Calligraphy is a unique traditional culture and art in China. What famous aphorisms often appear in calligraphy content? The following is the content of famous quotes and aphorisms in calligraphy that I have shared with you. I hope it will be helpful to you!

Recommended famous quotes and aphorisms in calligraphy

1) God is the form, and action is the spirit. Therefore, if the form exists, the spirit will exist, and if the form is projected, the spirit will disappear. Southern and Northern Dynasties. Fan Zhen's "On the Destruction of the Gods"

2) The spirit of the husband is outside the form, but the form is in the spirit. If the shape is not vivid, if it is missing, it will be flat; if the shape is similar, if it is missing, it will be sparse. Therefore, seek spiritual resemblance beyond physical resemblance, and seek business in physical resemblance. Ming. Gao Lian

3) Take the intention and discard the form, without seeking the intention. Therefore, if you get its shape, the meaning overflows from the shape; if you lose its shape, what is the meaning? Ming. Wang Lu

4) The key to learning calligraphy is to capture the spirit, the best is to imitate the body. , although the shape is similar but has no spirit, it is the fault of those who do not know how to read. Song Dynasty. Cai Xiang's "Collected Works of Cai Zhonggong, a Scholar of Duanming Palace in Song Dynasty"

5) The heart of the book advocates calculation and imagination. The majestic appearance and the careless writing of the pen reflect the heart of the form. Ming Dynasty. Xiang Mu's "Yayan on Calligraphy"

6) The character of husband is based on the expression as the soul. If the spirit is not as good as it is, there will be no attitude; the heart is the sinew and bones. If the heart is not strong, the character will have no strength. Also, the accessory hairs are the cortex. If the accessory hairs are not round, the words will not be warm and moist. God is the purpose of the heart. Tang Dynasty. Li Shimin's "Referring to Meaning"

7) The beauty of calligraphy is first, followed by form and quality. Those who combine both can be introduced to the ancients. Southern Dynasties. Wang Sengqian's "Praise for the Intention of Writing"

8) Therefore, the mystery of calligraphy must be met by the gods and cannot be pursued; skill must be realized in the heart and cannot be obtained by sight. Qing Dynasty. Feng Wu's "Bi Mui"

9) It has one point and one stroke, with vertical and horizontal artistic expressions. In the middle of Yanya, there is more than enough, and the characters are majestic and elegant, which is similar to vividness and profound. It is as brilliant as a god and can be measured by the unexpected, which is the wonderful thing about writing. Tang Zhang Huaiguan's "Essay on Medicine and Stone"

10) For the body of a book, it must be in its shape. If you sit down, you should take the shape, if you fly, if you move, if you go, if you come, if you lie down, if you get up, if you stand up, Sadness is like joy, like insects eating wood leaves, like sharp swords and long spears, like strong bows and hard arrows, like water and fire, like clouds and mist, like the sun and the moon. Only when there is something that can be imaged vertically and horizontally can it be called a book. Eastern Han Dynasty. Cai Yong's "Nine Potentials"

11) The book originates from nature, nature is established, and yin and yang are born. When yin and yang are born, the form and qi are established. Eastern Han Dynasty. Cai Yong's "Shishi Divinely Instructed Handwriting"

12) When the ancients wrote books, the rules and regulations were found in the contact points; the artistic conception was found in the scattered places. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian"

13) If the bones are short and long, they are like a loyal minister who resists the direct and mends the knot of Kuangzhu. It is like a husband, a filial son, who is obedient, cautious, and thoughtful at the end of the day. His brilliant qualities contain signs, which may be soft or strong, and he is like a husband and a wise man who behaves in a hidden way, knowing how to advance and know how to retreat. Tang Zhang Huaiguan's "Shu Duan"

14) The heart is in harmony with Qi, and Qi is in harmony with the heart; Shen is the function of the heart, and the heart must be calm. Tang Dynasty. Li Shimin's "Referring to Meaning"

