The earliest and most complete existing six-character poems are Kong Rong's three six-character poems. Ye Daowei and Dong Zhuo of Kong Hanrong's family took advantage of the situation to make trouble and arrogantly abused their authoritarian power. Many officials were afraid of it and the people were miserable. Li Guo was in dispute and moved to Chang 'an to consider returning to China. Looking forward to Kanto's sorrow and dreaming of Cao Gong's return. From Luo to, Cao Gong served the country selflessly, reducing the sweetness of the kitchen food. The team leader is from Qi Qi. Although he often goes hungry, he misses my bitterness and sadness. My concubine Cao Zhi, with Jade Hand, flew north to Yun Ge. The fishing platform is empty and the pond is entertaining. Looking up at the dragon boat and the green waves, overlooking the branches of Shencao. Miss Fu Fei Luohe, and bid farewell to China girl Hunan and Hubei (1). Both the sun and the moon have passed away in Tibet, but they will also get married in the blue room. Deng Hua's steps are smooth and bright. If the sun rises, it will help us sit together. When the host dances, the hole of the ability touches the other end. Teng Fei is dry, with the same amount and color. Make friends at will, and Zhu Yan turns blue. The sleeves are very ceremonial and the fairy body is light. The dress is unbuttoned, and the smile is not there. Look beautiful, raise the gold plate. The hand sleeve is difficult, the wrist is not beaded, and the seated person sighs and feels comfortable. The royal towels and powder around you, including Huo Natto Liang and chicken tongue with mixed flavors, will be deeply unforgettable for anyone who enters ginger. Just invite relatives to have a private banquet, because it's too late for the Song Cup. The guest Fu was drunk, but the host said not to expose him? . (2) Ji Kang has six-character ancient poems 10, each with four sentences. Among them, there are six poems, Yao Shun in Ancient Times, Tang Yu Ruling the World, Dong Fangshuo Guiqing, Zi Chu Gentle Scholar, Lao Lai's Wife and Xian Sheng Yuan, which praise the ancient wise men and sages and express their reverence for the ancient sages. The four poems, Wise and Useful, Who is the Relativity between Name and Body, How to Make Good Use of Life and How to Make Good Use of Life, and How to Make Good Use of One's Behavior and Show One's Disease, are the summaries of life experiences and lessons, and contain the author's life experiences and rich life philosophy. There was no "temperament theory" in Ji Kang's era, but Ji Kang's six-character metrical poems not only fit the rhythm, but also have four sentences in each capital, which has the basic form of six-character quatrains and provides a basic paradigm for the emergence of six-character quatrains. Xie Hui's Compassion in the Southern Song Dynasty is the only long six-character poem in the history of its development. Fu Xuan's "Nine Autumn Stories of Escape to the East", Yu Xin's "Songs of Sorrow" and Wang Bao's "Koguryo" were all written by Zi Jian. In the Tang Dynasty, Wei, Liu Changqing and Wang Jian adapted it into Joking Order and Death of the Immortal. The poem Beauty and Snow by Prince Xiao Tong of Liang Zhaoming is the earliest poem with six words and three rhymes, and its poem goes like a beautiful flower flying in a quiet valley. As dense as a public super, as bright as a deep guest. Without the envy of Kunyan element, it is impossible to shake the heron back. Wang Bao of the Northern Zhou Dynasty also has six words and three rhymes: Mix is fond of making waves, and there are many beautiful women in Zhao Yan. Pour the cup and cover the bowl *, *, and hang down your sleeves. I didn't hesitate to spend all my gold, but I was afraid to waste the day. ("Koguryo") Liang Jianwen's Xiao Gang's Poem of Loving Buildings and Hating Festivals has eight sentences, which can be regarded as the embryonic form of a six-character poem. In the Northern Zhou Dynasty, Yu Xin's "Songs of Sorrow" and "Dancing Mei Niang" initially had the basic characteristics of six-character rhyme: living in front of Jinling County, marrying Chang 'an teenagers. Looking back, tears fall, I don't know where the world is. It will be over in a few days. When will the Korean moon be more round? Because you can sing this song, you won't feel your heart broken. ("Song of Complaints") Smile at yourself in the mirror in front of the visitors. The eyebrows are thick and straight, and the forehead is yellowish. I