Modest and low-key, Wang Peng saw the reporter's first sentence: "I hope you, a responsible media, can shoulder the heavy responsibility of saving and protecting the cultural heritage of Guqin and inheriting and carrying forward the Guqin culture with us."

In Shangcun, the front yard of Weishanzhuang Town, Daxing District, Beijing, there is a quiet and elegant courtyard widely known, that is, the Guqin production base in Jimson-"Juntianfang".

"The entire Haotianfang is doing heritage protection work." As the "head" of Juntianfang, Wang Peng described his hard piano inheritance career like this. 1 1 year, starting from a guqin studio, Wang Peng turned a pianist's dream into a dream factory in front of him: this 10,000-square-meter park not only has a guqin manufacturing workshop and skilled piano players, but also has a quaint piano studio, a professional guqin recording studio and a concert hall, which has published a large number of guqin books and CDs and trained at least 65,438+a year.

Wang Peng has a unique view on the inheritance and protection of intangible cultural heritage. "Making the past serve the present, refining the cultural spirit in traditional art and combining it with contemporary life more effectively, so as to gain a broader space for survival and development, is the most effective means in the protection of intangible cultural heritage."

Of course, there must be a piano before the piano is passed down, and the piano is the carrier of the cultural spirit of guqin. Over the years, no matter how busy and tired, Wang Peng never stopped his piano work. He has successively restored 100 pieces of famous historical pianos, such as "Wai Pei in Kowloon" in the Tang Dynasty and "Long Yin" in the Song Dynasty, etc. The "Four Ancient Famous Piano in China" created and restored according to the ancient method has been permanently treasured by the National Centre for the Performing Arts.

In Wang Peng's eyes, a small piano contains China ancients' incisive understanding of nature, universe and life and their philosophy of life. Qin Tai with the charm of Qin and Han Dynasties, tea table with the legacy of Tang and Song Dynasties, and all kinds of guqin hanging on the walls, besides playing the piano in the studio, Wang Peng's daily homework is to study the works of famous guqin in such a traditional atmosphere.

Compared with the "technique" of piano production and performance, Wang Peng emphasized the cultivation of "mental method". "The combination of mind and technique can make the performance of guqin or the life of pianist rise to a higher level." Wang Peng's apprentice, Shan Lianqing, said that in the closed guqin teaching process in Juntianfang, several sections must be taught by the master himself, with the emphasis on the spiritual connotation of "simplicity, lightness, justice and peace" brought by guqin.

In recent years, Wang Peng has persistently held guqin promotion conferences, organized elegant series of cross-border communication, integrated traditional aesthetic elements into contemporary life, and created aesthetic space for life. He believes that "this can better present the cultural spirit in space".

Talking about the future planning of Guqin inheritance, Wang Peng excitedly told reporters that he has two key things to do in the next five years. A "great event" is to build a central axis cultural area with guqin as the leader around the south central axis road where Juntianfang is currently located. Once this concept was put forward, it attracted the attention of the relevant government departments, and the Daxing District Government of Beijing even put forward the slogan of "Daxing Guqin, Guqin Daxing". Another "trivial matter" is to establish a Guqin Art Center including a professional Guqin Concert Hall in the core city of Beijing, and to create an aesthetic space for teaching experience combining China traditional culture with contemporary art.

"I am just the advocate and planner of the first big project, and I need the government to take the lead in implementation. I can spontaneously organize a second small project with my friends. " Perhaps noticing the surprise on the reporter's face, Wang Peng said confidently, "Ten years ago, a pianist in Taiwan Province heard about my idea, and he thought it was impossible. Now he has witnessed the process of realizing his dream. I also hope you can give me a witness to this five-year plan.