Philosophically speaking, love is a man-made thing. Just because the director is not so clever, he makes a piece of work with a good background color into a piece of shit, which blinds both the screenwriter and the actor. Despite the chaotic editing and discordant progress, the core of the film "Miracle of Youth" actually has only four simple elements:
Companionship, parting, missing, time.
At the beginning of the story, the running account tells about the encounter and experience with Wang. In the year of coma, Wang accompanied him for a whole year. When Wang decided to embark on a journey to find her parents, she did not hesitate to follow her peers.
Parting happens after the journey, and the innocence of children can't resist the earth of adults after all. When children finally grow up, they find that adults can't resist the adult earth.
And Wang started their own lives as adults. Their close and distant relationship makes people around them jealous and afraid.
Based on the principle of "the more you want to protect something, the more you should know how to keep your distance",
And Wang have done it: I miss you in my heart, I have you in my heart, and I don't have you around.
Then wait for the youth to fade away and time flies.
"When he is well, I can be absent."
This sentence of Wang in the play tells the background and core that Wang Shuo wants to express.
Unfortunately, this time, without Xiaogang Feng and the supporting lens language, there will be no more people who agree and admire him.
More people are still willing to spit out the split plot and poor imitation ... After all, who hasn't seen the strange case of Benjamin Button and Forrest Gump?
My score: 7 points, overall impression, 6 points pass; Actors and screenwriters, plus 1 point.
Recommended audience: A person who can tolerate affectation has a dog in his heart.