1. What are the poems that describe children?
Poems that describe children:
1.
I know that there are children knitting at night. A light falls on the deep fence.
Ye Shaoweng (Song Dynasty) - "What I See in the Night Book"
2.
The children came back early from school and were busy taking advantage of the east wind to fly kites.
Gao Ding (Qing Dynasty) - "Village Dwelling"
3.
A child with a shaggy head is learning fishing, sitting sideways on a strawberry grass.
Hu Lingneng (Tang Dynasty) - "Children Fishing"
4.
There are two children in a fishing boat, collecting poles and sitting in the boat.
Yang Wanli (Song Dynasty) - "Boat Passing Anren"
5.
The little boy held a small boat and secretly picked white lotus.
Bai Juyi (Tang Dynasty) - "On the Pool"
6.
A shepherd boy rides an ox, and his singing shakes the forest.
Yuan Mei (Qing Dynasty) - "What I See"
7.
For ten years of planting wood and one year of grain planting, children will be paid.
Yuan Haowen (Jin Dynasty) - "The moon is full and the mountains are separated." 》
8.
The children hurriedly chased the yellow butterfly, which flew into the cauliflower and was nowhere to be found.
Yang Wanli (Song Dynasty) - "Xugong Store, Suxin City"
9.
Panasonic asked the boy and asked the teacher to go collect medicine.
Jia Dao (Tang Dynasty) - "Those who seek hermitage will not meet them / Sun." 》
10.
The eldest son is hoeing beans to the east of the stream, while the middle son is weaving a chicken coop.
Xin Qiji (Song Dynasty) - "Qing Ping Le·Village Dwelling"
11.
The shepherd boy returned and crossed the back of the ox, playing the piccolo without any tune.
Lei Zhen (Song Dynasty) - "Evening in the Village"
12.
The children and grandchildren were still working for farming and weaving, and they also learned to grow melons near the mulberry tree.
Fan Chengda (Song Dynasty) - "Summer Pastoral Miscellany·Part 7"
13.
When I meet, I feel pity for the thin man, and I call him to ask about his hardships.
Jiang Shiquan (Qing Dynasty) - "Arriving Home at the End of the Year"
14.
Passers-by ask questions and wave from a distance, for fear of being frightened and not responding.
Hu Linngneng (Tang Dynasty) - "Children Fishing"
15.
Children who do not recognize each other smile and ask where the guest is from.
He Zhizhang (Tang Dynasty) - "Two Poems on Returning to Hometown·One"
…… 2. What are the poems describing children seen in the night book
The poem describing children found in the night book is (I know that there are children picking and knitting, and a lamp is shining on the fence late at night.)
Original text:
The poem seen in the night book
Ye Shaoweng of the Song Dynasty
The swaying leaves send out the cold sound, and the autumn wind on the river stirs up the guest sentiment.
I know that there are children picking and knitting, and a light falls on the fence late at night.
Translation:
The autumn wind blows from the river and the sycamore trees rustle, making people feel the chill. The sound of the autumn wind can best touch the homesickness of people outside. It was late at night, and there were still children lighting lamps and catching crickets by the fence.
Appreciation:
This article writes about children weaving at night. The scene is vivid and reflects the loneliness among guests.
Seasons change and scenery changes, which are most likely to cause travelers to feel homesick. The author lived in a foreign land and felt the autumn in the quiet night, so he wrote this sweet and thoughtful poem.
This poem describes the scenery seen on an autumn night and expresses the feeling of homesickness while traveling. A sentence about Wuye, "sending cold sounds", subtly expresses the keen feeling of travelers when summer passes and autumn comes.
Withered vegetation and withered flowers are the outstanding sights of autumn.
In poems, "wu leaves" with phenological characteristics are often placed in a typical environment on a stormy night to express the desolation of autumn. Wei Yingwu's poem "Nangong Ji Feng Shangdi and Zhusheng on an Autumn Night": "It's a windy and rainy night, and the autumn leaves are depressed." This artistic technique is adopted.