only doubt that the fallen flowers will walk slowly and the spring breeze will not come back. Teenagers only have fun, and drinking will leave them disabled. (dancer) Wang Wei has several songs. Seven pastoral songs (one is six words in Wangchuan and six are a poem by Huangfuzeng) 1 Disgusting to see thousands of families, connecting north and south. The government has a bottom, and who is it? Bye, Hou. I'll give you a pair. It is better to plow south acres than to lie high in the east window. The crossing of Cailing River is in a hurry, and the policy stick falls in Linxi. Fisherman by apricot tree altar, family in peach blossom garden. Spring grass is lush, autumn grass is lush, and pine trees grow in Xia Han. Cattle and sheep return to the village lane, and young people don't know how to dress. There is a lonely village at the foot of the mountain and a plateau on the horizon. A swallow flies back to the alley, and Mr. Wu or Liu faces the door. 6 Peach red contains continuous rain, and Liu Qing is more smoky. The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping. 7 After drinking, the spring springs, holding the piano and leaning on the pine. The South Garden is exposed, and the East Valley is at night. Across the Hanshui River, I sent my son to Annan, to look at the south of the Yangtze River and miss each other. Yuanyang lies in the sand and is warm, and the orange forest flies leisurely. The songs in the kitchen smoke are faint, and the moonlight on the ferry is heavy. Love is thousands of miles away, love is thousands of miles away from the anvil. The Tang Dynasty was the prosperous period of China's classical poetry. Although six-character poems are not as popular and prosperous as five-character poems and seven-character poems, they are by no means as rare as some people say. There are 37 six-character quatrains compiled by Hong Mai in the Southern Song Dynasty, 57 six-character quatrains published by Huang Fengchi in the Wanli period of the Ming Dynasty and 50 six-character quatrains compiled by Yan Changming in the Qing Dynasty. That is to say, as far as the six-character quatrains in the Tang Dynasty are concerned, some famous six-character quatrains are not included (for example, Huangfuran has three six-character quatrains, while the six-character quatrains in the Tang Dynasty only include two). If you add six-character poems, three-character poems and six-character poems, the six-character poems in the Tang Dynasty are obviously far more than this figure. Some people have made statistics based on the whole Tang poetry, saying that there are 75 six-character poems in the Tang Dynasty. Pet-name ruby this figure is obviously not very accurate. The maturity and stereotype of six-character poems in Tang Dynasty laid a good foundation for the development of six-character poems. After the Tang Dynasty, the creation of six-character poems gradually flourished. After the Song Dynasty, six-character metrical poems became a common poetic style for literati to express their feelings and describe scenery. The Thousand Poems of Song People compiled by Yan Changming in Qing Dynasty contains 98 six-character quatrains of famous poets such as Wang Anshi, Su Shi, Huang Tingjian, Qin Guan, Lu You, Yang Wanli and Fan Chengda, accounting for about110 of the book. Famous writers in the Ming Dynasty, such as Yang Ji in the "Three Yang" in the early Ming Dynasty, Li Dongyang, a leading figure in the early Ming Dynasty, He Jingming in the "First Seven", Yuan Hongdao in the "Three Yuan of the Public Security Bureau" and Tan, the leader of Jingling School, all have six-character poems handed down from generation to generation. What is more noteworthy is that several influential six-character poems appeared in the Ming Dynasty, such as Li Panlong's Six-character Poems, Yang Shen's Ancient Six-character Poems and Huang Fengchi's Six-character Tang Paintings. The appearance of these anthologies expanded the influence of six-character rhythmic poetry and promoted its development. In particular, Huang Fengchi's Painting Spectrum of Six-character Tang Poetry, which integrates poetry, calligraphy and painting, enables readers to "read poetry to explore the spirit of writing, copy words to explore the machine, and draw pictures to see the ingenuity", which has greatly promoted the spread of six-character poetry. Famous poets in Qing Dynasty, such as Gu, Wang Fuzhi, Zhu Yizun and Yuan Mei, also made great achievements in the creation of six-character poems.