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Fine ancient poems that use the technique of expressing one's ambitions

1. What are the ancient poems that use the technique of supporting objects and expressing aspirations?

Beipi Apricot Blossom

(Northern Song Dynasty) Wang Anshi

Yipi The spring water surrounds the flower body, and the shadows of the flowers are enchanting.

Even if it is blown into snow by the east wind, it is better than being crushed into dust by Nanmo.

Bu Suanzi Yong Mei

(Southern Song Dynasty) Lu You

Outside the post station, beside the broken bridge, it is lonely and ownerless.

It is already dusk, I am sad alone, and it is even more windy and rainy.

There is no intention to fight for spring, but for a while, everyone will be jealous.

It fell into mud and was crushed into dust, but only the fragrance remains the same.

Song of Lime

(Ming Dynasty) Yu Qian

Thousands of hammers carved out the deep mountains, and the fire burned them as if nothing happened.

Don’t be afraid of your bones being shattered into pieces, you must remain innocent in this world.

Early Plum Blossoms (Liu Zongyuan)

(Five Rules·Scenery)

(Tang Dynasty) Liu Zongyuan

Early Plum Blossoms grow on tall trees and reflect Chu Tianbi.

The night fragrance blows in the early morning, and the frost nourishes the dawn.

I want to give you thousands of miles, but mountains and rivers separate you.

What is the use of comforting distant guests when Hanying is in ruins?

Early Plum (Zhang Wei)

(Qilu·Scenery)

(Tang Dynasty) Zhang Wei

A tree with cold plum blossoms and white jade strips, It's next to the river bridge on the village road.

I don’t know that the water flowers bloomed first, but it is suspected that they have not been sold after the winter snow.

Early Plum Blossoms (Qi Ji)

(Tang Dynasty) Qi Ji

Thousands of trees are about to break due to the cold, but the solitary root is warm and alone.

In the deep snow in front of the tree, one branch bloomed last night.

The wind carries the fragrance away, and the birds come to see the beauty.

Next year I will be on my own and will be released first on Yingchuntai.

Looking at the Plum Blossoms

(Tang Dynasty) He Ning

There is no news about the spring grass, and there are still traces of the waxy snow.

The cold branches across the mountains are fragrant, and the cold and beautiful fragrance is a pity.

Why is Shouyang nowhere to be found? Whose fife is playing?

Recalling Plum Blossoms

(Five Jue) (Tang Dynasty) Li Shangyin

Stay at the end of the world, relying on the beauty of things.

Winter plum blossoms are the most hated and often used as last year’s flowers.

Early plum blossoms

(Tang Dynasty) Meng Haoran

There are early plum blossoms in the garden, which bloom in the cold weather.

The young women scrambled to climb up and down, and were about to return to the mirror.

I still don’t see enough, and I want to cut it with scissors.

Chrysanthemum

(Tang Dynasty) Huangchao

When autumn comes on September 8th, I will kill all the flowers after they bloom.

The towering incense array penetrates Chang'an, and the city is covered with golden armor. 2. What are the poems that use the writing technique of mentioning things and expressing aspirations?

1. The poems that use the writing technique of mentioning things and expressing aspirations. There are many poems that use the writing technique of mentioning things and expressing aspirations, such as the following lime chant Ming Yuqian used thousands of hammers to carve out deep mountains, and the fire burned them as if they were idle.

Don’t be afraid of your bones being shattered into pieces, you want to keep your innocence in this world. It means that limestone is mined from the mountains after thousands of hammers, and it is common to burn it with fire.

Don’t be afraid of your bones being shattered into pieces, you must keep your innocence in this world. The author uses lime as a metaphor to express his strong, unyielding, self-sufficient qualities and his thoughts and feelings of fighting against evil forces to the end.

Plum Blossom Song Wang Anshi There are several plum blossoms in the corner, and Ling Han blooms alone. I know it's not snow from a distance, because there is a faint fragrance coming.

A few plum blossoms in the corner bloomed alone despite the severe cold. Why do you know from a distance that the white plum blossoms are not snow? Because there is a faint fragrance of plum blossoms.