This poem uses overlapping onomatopoeia at the beginning of the sentence, which arouses the reader's auditory image association from the beginning, creating an image of desolate autumn air, and using sound to reflect the silence of the autumn night. Then use the word "send" to show movement in the silence, eliciting a "cold sound". The rustling sound of falling phoenix leaves seems to contain a biting coldness; the desolate and cold environment is enhanced by the synesthesia method of hearing and touch.
The two sentences are followed by the four words "autumn wind on the river", which not only points out the origin of the autumn wind, but also further enhances the cold atmosphere. The autumn wind has arrived, but people have not returned from their stay in a foreign land, which triggers the feeling of homesickness. The word "send" and the word "moving" are both used very expressively. The former expresses the meaning of "surprise" in autumn, and the latter expresses the feeling of "sadness" in autumn.
The gusts of autumn wind triggered the lonely feelings of the travelers. Zhang Han, a native of Jin Dynasty, was an official in Luoyang. When he saw the autumn wind blowing, he missed the water shield soup and seabass noodle in his hometown, so he resigned and went home. The author of this poem heard the sound of autumn wind, which affected his emotions during the journey and made him feel sad to return home. These two sentences use "wu leaves", "cold sound" and "autumn wind on the river" to express the coldness of autumn. They are actually used to set off the desolation of the guest's mood. Then the word "moving" is used to reveal the "guest feeling", and the scene is so natural and appropriate that it reveals the depth of sorrow.
The three or four sentences about children's problems seem to have nothing to do with "guest feelings" on the surface. In fact, they use children's happiness-carefreeness to contrast the loneliness and sorrow of one's own sojourn.
These two sentences made a big jump from the inside of the court to the outdoors. These two sentences are inversion sentences. According to the order of meaning, they should be moved back and forth. The poet was overwhelmed with thoughts and found it difficult to fall asleep. He turned around and walked outdoors to relieve his lingering thoughts and sorrows. However, the night scene in front of him gave him a new feeling.
"On the autumn night, the weavers are singing, and the neighbors to the south are rushing to wear clothes" (Xie Tiao's "Autumn Nights"). In the vast darkness of night, aren't the lights flashing between the fences the "children's weaving"? This carefree, lively and innocent behavior is in sharp contrast to the poet's sadness and depression.
This poem also has this meaning. A light in the dark night shows fragments of childhood life on the screen of the poet's mind: "When I was a child, I remembered that I called the lamp to fill the acupuncture points, and walked closely to follow the sound" (Zhang Fan's "Man Ting Fang·Ji Zhi'er"). The scene before his eyes and the feelings in his heart met, making the poet fall into deep thoughts about his hometown. He uses "a lamp falling on the fence" to hide his "loneliness in the end of the world", and uses the scenery to convey a sense of hometown. It is related to the sentence "on the river" and concludes the whole article. It feels full of autumn thoughts and attracts people's reverie.
This poem first writes about the sound of the autumn wind, and then writes about the emotion of hearing this sound. The last two sentences are about what is seen outdoors. The language of the whole poem is fluent, with clear layers, turning in the middle, and the sentences seem to be broken but the meaning runs through. The poet is good at euphemistically conveying the hard-to-express taste of travelers on an autumn night through artistic images without falling into the state of decay. In the end, the scene is used to express feelings, and the words are light and far-reaching, which is quite interesting. 3. What are the poems about children?
1.
I know that there are children who are weaving, and a light falls on the fence late at night.
Ye Shaoweng (Song Dynasty) - "What I See in the Night Book"
2.
The children came back early from school and were busy taking advantage of the east wind to fly kites.
Gao Ding (Qing Dynasty) - "Village Dwelling"
3.
A child with a shaggy head is learning fishing, sitting sideways on a strawberry grass.
Hu Lingneng (Tang Dynasty) - "Children Fishing"
4.
There are two children in a fishing boat, collecting poles and sitting in the boat.
Yang Wanli (Song Dynasty) - "Boat Passing Anren"
5.
The little boy held a small boat and secretly picked white lotus.
Bai Juyi (Tang Dynasty) - "Chi Shang" 4. What are the poems describing children?
