Chen Style Ink and Wash Landscape

Date: Tang Author: Fang Gan

Nature has skill, and it belongs to the pen equally.

after listening to a stream like ice, a mountain seems to burn.

make up your mind that the snow will grow, and the smoke will dry up.

from then on in the world, you should find it difficult to become famous.

Four Ink Screens by Taoist Xu

Date: Song Author: Bai Yuchan

The word "the wild goose is in front of the wind, and the smoke condenses after the rain.

I don't know who's son, but he's holding the throne to make Jiangcheng.

Time: Song Author: Fang Hui

The Wolong Peak is secluded under the grass, and the bridge outside the gate flows by itself.

The handsome Wang Lang only counts a few strokes, and the thin clouds make the trees sparse for one day.

Time: Tang Author: Li Dong

If it weren't for the help of God, the inkstone water might hide the dragon.

grind an inch of ink and sweep it into a thousand peaks.

the wall roots are piled with stones, and the bed is withered and loose.

yuelu wears rats, and Xiangjiang blooms.

hanging clothes is wet, and the dream pillow waves.

just for the sake of less color, people are careless.

Time: Ming Author: Master Zhi 'an

Clouds press the tree head and make it rainy, and the stream stream is accompanied by autumn sounds.

just rock a pavilion, and you don't need a castle peak to be famous.

Time: Ming Author: Liu Ji

is the flower of Polygonum cuspidatum in Aijiangtou, and Qiu Lai is the sole author of weeds.

The fragrant butterfly should follow the dream, while the honey-gathering wasp does not take advantage of the official.

the winding language is cold and dripping, and the dragonfly is trapped in the evening breeze.

painting ink and wash is shocking at first sight, but it is like a boat crossing red sand. 2. What are the poems about ink painting

1. Mo Xuan Figure One

Yuan Dynasty: Wang Mian

colorful day lilies, Luosheng North Hall.

the south wind blows on his heart, so who does it throw up for?

a loving mother is attached to the door, but a wanderer has a hard time walking.

if you are willing to ask questions, you will be reluctant.

Look up at Yunlin, ashamed to listen to the birds.

Translation

A bright day lily flower was born under the North Hall. The south wind blows the day lilies, swaying for whom to reveal the fragrance? A kind mother leans against the door and looks forward to her children. It is so bitter for a wanderer to travel far away! The support for parents is estranged every day, and the news of children can't reach every day. Looking up at a cloud forest, I was ashamed to hear the cry of the hui bird and miss it so far.

2. Mo Mei

Yuan Dynasty: Wang Mian

The trees near my home in Xiyan Lake are blossoming with pale ink marks.

don't be boasted of good colors, just keep your breath fresh and dry.

Translation

There is a plum tree near my home in Xiyan Lake, and the blossoming plum blossoms all show faint ink marks. Don't need others to praise its beautiful color, just need the fragrance of plum blossoms to diffuse between heaven and earth.

3. Mo Mei

Song Dynasty: Zhang Gui

Shuibian Village, a secluded valley on the side of a mountain, was once robbed by flowers.

it's boring to hate the east wind, and it's even worse to blow misty rain and dark dusk.

Translation

In the valley on the hillside and the village by the water, the scattered plum blossoms make passers-by feel sad. It has always been a pity that the east wind has no interest, and the misty drizzle blowing more and more makes the dusk even dimmer.

4. Magnolia Slow beginning of autumn Night Rain Sent Fen Liang Southbound

Qing Dynasty: Nalan Xingde

Suspicion. Ink painting sparse window, lonely shadow light xiaoxiang. Qian Yi leaves Gao Wu, half a candle, and do everything to discuss. Lotus dress. Cut by the wind, ask tonight, who and Gai Yuanyang. Since then, I have been worried about everything, and my dreams have been divided.