As an outstanding politician and reformer in the Northern Song Dynasty, Wang Anshi used objects to express his aspirations and express his feelings. Through the scene of the poem's cold plum blossoms blooming proudly, he expressed the poet's outstanding and independent loyalty.

4. Couple of Waterfalls Tang Dynasty: Li Chen "Thousands of rocks and ravines are covered without hesitation. Only when you look at it from a distance can you tell where it comes from."

How can the stream be kept? It will eventually become the waves of the sea. Translation: The stream worked tirelessly through thousands of rocks and gorges to reach the cliff. Looking from a distance, you can see that the source of the stream is very high; but how could the small ravine keep him? He would eventually It flows into the sea and turns into raging waves.

5. Ancient Sword Chapter/Precious Sword Chapter Tang Dynasty: Guo Zhen Don't you see that Kunwu's iron smelting is flying in flames and smoke, and the red light and purple gas are impressive. After several years of hard work, he forged a sword named Longquan.

The color of Longquan is like frost and snow, and the good workers sigh in wonder. The glazed jade box sprouts lotus flowers, and the engraved gold rings reflect the bright moon.

It is a time when there is no trouble in the world, so I am lucky enough to be protected by a gentleman. The light is dark green snake color, and the articles are green turtle scales.

Not only did he make friends with knight-errants, but he also got close to heroes. He Yan was abandoned on the middle road and drifted to the edge of the ancient prison.

Although buried in dust and useless, it can still soar to the sky every night. Translation: Haven't you seen Kunwu's gems being forged into swords, the red fire, and the purple flames shooting out from the sword's edge? It took countless years of forging and smelting by skilled craftsmen to create this unparalleled sword named Longquan.

The swordsman himself was also very proud and exclaimed, the sword was as bright as snow and frost, and gleaming with cold light. Like a white lotus spitting out of a glazed jade box, the golden ring on the sword hilt is dyed by the brilliance of the sun and moon.

This sword was born at a time when there was no war in the world. I am so lucky that a gentleman wore it for self-defense. The dazzling light of the sword is like a green snake swimming, and the pattern on the sheath is like floating green turtle scales.

Not only the rangers cherished him very much after seeing him, but also the heroes in trouble were particularly fond of him. Why keep saying that it was abandoned halfway and wandered next to the desolate ancient prison? Although it was buried in the soil and could not function, the extraordinary flames formed by its majestic sword energy still illuminated the night sky every night. 3. Poems that express one's ambitions through things

Poems that express one's ambitions through things refer to the fact that the poet does not directly express his thoughts and feelings, but uses symbols, sentiments and other techniques to convey some of his ideals. A type of poetry in which personality and personality are integrated into something specific. So, what characteristics should a good poem that expresses one's ambitions have?

First of all, since it is a poem about an object, of course it must be able to realistically describe the characteristics of the object being chanted, and be able to go deep into it and capture the charm and character of the object, that is, it must be "similar in spirit" ". For example, Zheng Sixiao, a former minister of the Southern Song Dynasty, wrote in "Painting Chrysanthemums":

When flowers bloom, hundreds of flowers will not follow each other, and the fun of being independent and sparse is not exhausted.

I would rather die with the fragrance on the branches than blow it down in the north wind.

Chrysanthemums are independent and fragrant, willing to be lonely, not seeking vanity, and disdain to be associated with "hundred flowers". It adheres to integrity, is proud of itself, shines brightly, and has endless aspirations. The chrysanthemums here have a certain charm, and the chrysanthemums are also the poet's self-portrait, and the corresponding "hundred flowers" allude to the old Song Dynasty officials who Qujie became an official in the Yuan Dynasty.

The third and fourth lines of the poem are adapted from Zhu Shuzhen's poem "I would rather hold my head and grow old on a branch than dance with the yellow leaves in the west wind", carefully depicting the chrysanthemum would rather die on the branch with its fragrance and never give in to the north wind. The tenacious spirit that floats to the ground perfectly embodies his loyalty, unyielding strength, and his high integrity and integrity. The word "North Wind" here is a pun. It literally refers to the cold and whistling north wind in nature, but actually it is a metaphor for the rulers of the Yuan Dynasty from the north. Although they destroyed the Southern Song Dynasty with their powerful force, they could not conquer lonely ministers and righteous men like the poet. The poet took the title "Chrysanthemum Chrysanthemum" and used anthropomorphic techniques to chant chrysanthemums and describe people. By praising the proud and unyielding character of chrysanthemums, the poet vividly expressed his feelings.