1. Riding an ox far away from the front village, the wind of flute can be heard across the Long River.
There are so many famous and wealthy people in Chang'an who are not as good as you if they run out of agencies. ——Huang Tingjian's "Shepherd Boy" 2. The children hurriedly chased the yellow butterfly, which flew into the cauliflower and was nowhere to be found.
——Yang Wanli "Xugong Store, Suxin City" 3. Herding cattle in the morning, herding cattle in the river. Grazing cattle at night, herding cattle across the village and valley.
The lotus coops come out of the forest, the spring rain is gentle, and the reed pipes lie blowing the green sedge. With grass and arrows planted all over my waist, I am not afraid of tigers bullying yellow calves.
——Li She's "Shepherd Boy's Ci" 4. For sixty years, who taught Ming Lu to become a poet. The floating clouds are not tied to Bai Juyi, and the inaction of creation means Lotte.
The boy can sing the song of Everlasting Sorrow, and the Hu'er can sing the pipa piece. The article has been widely read, making me miss you and feel sad.
——Xuanzong Li Chen's "Diao Bai Juyi" 5. Walking along the river in the afternoon, the water is clear and flowing under my feet. The rocks in the water are as big as buckets, and fish swim gently around them.
The little shepherd boy was so shy that he squatted naked on the edge of the field. He called the big flower dog in his mouth and held the old scalper in his hand.
——"Picture of Herding Cows" 6. Clear ponds and jade waters surround the mountains and rivers, and fly kites with friends hand in hand. Yangliu pointed lightly to get drunk, and it was suspected that the dream brought back childhood.
——Xuan Zhiweng 7. There is half a bow of moss in the pine shade. I want to read but am too lazy to open it. Playing with the clear spring and scattering banana leaves, the children mistook the sound of rain.
——Yang Wanli's "Two Quatrains from an Early Summer Nap" No. 1 8. The young man left home when he returned home, but his local pronunciation has not changed and his hair on his temples has faded. Children who don't recognize each other laugh and ask where the guest is from.
——He Zhizhang's "Book of Return to Hometown" 9. Farming in the daytime and raising hemp at night, the children of the village are each responsible for their own affairs. The children and grandchildren are still working for farming and weaving, and they are also learning to grow melons near the mulberry tree.
——Fan Chengda's "Pastoral Miscellany in Four Seasons" 10. Whose house does not tie a boat outside the fence, and the spring breeze blows into the fishing bay. The child suspected that there were villagers, so he hurried to Chaimen but closed it.
——Cui Daorong's "River Dwelling" 11. The animal husbandry holds the coir rain hat proudly when he is popular. The lying cow plays the piccolo and plows the fields next to the stream.
——Cui Daorong's "Mu Shu" 12. The eaves are low and the grass is green on the stream. When drunk, Wu Yin is very charming, but who is the old lady with gray hair? The eldest son is hoeing beans to the east of the stream, while the middle son is weaving a chicken coop.
What I love most is that my child died, lying down at the head of the stream peeling lotus pods. ——Xin Qiji's "Qing Ping Le·Village Residence" 13. Rub wicker thread and cotton, and rub it enough for Qianxun to fly the kite.
How much power can be eliminated by the spring breeze, taking the children to the sky. ——Xu Wei's "Wind Kite Poems" Part 1 14. The pond is full of grass and water, and the setting sun on the mountain is soaked in cold ripples.
The shepherd boy returns and rides on the cow's back, playing the piccolo without any tune. ——Lei Zhen's "Village Evening" 15. The plum leaves the teeth sore, and the plantains are divided into green and window screens.
After a long sleep, I wake up without thoughts and watch the children catching willow flowers. ——Yang Wanli's "Two Quatrains from an Early Summer Nap" No. 2 16. During the Qingming Festival, it rains heavily, and pedestrians on the road want to die.
Where is the restaurant? The shepherd boy points to Xinghua Village in the distance. ——Du Mu's "Qingming" 17. The father of the field returns from the grass, and the village boy grazing in the rain.
The owner went up to Donggao, and the crops were surrounding the thatched hut. ——Jia Dao's "Staying in Zhengzhou") (Excerpt) 18. Autumn has come, with a bright white beard, and I try to take off my hairpin to learn how to be drunk.