Translation

Autumn night rain falls on the sparse window, and raindrop imprint seems to be an ink painting painted on the screen. Can you ask the tall plane tree and the burnt candle to weigh them carefully, and don't add people's sadness to the pond at this time. The lotus leaf has been blown by the autumn wind, so who will take the place of the lotus leaf to shelter the Yuanyang tonight? You will travel a long way on the road, and you will be tired from then on. When you wake up, you will only be accompanied by the sad chilling sound.

5. The painting of bamboo in Weixian County Department shows the age of Bo Bao Da Cheng Kuo/Mo Zhu Tu Inscription poem

Qing Dynasty: Zheng Xie

Yazhai lies listening to Xiao Xiaozhu, which is suspected to be the voice of the people's sufferings.

Some small officials in Caozhou County always care about their feelings.

Translation

When I was resting in the yamen, I heard the rustling of bamboo leaves, as if I heard the people's complaints of hunger and cold. Although we are only small officials in counties, every little thing of the people is affecting our feelings. 3. What are the poems about ink painting?

1. Dust flies and ink painting is faint-Du Mu's "Doctor Liu Gong, who lives in Dunhang at an early age, has ten rhymes on the wall"

2. Zhou Zizhi's "Xijiangyue who rubs the blue jade" is a new painting of ink painting, and Jiang Tian's ink painting Qiu Guang is late-Ouyang Che's "Walking on the Sha Hang, Yanzi Book Empty"

4. There is no frost in southern Fujian on a partridge in October by Li Hong, and Bodhisattva Qiongying flies lightly for pity by Zhao Shixia, a human ink fairy. Although it has been a long time in ink and wash, it has been a long time since Yuan Zhen's poem "Rewarding Lotte River Tower at night, because it becomes 3 rhymes" < p Half-hidden in ink and wash-Xu Hun's Gift to Li Yi Que

9, the ancient screen of ink and wash-Li Qixian's misty rain in Wushan Mountain

1, Liu Bingzhong's Magnolia Slow to the Leisure Place

11 in the ink and wash pictures of the mountains and rivers, and the painting of Qingping Music with Biwu Cang Shi

12, In the past, it was cold forest ink painting-Hong Xiwen's Notice of Water Tunes

13, the ethereal Yingqiu ink fairy-Su Shi's Two Poems of Color Mountains Hidden by Wang Jinqing

14, among which there are new ink paintings-Wang Mian's Song of Xie Cao Yin Jun Hui Fan

15. Sending it as far away as an ink painting-Huang Tingjian's Four Poems of the Second Rhyme

1. The balcony is like an ink painting (Song Xu Yueqing's Five Poems of Sending Gu Ciyue) 2. The ink painting is relaxed and sleepy (Tang Zheng Gu's "I know that I am engaged in the near San Francisco and occasionally miss it") 3. The whole body ink painting is purchased (Song, Three-sided ink painting remote mountain (Song Wang Yan, titled Yueyang Shouzhang Zhongjun's Floating Pavilion) 6. Looking down at the ink painting lake and mountain (Song Wang Yan, Three Maoguan in the Middle Reaches of Erlang, Li Lu) 7. Wall ink painting (Song Chen Shidao, Shen Daoyuan has strange ink paintings and regrets those who have no appreciation in poor years) 8. Bleak ink painting. Who is the ink painting (Ming Shao Bao, Watching the Shadows on a Winter Night) 11. Ocean's ink painting of Tianjiao (Tang Ouyang Jiong, Ocean's Painting Song of Guan Xiu's Dream (A Master Song of Zen Moon)) 12. People are as neutral as ink painting (Song Jiang Biao Zu, Ping Lv Xuan of Inscribed Endowment Fuyuan) "Narcissus and Muxi".

don't look down on a few rooms, so thin clouds cover them. "Ink Painting Narcissus and Muxi" In the past year, the wind was exposed to the countryside, and the skirt was broken and golden.

don't come to visit your ancestors, you'll dye your clothes with bad colors. 5. What are the poems that describe "Jiangnan ink painting"?

There are high and low trees in shallow mountains and a picture of Jiangnan ink painting.