Secondly, when appreciating poems about objects, we should pay attention to the author's feelings in the things he describes.

For example, the following poem "Ode of Lime" written by Yu Qian of the Ming Dynasty when he was 17 years old:

Thousands of hammers carved out the deep mountains, and the fire burned them as if nothing happened.

Don’t be afraid of your bones and body being shattered into pieces, you want to stay green and white in the world.

The first sentence of the poem describes the hard-won success of lime. The sonorous and powerful words convey the profound meaning that only through hard work can we create talents. The second sentence uses personification to express Hui Shui's extraordinary demeanor of not being afraid of difficulties and being unfazed by changes. It also embodies the character of young Yu Qian who is not afraid of hardships. In the third sentence, the poet once again used personification to fully express Lime's lofty spirit of not being afraid of being broken into pieces and his virtue of being willing to sacrifice himself. Similarly, it also shows the poet's heroic feelings that he is not afraid of sacrifice and regards death as home. The last sentence of the poem, "Want to leave the blue and white in the world" is the conclusion and destination of the first three sentences, and is the finishing touch of the whole poem. The key to why Lime can be as sung before is that it has the ambition to "leave innocence in the world", which is also the poet's ambition and ideal. We can say that every sentence the author writes about lime is exactly what he writes about himself.

Furthermore, we should pay attention to the analysis of the writing skills of poetry chanting about objects. The difference in technique can often reflect the degree of integration between the object chanted and the poet's self-image.

For example, Huang Chao wrote "Chrysanthemum" after his defeat:

When autumn comes on September 8th, I will kill all the flowers after they bloom.

The towering incense array penetrates Chang'an, and the city is covered with golden armor.

The author affectionately calls the "chrysanthemum" "my flower", obviously taking it as a symbol of the oppressed people. Then, the corresponding "hundred flowers" are naturally a metaphor for the reactionary and decadent feudal ruling group.

The third and fourth lines of the poem describe the magnificent scene of chrysanthemums blooming. "The incense array reaches the sky and penetrates Chang'an, and the city is full of golden armor." The entire city of Chang'an is full of chrysanthemums wearing golden armor. Chrysanthemums, they emit bursts of rich fragrance, reaching into the sky and permeating the whole city. This is the world of chrysanthemums, the kingdom of chrysanthemums, and the grand festival of chrysanthemums. The depth of his thoughts, the strangeness of his imagination, the novelty of his metaphors, the magnificence of his diction, and the breadth of his artistic conception are all unprecedented. Because of this, the chrysanthemums described by the author have changed from the lonely and elegant static beauty in the past to a dynamic beauty that is bold, rough and full of fighting spirit. It is neither an "isolated mark" nor a "cluster of chrysanthemums", but flowers blooming all over the city, occupying the autumn light, and exuding bursts of rich fighting fragrance, so it is described as a "fragrance array". Therefore, this poem has "strange" characteristics in terms of artistic conception, image, language, and technique. It makes people read the tall image of the lyric poet in the poem, which refreshes their spirit and refreshes their ears.

4. Use five-character poems to express one's ambitions

The Crown of Plum Blossoms

The trees beside the inkstone-washing pond in my house have blooming flowers with faint ink marks.

Don't People praise good colors, leaving only pure energy to fill the universe.

Cicada

Author: Li Shangyin Era: Tang and Five Dynasties Theme Category: Supporting Things and Expressing Ambition Theme: Five-Character Rhyme Category: ing ㄧㄥ英

It’s hard to be full because of the height,

Toil in vain hates the waste of sound.

At the fifth hour of the night, I want to break up,

A tree is green Ruthless.

The thin official base is still broad,

The hometown has been leveled.

Fanjun is the most alarming,

I will also take action Jiaqing.