I am enjoying myself with a heartfelt song, and my children and grandchildren are laughing and rolling up their clothes. ——Quan Deyu "Looking in the mirror and seeing a few bright and unique white hairs" 19. A child with a disheveled head is learning fishing, sitting sideways and reflecting on the strawberry grass.
Passers-by asked me to wave, fearing that I would be frightened and ignored. ——Hu Lingneng's "Children's Fishing" 20. At dusk, there are few birds, and the child calls the cow home.
The place where I live has no neighbors, and the firewood door is closed alone. ——Qiu Wei's "Fanye Creek" 22. The shepherd boy rides the ox, and his singing shakes the forest.
I wanted to catch the chirping cicada, but suddenly I stood silent. ——Yuan Mei's "Seeing" 23. The grass grows and the orioles fly in the February sky, and the willows brush the embankment and are drunk by the spring smoke.
Children come back early from school and are busy flying kites in the east wind. ——Gao Ding's "Village Residence" 24. The little girl is only six years old, and she doesn't know skill or clumsiness.
In front of the hall at night, students worshiped the new moon. ——Shi Jianwu's "Young Girl's Ci" 25. Children are young in their youth, saying that words can last forever. Once they see zero, they sigh towards the autumn frost.
Yangzhao is extremely poor, and the scabies are not getting better. He is afraid of being exposed to the sun and not seeing the light of day. When the concubine is in his prime, he temporarily fulfills his wishes.
Ji Chen is getting better and better, but the future is not yet young. Let the years pass, and the poor years will be filled with regrets and sorrows.
——Wu Ji's "Two Labor Songs" No. 1 26. There are few people walking in the ancient alley, the crescent moon is crescent, the walls are covered with vines, and children pick lentils. ——Anonymous 27. When the weather is clear and the rain dries up, the banks are full of grass and flowers, and the rivers are full of water.
The boy Liu Yinmian was sleeping, and a cow ate Liu Yinxi. ——Yang Wanli's "Eight Poems in the Mulberry Tea Tunnel Road" Part 7 28. After a long time of nothing, I said goodbye to my distant father, and Zhong Xiao from the imperial city recalled Xifeng.
The smoke from the furnace has disappeared, the cold lamp has dimmed, and the boy opens the door, filled with snow and pine trees. ——Li Shangyin's "Recalling the First Division of Kuang" 29. A song on the Qingjiang River embraces the village, and everything in the village of Changxiajiang River is quiet.
The swallows in the hall come and go, and the gulls in the water are close to each other. The old wife draws paper to make a chess game, while the child knocks needles to make a fishing hook.
But if there are old friends who offer Lumi, what else can I ask for in addition to my tiny body? ——Du Fu's "Jiangcun" 30. When I first see someone, I am vomiting and mute, and I refuse to go back to sleep and fall in love with the car.
The reason why I cried coquettishly all night was because I thought my clothes were missing a strand of gold. ——Wei Zhuang's "With the Little Girl" 31. The little boy held a boat and secretly picked white lotus.
If you don’t hide the traces, the duckweeds will bloom together. ——Bai Juyi's "Chi Shang" 32. The grass spreads across the field for six or seven miles, and the flute makes three or four sounds in the evening wind.
After returning home and having a good meal at dusk, I lie down under the moonlight without taking off my coir raincoat. ——Lv Yan's "Shepherd Boy" 33. Who has the heart of a shepherd boy, who sleeps on the cows and listens deeply in autumn.
Playing a tune from time to time, why worry about not being able to hear the music from the north to the south! ——Lu Zhao's "Shepherd Boy" 34. The crow of the horse tramples the water and disturbs the bright clouds, and the drunken sleeves catch the wind and fall flowers. I was surprised to see the boy from the creek going out to look. The sound of magpies arrived at the mountain house before me.
——Liu Yin's "Mountain Family" 35. When I was young, I didn't know the moon, so I called it a white jade plate. I also suspected that the Yao Tai Mirror was flying in the blue clouds.
——Li Bai's "Gu Lang Yue Xing" 36. New words are passed from generation to generation, with sleeves rolled up and women's hair exposed in the wind. The moon sets, the crows cry, the clouds and rain disperse, and wandering children pick up flowers on the street.
