Wei Bei inherited the tradition of Han Li and created a new style of Tang Kai, which laid a solid foundation for the structure and brushwork of modern Chinese characters. But there are many cliff carvings, which are carved directly on the stone surface, not the first book. Be careful not to exaggerate the knife marks when writing, so as not to form a habit. The following are the calligraphy works of Wei Bei's couplets that I compiled for you, I hope they are useful to you!

Appreciation of Weibei Couplet Calligraphy Works

Pictures of Wei Bei's couplet calligraphy works 1

Figure 2 of Wei Bei's couplet calligraphy works

Figure 3 of Wei Bei's couplet calligraphy works

Wei Bei's couplet calligraphy works Figure 4

Calligraphy in Tang dynasty

The culture of the Tang Dynasty was profound and brilliant, reaching the peak of feudal culture in China, which can be described as "books flourished in the early Tang Dynasty". There were more ink marks in the Tang Dynasty than in the previous generation, and a large number of inscriptions left precious calligraphy works.

The calligraphy of the whole Tang Dynasty is the inheritance and innovation of the previous generation. Regular script, running script and cursive script all entered a new situation in the Tang Dynasty, with outstanding characteristics of the times, and their influence on later generations far exceeded that of any previous era.

In the early Tang Dynasty, the national strength was strong, and calligraphy broke away from the legacy of the Six Dynasties. Ou Yangxun, Yu Shinan, Chu Suiliang and Xue Ji are the mainstream of calligraphy. The general feature is that the structure is rigorous and neat, so the essays of later generations are all said to be the' crown of calligraphy in the Tang Dynasty', which was once honored as the' crown of calligraphy' until the song and dance in the prosperous Tang Dynasty. Combining Confucianism and Taoism, Li Yong changed to the right army and was unique. Zhang Xu and Huai Su pushed the cursive performance to the extreme with their drunkenness, Sun Caoshu was good at being elegant, and He and others also focused on creating reality. As soon as Yan Zhenqing came out, he accepted the ancient law in new ideas and gave birth to the new law outside the ancient meaning. Dong Qichang said that Duke Lu made great preparations for learning from books in the Tang Dynasty. Late Tang Dynasty and Five Dynasties, the national situation declined, Shen Chuanshi. Liu Gongquan changed the model law again. Expose your thinness and strength. It further enriched the method, and in the Five Dynasties, it used Yan and Liu at the same time. When the two kings acceded to the throne, the flanks took a stance and made great efforts. Therefore, when leaving chaos, it is Rao Chengping's image and the light of Tang books. On the occasion of the Five Dynasties, crazy Zen became popular, which also affected the calligraphy circle. Crazy Zen calligraphy did not appear on a large scale in the Five Dynasties, but it had a great influence on calligraphy in the Song Dynasty.

The art of calligraphy in Tang Dynasty can be divided into three periods: early Tang, middle Tang and late Tang. In the early Tang Dynasty, inheritance was the mainstay, statutes were respected, and the beauty of gold calligraphy was deliberately pursued. In the middle Tang Dynasty, innovation continued and it was extremely prosperous. Calligraphy also improved in the late Tang Dynasty.

There were six kinds of institutions of higher learning in the Tang Dynasty, namely imperial academy, Imperial College, Four Schools, Law, Calligraphy and Mathematics. Among them, it is a pioneering work in the Tang Dynasty to train calligraphers and calligraphers. Famous artists come forth in large numbers, Starlight Glimmer. Such as Ou Yangxun, Yu Shinan and Chu Suiliang in the early Tang Dynasty; Yan Zhenqing and Liu Gongquan were both great calligraphers in the middle Tang Dynasty. In the late Tang Dynasty, there were Wang Wenbing's seal script, Li E's regular script and Yang Ningshi's? Yan Liu, the second king? The aftertaste is endless.

Liu Gongquan said: Only when the mind is right and the pen is right can you write well. ?

An Overview of Calligraphy in Sui, Tang and Five Dynasties: Sui unified China and integrated the culture and art of the Southern and Northern Dynasties. In the early Tang Dynasty, politics flourished, and the art of calligraphy gradually emerged from the legacy of the Six Dynasties with a new attitude. In the early Tang dynasty, regular script was the mainstream, and its general characteristics were rigorous structure and orderly arrangement;

Prosperous Tang Dynasty and Middle Tang Dynasty: In the prosperous Tang Dynasty, calligraphy, like the social form at that time, pursued a romantic and ecstasy way. Like what? Drunk? (Zhang Xu, Huai Su)' Weeds', Li Yong's running script. In the middle Tang Dynasty, regular script made a new breakthrough. Yan Zhenqing, as the representative, laid the standard of regular script, set an example and became orthodox. At this point, China's calligraphy style has been completely determined.

Legacy of the Tang Dynasty in the Late Tang Dynasty and the Five Dynasties: In 907, Zhu Quanzhong, the separatist, destroyed the Tang Dynasty and established Hou Liang, from which the later Tang Dynasty, the later Jin Dynasty, the later Han Dynasty and the later Zhou Dynasty were called the Five Dynasties. Due to the weakness and disorder of the country, culture and art are also declining. Although the art of calligraphy continued after the end of the Tang Dynasty, due to the influence of war and fire, it formed a general trend of decline. During the Five Dynasties, Yang Ningshi's calligraphy was praised. In the five dynasties when calligraphy declined, his calligraphy was the mainstay. There are also outstanding calligraphers, such as Li Yu and Yan Xiu. At this point, the upright and rigorous style of calligraphy in the Tang Dynasty came to an end, and then the "four schools" in the Northern Song Dynasty followed suit and set off a new wave of the times.