Wangyue

Author: Du Fu Era: Tang and Five Dynasties Theme Category: Supporting Things and Expressing Ambition Theme: Five-Character Ancient Poetry Rhyme Category: aoㄠAo

How is Dai Zongfu? Qilu is still young.

The bells of nature are beautiful, and the yin and yang cut off the dusk.

The clouds grow in the chest, and the returning birds enter the canthus.

When you reach the top of the mountain, you can see all the small mountains at a glance.

Famous sayings:

When you are at the top of the mountain, you can see all the small mountains.

Comments:

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1. Daizong: Mount Tai is also known as Dai, ranking first among the five mountains, so it is also called Daizong.

2. Zhong: endowment, concentration.

3. Jue : Split.

4. Ling: Leap up.

Comments:

The poem uses "look" as the title, praising Dongyue and praising the good fortune. Hope The top is high and the sky is small, to express ambition.

?The first two sentences describe the height and greatness of Mount Tai. First, I write about my admiration for it, and then about its majesty across Qilu and Qilu. The third and fourth sentences are about looking up close and seeing the magical beauty of Mount Tai and the majestic image that can separate day and night. The fifth and sixth sentences are about looking from a distance and seeing the endless clouds in the mountains, which washes away the heart. The last two sentences are about looking at the mountain and the desire to climb to the peak. .Expresses the poet's ambition to not be afraid of difficulties and dare to climb, showing his perseverance and lofty political aspirations.

Qingxi

Author: Wang Wei Era: Tang and Five Dynasties Theme Category: Expressing Ambition with Objects Theme: Five-Character Ancient Poetry Rhyme Category: iㄧ衣

When you enter the Huanghua River, you will follow the green stream every time.

Follow the mountains and turn them around, and the journey will be interesting. There are no hundreds of miles.

The sound is noisy in the rocks, but the color is quiet deep in the pines.

The ripples of water chestnuts and water chestnuts are reflected in the clear water.

My heart It has been idle, and the Qingchuan is so clear.

Please stay on the rock, fishing will be over.

Notes:

1. By: follow, along.

2. Interesting: the same "trend".

3. Dan: quiet.

Comments:

This poem is famous for its praise. The green stream that has been passed down by the legend confirms one's longing. The indifference of the green stream is used as a metaphor for one's longing to be at ease.

?The whole poem is naturally light and elegant, describing the scenery and expressing emotions easily, but the charm is timeless. Mellow. The Qingxi River described by the poet is the unity of noisy and melancholy, the blending of liveliness and tranquility, the blending of depth and tranquility. The chanting makes people envious and longing for it.

Inscribed with Li Di's Peony Picture

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There is no speech behind the flowers, and the grass is fertile.

How do you know that there is no thunder in the sky?

Comprised of all the demonic chaos in the area,

It is unbearable for rats to be called strong thieves.

The sky is filled with anger and the cold stars are falling,

One hundred thousand The righteous follow each other from afar.

Marched ninety thousand miles straight,

Won the gold medal in a hail of bullets. 5. Three famous lines in poems that express ambition

Classification of Poetry Appreciation Lecture 12 4: Poems about one's ambitions expressed through things. Poems about one's ambitions expressed through things refer to the fact that the poet does not express his thoughts and feelings directly, but uses symbols, sentiments and other techniques to integrate some of his own ideals and personality into something. A type of poetry about specific things.

So, what characteristics should a good poem that expresses one’s ambitions have? First of all, since it is a poem about an object, of course it must be able to realistically describe the characteristics of the object being chanted, and be able to go deep into it and capture the charm and character of the object, that is, it must be "spiritually similar." For example, Zheng Sixiao, an old minister of the Southern Song Dynasty, wrote in "Painting Chrysanthemums": When flowers bloom, hundreds of flowers will follow, and the fun of being independent and sparse will not be exhausted.

I would rather die with the fragrance on the branches than blow it down in the north wind. Chrysanthemums are independent and fragrant, willing to be lonely, not seeking vanity, and disdain to be associated with "hundred flowers".