——Liu Yuxi's "Step Lyrics" 37. Children also love the bright weather, and there are a group of paper-cut wind kites. ——Zhu Maoshu's "Spring Outing on the Qinhuai River" 38. The poem written at the age of ten was completed, and the cold and ashes of the candle moved the separation.
The tungflowers are everywhere on the Danshan Road, and the young phoenix is ??as clear as the old phoenix. ——Li Shangyin's "Quequatrains" 39. The children are accompanied by red pleats on their trousers and carrying clues to scold God.
Everyone praises you for the early arrival of spring, and you owe me the five-foot-long kite wind. ——Kong Shangren’s “Kite Flying” 40. The swaying Wu leaves send out the cold sound, and the autumn wind on the river stirs up the guest sentiment.
I know that there are children picking and knitting, and a light falls on the fence late at night. ——Ye Shaoweng's "What I Saw at Night" 41. The slanting light illuminates the countryside, and the cattle and sheep return to the back alleys.
The old man in the wild misses the shepherd boy and leans on his stick to wait for the thorn tree. The pheasants are flying and the wheat seedlings are showing, and the silkworms are sleeping and the mulberry leaves are sparse.
Tianfu came to hoe, and we met each other and talked to each other. () This envy of leisure and relaxation fades away with sadness.
——Wang Wei's "Weichuan Tianjia" 42. Get out of bed and wear new clothes, and bow to my newbie sister-in-law. He lowers his head to see others and holds his hands together.
——Mao Xuan's "Young Girl's Ci" 43. On the Yaotai one after another, I called the child several times and couldn't leave. It was just taken away by the sun, but it was taught by the bright moon to see the future.
——Su Shi's "Flower Shadow" 44. Old Country. 5. What are the poems describing children?
"Xugongdian, Suxin City" by Yang Wanli of the Song Dynasty
The hedges are sparse and one foot deep, and the flowers on the treetops have not yet formed shade. The children hurriedly chased the yellow butterfly, which flew into the cauliflower and was nowhere to be found.
"Qingpingle·Village Residence" by Xin Qiji of the Song Dynasty
The eaves are low and the grass is green on the stream. Wu Yin is very charming when she is drunk, but who is the old lady with gray hair?
The eldest child is hoeing beans to the east of the stream, while the middle child is weaving a chicken coop. The younger child is most fond of rogues, lying at the head of the stream peeling lotus pods.
"On the Pond" Tang Bai Juyi
The little boy held a small boat and secretly picked white lotus. Without clearing up the hidden traces, the duckweeds bloom together.
"Village Residence" Qing Gao Ding
In the February day, the grass grows and the orioles fly, and the willows brush the dike and are drunk by the spring smoke. The children came back early from school and were busy taking advantage of the east wind to fly kites.
"What I See" by Yuan Mei, Qing Dynasty
A shepherd boy rides an ox, and his singing shakes the forest. He wanted to catch the chirping cicada, but suddenly he stood up with his mouth closed.
Poems about children (2)
"Children's Fishing" by Hu Linngneng of the Tang Dynasty
A child with a shaggy head is learning to fish, sitting sideways among the strawberry grass. Passers-by asked and waved, fearing that they would be frightened and ignored.
"Shepherd Boy" Huang Tingjian of the Song Dynasty
Riding a bull far past the front village, the wind of the flute can be heard diagonally across the Long River. There are so many famous and wealthy people in Chang'an who are not as good as you if they run out of agencies.
"Watching Fish" by Bai Juyi of the Tang Dynasty
I was walking around the pond watching the fish swim, while the children were making fishing boats. Different people love fish in different ways. I will feed them and hook them.
"Tian Family" Song Dynasty Fan Chengda
Working in the fields during the day and weaving hemp at night, the children of the village are responsible for their own affairs. The children and grandchildren are still working for farming and weaving, and they are also learning to grow melons near the mulberry tree.
"Flower Shadow" by Su Shi of the Song Dynasty
On the Yaotai one after another, I called the boy several times but couldn't leave. It was just taken away by the sun, but it was taught by the bright moon to see the future.
