-from Wang Bo's preface to Wang Teng-ting.
Autumn in Wang Teng Pavilion is full of weather and beauty. You see, after a rain in Mao Mao, the dark clouds suddenly dispersed, and the smiling face of the sun just coming out of the bath was golden. The sky just came out of the shower is pure blue, which blends with the clear river. The river is as bright as day, with no end in sight. As the sun sets, the sunset glow endows the earth with mountains and rivers, and everything is plated with golden red. Lonely ducks are dancing in the sky. Everything constitutes a colorful painting.
02. It's a drop in the ocean to send the ephemera into the earth. Mourn a moment in my life and admire the infinity of the Yangtze River. Fly with the flying fairy, hold the bright moon, and grow up. I couldn't understand it at the moment, but I heard about it in Hengtai.
-Selected from Su Shi's Poems on Thousand Red Cliffs
We are like a mayfly in the world, as small as a corn in the sea. Alas, sighing that our life is only a short moment, we can't help but envy the endless Yangtze River. I want to travel around the world hand in hand with the gods and embrace the bright moon forever. Knowing that these can't be realized after all, I have to turn my regret into a flute and entrust it to the sad autumn wind.
03. Clouds come out of holes unintentionally, and birds don't know when they are tired of flying. The scenery is coming, lonely and lingering.
-selected from Tao Yuanming's "Gui Xi Ci"
White clouds float out of the mountain unintentionally, and birds fly home when they are tired. The sun is dim, and the sun is about to set. I still caress the lonely pine tree and linger.
The description of these four sentences is obviously profound. The "cloud" has no intention to go out, and the bird "flies wearily" and "knows to return", which really metaphor the poet's mental journey from being an official to retiring. The sun is dim and will set in the west. Whether it is pity for Kim Yong, whether it is or not, lonely wandering is obviously a symbol of the poet Geng Jie's wild heart.
04. Knowing that a dead life is a false birthday and the destruction of Peng Qi is a mistake.
-Selected from Wang Xizhi's Preface to Lanting Collection.
It turns out that it is wrong to equate life and death, and it is wrong to equate longevity and short life.
Life and death are two different things and cannot be equated. There are all kinds of life, some people live a cowardly life, some people live a complacent life; There are all kinds of deaths, some people die in obscurity, and some people die vigorously. How to equate life and death? The author writes this way, which shows that he attaches great importance to life and death. He wants to inspire those so-called celebrities who are confused and don't let life slip away from him easily.