, and his acting skills are still in Zhu Chaoyang. However, it may also be blamed that the script is too naive to write all the second-grade children. The two little actors, Mouse and Lingling, are more open than him.

2. Although there are many embarrassing places and many emotions of shouting slogans, I really like the childlike part of Shaping, Mozart and its magic, which is a gift for children. The affection for Chen Sicheng has come back a little. At least he has a heart for this part. He can feel his sincerity.

3, look at 50 minutes now, how can it be so rotten. No plot, no story, I don't know what I want to express. There were about 20 people in the whole theater, and there was silence. Everyone should be speechless.

4. First of all, the experience. The whole process is nothing ridiculous, and half of it is full of embarrassment and swearing. It was originally merged into a teenage swearing, but several children in the same session scurried around without reading half of it.

I feel a little bad after the opening five minutes. Compared with Bo Huang, Yung Zi-shan's acting is really a long story. Even if the father and son quarrel, their lines are unclear and their feelings are stiff. Can you play a smile expression at any time in the cinema?