People who love books may think of a poem by Yang Xunji in the Ming Dynasty when they are faced with a bookshelf full of books when reading famous sentences: "Don't wait to open the book and fondle it." When I was young, I thought this poem was incredible. Books are used for reading. Reading is an interesting thing, but what is the fun of just "fondling"? Now I think this sentence is really wonderful. The truth can't be made clear by words alone. Only when you are accompanied by books and immersed in them every day will you naturally feel the feeling that Yang Xunji has been talking for a long time. I like books so much that even if I don't "open the book", I will feel an indescribable pleasure just by stroking the cover or spine with my fingers. Sometimes, I will take out a book from the shelf, touch it, then put it back and take out another book ... unconsciously, an hour or two has passed. I think Yang Xunqi must be holding a book in his hand, fondling it repeatedly, secretly pleased, or simply laughing out loud. Is it that stupid? Silly. Is there a reason for this? No. Then why is this happening? I don't know. I just remember Mr. Zheng Zhenduo's mantra-"I like it." Borges is called "the writer's writer". For this title, there is an ice-cold poem corresponding to it: "Fate guides fate, books breed books, light a small fire, this is a candle, to be put in by another." This poem vividly and profoundly points out a basic attribute of literature with a metaphor born out of "handed down from generation to generation". Literary creation is inseparable from personal originality, but it is also inseparable from history. A writer's works always come from predecessors' works, so "lighting a small fire" means "borrowing another candle", but at the same time, this candle that lights a small fire can also be placed in a small fire. In other words, the works of predecessors have been reborn in the works of latecomers. On the one hand, the works of predecessors provide the source of creation for future generations; On the other hand, the works of predecessors have been inherited and developed through the works of later generations. As a result, all literary works are integrated into a vast history, and this history is expressed through all literary works. This formed a "grand narrative tour" (Hu Xudong). Three: "Now that I know the taste of sadness, I want to say that I'd better take a rest, but I want to say that it's a cool and good autumn." This sentence by Xin Qiji reveals the fact that the word "worry" is "strong" in New Words, but I really know the taste of worry, but I can't say it. The best you can say is that the weather is cold or something. Indeed, on the one hand, limited language and writing can't bear almost infinite pain. In extreme pain, only when you close your mouth will you feel full, but when you open your mouth, you will feel empty. On the other hand, happiness is often divergent, so it is relatively easy to express and share with others; Pain is "precipitation", and it is more of an unspeakable and self-centered personal experience. As Lu Xun said, "human suffering cannot be interlinked." It is worth noting that there is a similar saying in the West. Carlisle's last words before he went crazy were-"All that remains is silence."