15) To form and tie characters, it is not as good as the brushwork to get the form, and the atmosphere is not as good as the brushwork to get the form. "Hanlin Cuiyu"

16) When the pen is put on the paper, the spirit can rush into it, and the charm and charm will be dizzy. If it is raw and cooked, round and smooth, then every stroke will have its own strokes and every stroke will have no trace. "Secrets of the Southern Sect" by Hualin of the Qing Dynasty

17) Therefore, the brushwork is vivid and the ink is lively. Qing Dynasty. Ding Gao's "Secrets of Portraits"

18) The law is higher than the meaning, and the usage is higher than the law. The intention is higher than the law, and the intention is the same as the law. Qing Dynasty. Liu Xizai's "Art Summary"

19) The God of Wind must first be of high moral character, secondly, learn from ancient techniques, thirdly, be good at paper and pen, fourthly, be powerful, fifthly, be wise, and sixthly, be moist. The seven whiskers are turned back appropriately, and the eight whiskers bring out new ideas. Naturally, the older one is like a handsome man, the shorter one is like a vigorous man, the thin one is like a tall man in the mountains, the fat one is like the son of a noble traveler, the vigorous one is like a martial artist, the charming one is like a beautiful woman, the slumped one is like a drunken immortal, and the regular script is like Magi. Southern Song Dynasty. Jiang Kui's "Xu Shu Pu"

20) The word "husband" takes the spirit as the spirit. If the spirit is not known, the word will have no attitude; the heart is the sinew and bones. If the heart is not strong, the word will have no strength. Healthy; the accessory hairs serve as the skin. If the accessory hairs are not round, the character will not be warm and moist. Tang Dynasty. Li Shimin's "Brushwork Secrets"

Selection of famous quotes and aphorisms on calligraphy

1) Whenever you read ancient people's calligraphy, you must be calm and patient. The difference has moved. Qing Dynasty. Liang Zhangju's "Learning Chinese Characters"

2) The best method is the best, and the only way to get it is the middle. Everyone talks about it. However, everyone wants to reach the highest realm in the world, but not everyone can reach it. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian"

3) Shi Huyun: To learn calligraphy, one must be a person who has collected the original works of the ancients. You can pay close attention to the method of repeated strokes in sequence. If you only look at the stele version, then Only in calligraphy and painting, the spirit of his brushwork is completely missing. Zhongnan is so diligent. Southern Song Dynasty. Chen Xi's "Fu Xuan Ye Lu"

4) Stone carving cannot be learned, but it is no longer your own handwriting to have others carve it, so you must view the original work to gain interest. Northern Song Dynasty. Mi Fu's "Hai Yue Quotes"

5) Therefore, if you have a famous name and you can tell who your family is at a glance, and if the spirit of the whole article is attributed to your family, it is an authentic work. Once you have a look at the books of your family, you can look carefully for those books that are based on the methods learned by the predecessors in this family but cannot be seen. This is an imitation of the calligraphy. Qing Dynasty. Bao Shichen's "An Wu Lun Shu"

6) When learning a calligraphy, copy it from time to time to get a similar appearance. You should probably take more ancient books and read them carefully, you will be mesmerized and you will get to the wonderful places.

As long as the intention is not mixed, this is the key to entering the spirit. Northern Song Dynasty. Huang Tingjian's "Lun Shu"

7) Anyone who comes to the ancients must seek their resemblance. Qing Dynasty. Wang Shu's "Lun Shu Teng Yu"

8) Every time you practice one post, the writing skills will penetrate into the liver and diaphragm. Every time you change the back post, it will make your heart feel like there is no previous post. After accumulating strength for a long time, I have learned the behavior of various schools, and my temperament is all at my fingertips. Although I say I am a disciple of the ancients, in fact I am obsessed with it. Qing Dynasty. Bao Shichen's "Yizhou Shuangbian"