It adheres to integrity, is proud of itself, shines brightly, and has endless aspirations. The chrysanthemums here have a certain charm, and the chrysanthemums are also the poet's self-portrait, and the corresponding "hundred flowers" allude to the old Song Dynasty officials who Qujie became an official in the Yuan Dynasty.

The third and fourth lines of the poem are adapted from Zhu Shuzhen's poem "I would rather hold my head and grow old on a branch than dance with the yellow leaves in the west wind", carefully depicting the chrysanthemum would rather die on the branch with its fragrance and never give in to the north wind. The tenacious spirit that floats to the ground perfectly embodies his loyalty, unyielding strength, and his high integrity and integrity. The word "North Wind" here is a pun. It literally refers to the cold and whistling north wind in nature, but actually it is a metaphor for the rulers of the Yuan Dynasty from the north.

Although they destroyed the Southern Song Dynasty with their powerful force, they could not conquer lonely ministers and righteous men like the poet. The poet took the title "Chrysanthemum Chrysanthemum" and used anthropomorphic techniques to chant chrysanthemums and describe people. By praising the proud and unyielding character of chrysanthemums, the poet vividly expressed his feelings.

Secondly, when appreciating poems about objects, we should pay attention to the author's feelings in the things he describes. For example, the following poem "Ode of Lime" written by Yu Qian of the Ming Dynasty when he was 17 years old: Thousands of hammers carved out the mountains, and the fire burned them as if nothing happened.

Don’t be afraid of your bones being shattered into pieces, but you want to leave the green and white in the world. The first line of the poem describes the hard-earned limestone. The sonorous and powerful words convey the profound meaning that only through hard work can one create talents.

The second sentence uses personification to express the extraordinary demeanor of Hui Qian who is not afraid of difficulties and is not alarmed by changes. It also embodies the character of young Yu Qian who is not afraid of hardships. In the third sentence, the poet once again used personification to fully express Lime's lofty spirit of not being afraid of being broken into pieces and his virtue of being willing to sacrifice himself.

Similarly, it also shows the poet's heroic feelings of not being afraid of sacrifice and seeing death as home. The last sentence of the poem, "Want to leave the blue and white in the world" is the conclusion and destination of the first three sentences, and is the finishing touch of the whole poem.

The key to why lime can be as sung as before is that it has the ambition to "leave innocence in the world", which is also the poet's ambition and ideal. We can say that every sentence the author writes about lime is exactly what he writes about himself.

Furthermore, we should pay attention to the analysis of the writing skills of poetry chanting about objects. The difference in technique can often reflect the degree of integration between the object chanted and the poet's self-image.

For example, Huang Chao wrote "Chrysanthemum" after his defeat: When autumn comes on September 8th, I will kill all the flowers after they bloom. The incense formation soaring into the sky penetrates Chang'an, and the whole city is covered with golden armor.

The author affectionately calls the "chrysanthemum" "my flower", obviously taking it as a symbol of the oppressed people. Then, the corresponding "hundred flowers" are naturally a metaphor for the reactionary and decadent feudal ruling group.

The third and fourth lines of the poem describe the magnificent scene of chrysanthemums blooming. "The incense array reaches the sky and penetrates Chang'an, and the city is full of golden armor." The entire city of Chang'an is full of chrysanthemums wearing golden armor. Chrysanthemums, they emit bursts of rich fragrance, reaching into the sky and permeating the whole city. This is the world of chrysanthemums, the kingdom of chrysanthemums, and the grand festival of chrysanthemums.

The depth of thought, the uniqueness of imagination, the novelty of metaphors, the magnificence of diction, and the breadth of artistic conception are all unprecedented. Because of this, the chrysanthemums described by the author have changed from the lonely and elegant static beauty in the past to a dynamic beauty that is bold, rough and full of fighting spirit.

It is neither an "isolated mark" nor a "cluster of chrysanthemums", but flowers blooming all over the city, occupying the autumn light, exuding bursts of rich fighting fragrance, so it is described as a "fragrance array".

Therefore, this poem has "strange" characteristics in terms of artistic conception, image, language, and technique. It makes people read the tall image of the lyric poet in the poem, which refreshes their spirit and refreshes their ears.

(Quoted from the works of Mr. Hong Fangyu).