It is from the poem "Two Poems on the City with Slight Rain" composed by Liu Chang, a poet in the Song Dynasty. The original text: The rain reflects cold and empty, and the heavy building leans on the corner of the city. Shallow mountains, high and low trees, a Jiangnan ink painting.

these two poems are works of climbing the stairs and looking forward to the wild. The first poem depicts an ink painting in the south of the Yangtze River by writing an ink painting in which the rain reflects the cold sky, the mountains are deep and the trees are secluded, and overlooking the building.

The writer of the second poem boarded the scene at noon, and painted a picture of a sunny day, flowers and birds, showing the author's cheerful mood. Appreciation: The first sentence is "light rain" in autumn, and the word "reflection" captures the characteristics of natural scenery very aptly.

if it's a light rain in spring, it's like a cloud, which is impossible to "reflect" with the sky; The misty rain in early summer is boundless, and everything in the distance is wrapped up, let alone "reflected" with the sky. Only in autumn, this "pointless and silent" rain, which seems transparent, has this feature.

Therefore, starting with "rain reflecting the cold air" and then describing it in detail with "semi-existence", the god of light rain in autumn is conveyed in detail and truly. As for the word "cold" in front of "empty", it is to show the cold feeling of autumn rain, which does not include the poet's subjective emotions.

this is a masterpiece of climbing the stairs and looking at the wild. The second sentence is "Dengcheng".

The word "leisure" on the Loulou leisure not only shows that it is not the first time for the poet to visit here-he would be in a hurry and would not wear the word "leisure"; It also implies that he is not laboring to relocate guests-that would be boring and impossible to "be idle." The main thing is to point out that poets have leisure time, and their hearts are at ease, so that they can slowly appreciate the autumn scenery in this autumn rain.

the poet looks at the wild, and the poet sums it up with a poem: "The mountains are shallow and the trees are high and low." The sky is high and the air is clear, and the columns are thousands of heavy, either near or far, or pale or dark, each with its own "shallow depth"; On the other hand, the trees on the mountain are quite mixed and indistinguishable, but when you see layers of trees, the "height" varies.

"Shallow and deep" and "high and low" describe the distant landscape of Autumn Mountain. This scenery is unprecedented for the poet, and he is even more interested.

The poet's new feeling of "old acquaintance" is more attractive than when he first met him. Although the poet has seen this scenery, he didn't stare at it in the light rain before, and he didn't have such a comfortable mood. His interest in enjoying it later was particularly high.

In a word, the poet lingered on and was lost in meditation. After repeated pondering, he finally became suddenly enlightened: the "high and low trees with shallow mountains" displayed in front of him were just like "an ink painting map of the south of the Yangtze River".

it's ethereal, quiet and remote, and only ink painting has this artistic conception. The beauty he had never appreciated before, but now he has a leisurely heart, so he feels very comfortable.

So this last sentence is more than a delicate metaphor, but full of extreme pleasure. However, the metaphorical relationship between "trees with high and low colors in shallow mountains" and "an ink painting map in the south of the Yangtze River" is also very meaningful.

The above sentence is a real scene. In order to compare it with ink painting, the poet deliberately avoids color and only uses the word "shallow and deep" to describe it. The next sentence is a virtual image. Although it is virtual, it is extremely detailed. The "ink painting" is preceded by the word "Jiangnan" and the "mountain color", which leaves readers room for imagination. In this way, from the real to the virtual, the virtual and the real are born together. Although there is no delicate description of the scenery, it can show the charm of the scenery and arouse readers' distant association.

Reference: Yu Shaoqing. Dictionary of Appreciation of Song Poetry. Shanghai: Shanghai Dictionary Publishing House, February 1997. 6. Help me think of a poem to describe ink painting ~

Wang Wei, the "Shi Fo" in the Tang Dynasty, is especially famous for his beautiful, remote, empty and spacious landscape poems. Wang Wei's landscape poems advocate freehand brushwork, pursue the highest art of charm and emotion, and have the beauty of "being romantic without a word" and the endless taste of "implication between words".

