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Traditional Culture Calligraphy Composition 1 Our China has a history and culture of 5,000 years. Among them, calligraphy is a traditional art in China. Let me introduce the characteristics of calligraphy to you.

Chinese characters in China were created by working people and began to be recorded by pictures. After thousands of years of development, it has evolved into today's writing. Because our ancestors invented the brush, calligraphy came into being. Throughout the ages, Chinese characters were mainly written with a brush. As for other writing forms, such as hard pen and finger book, their writing rules are not completely different from those of brush, but they are basically the same.

Calligraphy is a meaningful black-and-white composition on white paper, which is formed by the flexibility of brush movement and the richness of ink and wash. Therefore, calligraphy is the art of composition; The calligrapher's pen is an extension of his fingers, and the sharpness, slowness, flying and frustration of the pen are all driven by subjectivity and become the vent of his emotions. Therefore, calligraphy is also an art of expression; Calligraphy can quietly reflect a calligrapher's personal life feelings, knowledge, cultivation and personality through his works. Therefore, there is usually a saying that "words are like people" and "books are paintings for the heart". Calligraphy can also be used to write inscriptions and plaques, so it is also a practical art. In short, calligraphy is a relatively comprehensive art, and it tends to express subjective spirit. Calligraphy embodies the basic characteristics of China art, just as architecture and sculpture dominate other kinds of plastic arts in western art, so calligraphy and painting dominate other kinds of fine arts in China, ranking first in China. Putting calligraphy and painting together puts calligraphy in front of painting, which is called "painting and calligraphy", such as "painting and calligraphy are of the same origin", "Qin Qi painting and calligraphy", "painting and calligraphy" and "being able to write and draw".

Calligraphy is closely related to Chinese painting. Especially after the emergence of literati painting in Song and Yuan Dynasties, painting with pen pays attention to calligraphy, and ink painting is similar to calligraphy. China's ancient sculptures also contain the characteristics of calligraphy. The texture of ancient sculpture in China is a combination of lines, and the decoration of modeling is intrinsically related to the seal script in calligraphy. The layout of ancient buildings in China follows the principles of symmetry, balance and master-slave relationship. The implication and borrowing scenery in garden architecture, as well as the ethereal and flying pursuit of pavilions, terraces, buildings and pavilions are closely related to the structure, composition, rhythm and charm of calligraphy. As for arts and crafts and folk arts, they are also influenced by calligraphy to varying degrees. Calligraphy is the soul of China's art.

After listening to my many introductions, do you have a deeper understanding of calligraphy, a national quintessence?

Traditional Culture Calligraphy Composition 2 Calligraphy is a traditional culture; Calligraphy is deeply appreciated by foreigners; Calligraphy is an artistic culture.

Calligraphy is the most classic national symbol in the development of traditional culture and art in China for five thousand years. It is an art form of writing Chinese characters with a brush, which has aesthetic inertia. Calligraphy can be called the "fourth religion" in China, with strong attraction, sense of ceremony and public participation. Therefore, for more than 5,000 years, the representatives of various periods are flourishing. I believe the most familiar figures are Wang Xizhi, Yan Zhenqing, Ou Yangxun, Wang Xianzhi, Liu Gongquan and Mao Zedong. In terms of techniques, paying attention to writing, pen, stippling, structure, ink painting and composition is closely related to traditional Chinese painting and seal cutting.

Everyone knows Four Treasures of the Study! Four Treasures of the Study is very famous. Refers to pen, ink, paper and inkstone respectively. Pen refers to brush, ink refers to ink, paper refers to Xuan paper, and inkstone refers to inkstone.

Calligraphy is a unique traditional culture and art in China. This is a rule of writing Chinese characters. China's calligraphy art is gradually accepted by Japanese and Korean cultures.

Chinese characters, also known as Chinese characters and Chinese characters, are widely used in the cultural circle of Chinese characters and belong to morpheme syllables of ideographic characters. They were invented and improved by the ancient Han people, and the exact history can be traced back to Oracle Bone Inscriptions in Shang Dynasty around 1300 BC. From Xiao Zhuan in Qin Dynasty to Han Dynasty, it was named "Chinese Characters", and in Tang Dynasty, it became the standard handwritten font used today-regular script (regular script was mainly written by Ou Yangxun, Yan Zhenqing, Liu Gongquan and Zhao Mengfu). Chinese characters are the main characters that have been used for the longest time so far, and they are also the only characters that have been passed down to this day in various ancient writing systems. In China, Chinese characters are the main official languages of several generations.

Calligraphy has a long history and is deeply loved by people.

Traditional Culture Calligraphy Composition III I was deeply attracted by the charm of China traditional culture when I was very young. Five thousand years of ancient civilization has created a rich and colorful history and culture. I studied paper-cutting, folk musical instruments and calligraphy ... but among them, calligraphy is my favorite.

There are many kinds of fonts in calligraphy. There are cursive script, running script, regular script, official script and so on. These fonts are different from each other, each with its own style: the cursive script while flying like a dragon and phoenix gives people the first impression that it is different. All the other fonts are arranged neatly, but the cursive script is messy. But it has a sense of rhythm, and the sketch seems to be broken, which makes people have a long aftertaste; Running script has the characteristics of appealing to both refined and popular tastes. It is smooth, fresh and elegant, which makes people feel generous and comfortable. Regular script is vigorous and powerful. Compared with other fonts, it has a certain momentum, but it contains tranquility; Among many fonts, I like the simple and elegant official script best. Li Shu pays attention to the swallowtail of silkworm head, which is more solemn and charming than other fonts. So I like official script best.

Before I practiced writing, my personality was very impatient, and I was in a hurry to do everything. As a result, I have never had a clue. Since I made friends with calligraphy, whenever I have time, I can't help but pick up a pen and some writing paper and go to my room to practice some strokes. Because calligraphy is like a magic box, as soon as I start writing, I throw all my joys and sorrows out of the cloud nine. Smelling the thick smell of paper and ink, the whole person soon became quiet, and my roughness was greatly improved. This may be the magic of calligraphy. I like not only learning calligraphy, but also appreciating it. I enjoyed Wang Xizhi's Preface to Lanting Collection and Zheng Daozhao's Yunfeng and Folk Books in Southeast Laicheng. Sometimes, I look at it and think: When I grow up, I must work harder and be a calligrapher like them.

I love calligraphy, because it can cultivate people's sentiment and cultivate people's good quality of peace of mind. I love calligraphy, which can make me more literary. I love calligraphy, because China's calligraphy is famous at home and abroad. I love calligraphy because it attracts me and changes me. I love calligraphy, and I want to learn it well, so that the traditional culture of China can be passed down from generation to generation like the Olympic torch. In the future, I want to be the next great bearer!

Traditional culture calligraphy composition iv