Poems about children (3)
"Xugongdian, Suxin City" Song Yang Wanli
The fence is sparse and one foot deep, and the flowers are falling on the tree heads. Not yet Yin. The children hurriedly chased the yellow butterfly, which flew into the cauliflower and was nowhere to be found.
"Qingpingle·Village Residence" by Xin Qiji of the Song Dynasty
The eaves are low and the grass is green on the stream. Wu Yin is very charming when she is drunk, but who is the old lady with gray hair?
The eldest child is hoeing beans to the east of the stream, while the middle child is weaving a chicken coop. The younger child is most fond of rogues, lying at the head of the stream peeling lotus pods.
"On the Pond" Tang Bai Juyi
The little boy held a small boat and secretly picked white lotus. Without clearing up the hidden traces, the duckweeds bloom together.
"Village Residence" Qing Gao Ding
In the February day, the grass grows and the orioles fly, and the willows brush the dike and are drunk by the spring smoke. The children came back early from school and were busy taking advantage of the east wind to fly kites.
Poems about children (4)
"What I See" Qing Yuan Mei
A shepherd boy rides an ox, and his singing shakes the forest. He wanted to catch the chirping cicada, but suddenly he stood up with his mouth closed.
"Children's Fishing" by Hu Linneng of the Tang Dynasty
A boy with a shaggy head is learning to fish, sitting sideways on the strawberry grass. Passers-by asked and waved, fearing that they would be frightened and ignored.
"Shepherd Boy" Huang Tingjian of the Song Dynasty
Riding a bull far past the front village, the wind of the flute can be heard diagonally across the Long River. There are so many famous and wealthy people in Chang'an who are not as good as you if they run out of agencies.
"Watching Fish" by Bai Juyi of the Tang Dynasty
I was walking around the pond watching the fish swim, while the children were making fishing boats. Different people love fish in different ways. I will feed them and hook them.
"Tian Family" Song Dynasty Fan Chengda
Working in the fields during the day and weaving hemp at night, the children of the village are responsible for their own affairs. The children and grandchildren are still working for farming and weaving, and they are also learning to grow melons near the mulberry tree.
Extended reading: Poems and famous quotes about children
"Shepherd Boy" by Lu Yan of Tang Dynasty
There are six or seven miles of grass spread across the field, and the flute plays three or four sounds in the evening breeze. After returning home and having a good meal at dusk, I lie down under the moonlight without taking off my coir raincoat.
"Ship Passing Anren" by Yang Wanli of the Song Dynasty
Two children on a fishing boat collected their poles and sat in the boat. It is strange that even if there is no rain, the umbrella is always open, not to cover the head but to use the wind. 6. What kind of child image is described in the poem "What I See"
In the poem, the poet praises the childlike life of the little shepherd boy. The poet first writes about the little shepherd boy's movements, how he sits high on the back of a cow and sings loudly, how loose and unrestrained he is; then he writes about the little shepherd boy's movements, his expression of holding his breath and looking at the singing cicadas, which seems particularly focused. "Silence is better than sound at this time." This change from movement to stillness is written both suddenly and naturally, vividly portraying the innocent, fun-loving and eventful image of the little shepherd boy.
"What You See" is a five-character quatrain written by Yuan Mei, a writer in the Qing Dynasty.
The whole poem is as follows:
A shepherd boy rides an ox, and his singing shakes the forest.
I wanted to catch the chirping cicada, but suddenly I stood silent.
The translation is as follows:
The shepherd boy rides on the back of the ox, and his loud singing echoes in the forest.
Suddenly wanting to catch the cicada singing in the tree, he immediately stopped singing and stood silently next to the tree.
Extended information:
Creation background
Yuan Mei loved life. After resigning, she lived in Jiangning, "living on the bank of Cangshan Mountain for thirty years" (" "Written by Matsushita"), he advocated the expression of temperament, and most of what he wrote was the leisurely mood of scholar-bureaucrats, which was ethereal, fluent, novel and dazzling. This poem was created after the poet saw a scene in life of a shepherd boy riding a cow and singing a song. He suddenly heard the cry of cicadas and stopped singing to catch the cicadas.