Wang Wei's Zen-like landscape poems have been highly praised by theorists in past dynasties. Lu Shiyong wrote in his "General Introduction to Poetry Mirrors" that "the color of rubbing is clear and subtle, and I have looked forward to the vassal of Tao Xie ... who can be the author after leaving the image?" Wang Wei did have a great influence on the development of China's landscape poems, and his achievements in landscape poems are related to his evolution of the concept of Zen into his own guiding ideology for poetry creation, and the introduction of some ways of Zen people's meditation and enlightenment into poetry creation. It is also the Zen interest in his poems that constitutes his ethereal and flowing poetic artistic conception.

this paper tries to make a brief analysis on the combination of Zen and poetry, the influence and interaction of Zen theory of southern Sect of Zen on Wang Wei's landscape poems, and the significance of later poetry and theoretical development. First, the integration of religious ideas and aesthetic experience Wang Wei lived in the prosperous Tang Dynasty, and Buddhism in China has developed to a comprehensive and mature stage.

At that time, the sects who were not close to the Tiantai, Sanlun and Zhixue already had a complete theoretical system, and Nanchan also established quite mature core ideas. Of course, the relationship between Wang Wei and Zen is the closest: Wang Wei is the only poet who enjoys the reputation of "Shi Fo" in the history of China literature.

On the one hand, this is because his Buddhist theoretical accomplishment is so profound that few poets in history can reach it. On the other hand, it is also because he can adhere to strict religious practice, and through a thorough understanding of the wonderful methods of Zen, he won the samadhi of Zen, so that some poems reached the situation of "Zen every word". Of course, there are many contributing factors to the integration of Wang Wei's Zen philosophy and aesthetic experience.

First and foremost, the most important reason is the development of Southern Zen. After Dharma introduced Zen to China, the religious experience of "not writing" and emphasizing introspection was closer to that of literati. Three realms of southern Zen: one is "but in fallen leaves that have heaped the bare slopes, how should I ever find his footprints!"; Second, "there is no one in the empty mountain, and the water is blooming"; Third, "the sky is eternal, and there is a wind and moon"; The concern for the world after these feelings has changed the secular world in life like a mirror image, such as the color in the phase and the flower in the water, and it has gained a sense of freedom after being freed from secular things: Zen pays more attention to people's state of mind, and then it is related to literature on the aesthetic level, which is reflected in Wang Wei's recluse spirit.

Wang Wei is also a scholar who digs deep into his heart. His recluse culture embodies the essence.

For example, Zen Buddhism's "letting go of body and mind and making it comfortable" has three influences on Wang Wei's reclusive personality: first, it treats the real social life with a combination of active birth and passive anti-world; Second, it is an emotional, tragic and "extraordinary" personality spirit; Thirdly, it pursues a kind of spiritual freedom, attaches importance to the meaning of life, and is willing to be lonely and silent. Here, we can cite the Peach Garden Tour written by Wang Wei when he was 19 years old. In this poem, Wang Wei surpassed Tao Yuanming's "build house is in the realm of human beings" and deliberately shaped another realm of "watching the fresh-coloured trees, he never thinks of distance, walking through the Qingxi without seeing anyone" and "alleys and paths are cleared for him of petals in the morning, fishing in the water at dusk".

This is already a kind of literati's yearning for the inner Zen realm, with exquisite and elegant style and deep and lofty cultural atmosphere. Escape was originally raised from the recluse fashion, and its transcendent, carefree, secluded and ethereal purport most naturally shows another kind of tolerance in the recluse personality spirit.

The combination of seclusion culture and Zen Buddhism makes Wang Wei's poems move from the hustle and bustle of the city to the quiet and lonely culture of Shan Ye, and pays more attention to raising the natural beauty, human beauty and spiritual beauty to the level of personality and spirit. From the artistic point of view, this is undoubtedly a progress. Due to the mutual infiltration and blending with the concept of Zen, Wang Wei's pursuit of indifferent life presents an abstruse meditation, and it is also a leisurely state of mind, which is no longer different from Tao Yuanming's "morning prosperity,