Appreciation of the work
The whole poem directly expresses the feelings of life through the description of the natural environment and social life. It seems to be leisurely and leisurely, but in fact it expresses emotions. At the same time, this poem ignores rhythm, is lively and free, has simple and clear language, and natural and vivid images.
Looking at the whole poem, the peace, tranquility and picturesque pastoral scenery it depicts, and the image of a lively, comfortable and innocent shepherd boy, express the poet's "true temperament". ". The poet once said, "A poet never loses his innocent heart." Therefore, what the poem depicts and depicts is exactly the realm that the poet has pursued throughout his life, and it is also the "true temperament" that he has repeatedly emphasized.
Baidu Encyclopedia - What you see 7. Poems about children
Chishang (Tang Dynasty) Bai Juyi The little boy held a small boat and secretly picked white lotus.
If you don’t hide the traces, the duckweeds will bloom together. [Note]: Boat: boat.
Puzzled: Don’t know; don’t understand. One way: all the way.
Pole: To punt a boat and use poles to make the boat move forward. Xiaowa: Child.
Duckweed: an aquatic plant with oval leaves floating on the water, fibrous roots underneath, and white flowers in summer. Open: separate.
[Author information]: Bai Juyi (772--846), a poet of the Tang Dynasty, with the courtesy name Letian and the name Xiangshan Jushi, was originally from Taiyuan [now part of Shanxi]. When his great-grandfather arrived, he moved to Xiagu (sound guī) (now north of Weinan, Shaanxi).
Bai Juyi's grandfather Bai Huang once served as the county magistrate of Gong County [Gongyi, Henan] and was a good friend of the then magistrate of Xinzheng [belonging to Henan]. Seeing the beautiful mountains and rivers of Xinzheng and the simple folk customs, Bai Huang liked it very much, so he moved his family to Dongguozhai Village (today's Dongguo Temple) in the west of Xinzheng City.
On the twentieth day of the first month of the seventh year of the Dali calendar of Emperor Daizong of the Tang Dynasty (February 28, 772 AD), Bai Juyi was born in Dongguo House. Wuzong died in Luoyang [belonging to Henan] in August of the sixth year of Huichang (846) at the age of 75.
He is the author of seventy-one volumes of "Bai's Changqing Collection". In his later years, when he became the Crown Prince Shaofu, he was given the posthumous title "Wen" and was known as Bai Fu and Bai Wengong in the world.
Actively advocated the New Yuefu Movement in literature, advocating that articles should be written according to the times and poems should be written according to the events. He wrote many poems that lamented the times and reflected the people's sufferings, which had a great influence on later generations. . He is a very important poet in the history of Chinese literature.
During the Yuanhe period, he served as Hanlin bachelor and Zuo Zanshan doctor. Because he offended the powerful, he was demoted to Jiangzhou Sima. In his later years, he loved Buddhism and called himself a happy layman. He wrote many poems in his life, among which allegorical poems are the most famous. His language is easy to understand and he is known as "the old woman can understand".
Among the narrative poems, "Pipa Play" and "Song of Everlasting Sorrow" are extremely famous. In his early years, he was enthusiastic about helping the world, emphasizing the political function of poetry, and striving to be popular. He wrote sixty poems such as "New Yuefu" and "Qin Zhongyin". Du Fu's "Three Officials" and "Three Farewells" are both famous historical poems.
The long narrative poems "Song of Everlasting Sorrow" and "Pipa Play" represent his highest artistic achievements. In his middle age, he suffered setbacks in the officialdom. "Since then, I have been separated from my official career, and I cannot talk about worldly affairs from now on." However, he still wrote many good poems and did many good deeds for the people. The Baidi in Hangzhou's West Lake still remains to commemorate him. .
In his later years, he paid great attention to landscapes and wrote some short poems. A poem presented to Liu Yuxi goes: "Don't listen to the old songs and old songs, but listen to the new lyrics "Willow Branches"", which shows that he has composed some new lyrics by himself.
One of the poems, "Flowers Are Not Flowers", has a hazy beauty, which was highly praised by later poets such as Ouyang Xiu, Zhang Xian and Yang Shen.
[Translation]: Innocent and lively rural children, they hold a small boat and secretly pick other people's white lotus flowers.
When they came back, they didn't know how to cover up the traces left behind. The boat shook away the duckweed on the water, leaving clear waterways behind the boat. Exposing his whereabouts~~ [Brief Analysis] The author uses the technique of line drawing to vividly depict the naivety of a child who "steals lotus". The most expressive sentence in the poem is the sentence "Unknown and hidden traces", which expresses the child's naughty and innocence modality.
How much power the spring breeze can dissipate, taking the children to the sky.
1. Introduction to the author Xu Wei (1521-1593 AD), also known as Qingtengshanren. A native of Shanyin (now Shaoxing City, Zhejiang Province).
A famous artist in the Ming Dynasty. In his early years, he took part in the provincial examination and failed repeatedly. In his middle age, he served as a secret agent for Hu Zongxian, the governor of Zhejiang and Fujian, and made military plans to fight against Japanese pirates.
However, because Xu Wei hated evil and despised the powerful, he was impoverished throughout his life and even went crazy for a time. In his later years, he could only survive by selling paintings and calligraphy. He has high standards in calligraphy, painting, poetry, drama and many other aspects.
His paintings are unique, and he is especially good at flowers and birds. According to historical records, the freehand splash-ink painting method popular in modern flower and bird paintings was developed from him. His poems and essays were unconventional, and his opera treatises and dramas also had many aspects that surpassed previous opinions and broke conventions.
2. Background information It is said that the earliest kites in China were made by Mo Zhai, a philosopher during the Spring and Autumn and Warring States periods more than 2,000 years ago. He came up with the idea of ??making a kite because he saw an eagle circling in the sky in Lushan (now Weixian County, Shandong Province). However, the process of making a kite did not go smoothly.
After three years of research and trial production, he finally made a wooden bird out of wood, but it broke down after only flying for one day. Later, Mo Zhai passed the kite-making business to his student Gongshu Ban (also known as Lu Ban). Lu Ban made kites out of bamboo based on Mo Zhai's ideals and designs.
Lu Ban split the bamboo, smoothed it, and bent it with fire to make it look like a magpie. It was called a "wooden magpie" and flew in the air for three days. Kites were later used in military applications to detect enemy positions.
After the Tang Dynasty, its use began to shift to entertainment. During the Ming and Qing Dynasties, folk customs gradually formed. On the Qingming Festival, people flew kites high and far, then cut the strings of the kites and let the kites float away with the wind, which meant to completely let go of the "depression" accumulated over the past year. Go out and pray for the elimination of disease during the year.
Xu Wei was poor in his later years and mainly made a living by selling paintings. "Wind kites" was one of his frequent painting themes in his later years. He painted a large number of "wind kites" and wrote poems about them.
There are more than thirty such "Poems on Wind Kites" in existence, and the one selected here is one of the more representative ones. Through the description of children flying kites, he poured his hope and sustenance for the future into children, and also expressed his own emotions.
Three Notes 1. Wind Kite: Also known as "paper kite". Kite: ○ Cantonese [Yuan], [jyn1]; ○ Han [yuān]; Eagle.
Eagles are often painted on paper kites, hence the name. Strictly speaking, there is a difference between a kite and a paper kite.
The so-called "kite" means that it can produce sounds like strings in the air; as for the "paper kite", it is a dumb bird that only flies but does not sing. A kite is made by tying a bowstring to the back of a paper kite or pressing a bagpipe on the head of the kite. When the paper is lifted into the air, strong winds pass through the flute or cause the bowstring to vibrate, producing a whining sound.
Ordinary paper kites do not make any sound. However, people no longer distinguish between the two.
2. Rub: ○Cantonese [mention], ; ○Han [cuō]. Rub the two palms together repeatedly, or place the palms on something else and rub them back and forth.
3. Catkins: Catkins. The seeds of the willow tree, with white downy hair, are called "catkins", also known as "willow cotton".
4. Xun: The ancient unit of length, with eight feet as one fathom, and Qianxun refers to its extreme length. 5. Xiaode: consume, consume.
6. Leader:.