9) It is easy to lose the position of the ancients when writing a book, but gain more of the ancients' writing style; it is easy to gain the status of the ancients when writing a book, but lose the ancients' writing style. Southern Song Dynasty. Jiang Kui's "Sushu Pu"

10) Beginners to calligraphy should be familiar with the book. Slow down the strokes to determine the movement. If you are busy, you will lose the rules. Jin Wang . Over time, you will naturally gain enlightenment. He writes with sincerity and does not think of its subtleties. This is because he is good at learning. Southern Song Dynasty. Chen Xi's "Fu Xuan Ye Lu"

12) Moreover, the beauty of one meal can only satisfy one's daily needs. If one sees it and realizes it, it will nourish it for life. Tang Dynasty. Zhang Huaiguan's "Six Types of Calligraphy"

13) To study the ancient calligraphy, one must obtain its sacred bones, courage, character, and lifeblood. Don't just look at the appearance without seeking deeply. Qing Dynasty. Liang Chen's "Study of Calligraphy"

14) Copying is the key to learning calligraphy. However, it is necessary to first seek the meaning of the ancients, then study the pen, and then follow the style. Qing Dynasty. Zhu Lvzhen's "The Essentials of Learning Calligraphy"

15) Don't adhere to ancient methods, don't hold on to your own opinions, just live. Qing Dynasty. Zheng Banqiao

16) Copying the ancients is not in the opposite place, but in the divine meeting. The eyes and minds are bound together, and they are spotless, similar but not similar, which is incredible. Ming Dynasty. Shen Hao "Painting Dust"

17) Self-defense lies in serving the past, and I must be present in the past. When the two are combined, they are both beautiful, but when separated, they are soul-destroying. Qing Dynasty. Wang Shu's "On Calligraphy and Teng Yu"

18) Although my calligraphy is not very good, it comes up with new ideas and does not follow the ancients, which is a great success. Northern Song Dynasty. Su Shi's "On Calligraphy"

19) To learn calligraphy, every word must be obtained from ancient posters, otherwise there will be no copy. If you are detached early, you must behave yourself. If you are a family in the first sect, you will gain profound knowledge. Continue to pick up all the beauties and change without restraint. This is because he does not hide his temperament and establishes his own rules. Qing Dynasty. Liang Chen's "Lun Xue Shu Lun"

　20) Whenever copying, one must focus on one family, and then use the overview of each family to figure it out. Naturally, the mind will be full of satisfaction and the wrist will be familiar. Over time, if you have a broad vision, profound ambitions and interests, and gather the strengths of others as your own, then you can reach the state of being a group. Qing Dynasty. Zhu Hegen's "Linchi Xinjie"

Excerpts of famous calligraphy aphorisms

1) The old rubbings and hand rubbings are fat and thin, and the energy is sufficient, but the important thing is If one has the right way to write, but if one does not use the right way, even if one reads the ink written by the ancients, it will be of no use. Qing Dynasty. Liang Chen's "Lun on Learning Calligraphy"

2) The ancients did not copy all the calligraphy. They placed the ancient people's calligraphy on the wall and looked at it in a trance, then they wrote according to their wishes. Once you have learned the calligraphy, and the oxygen in your heart is free of vulgarity, you can then perform the wiping gesture to show others. "Lun Shu" by Huang Tingjian of the Northern Song Dynasty

3) Therefore, there must be a method to learn, but there is no body when it is completed. If you want to explore its secrets, you must first know its door. There are those who know the door but don’t know its secrets, and there is no one who can’t get the method without knowing the method. Tang Dynasty. Zhang Huaiguan's "Six-Ti Calligraphy Theory"

4) Modern people don't know the source of their strength, and they specialize in modern styles. It can be said that they have forgotten their ancestors after countless classics. How can they be outstanding and stand on their own? "Fan Gongmian" of the Qing Dynasty 5) In modern times, people have not learned from the ancients, but have abandoned the way because of love, so they only remember their names. They may not be able to support their studies, and they have few knowledge and knowledge, resulting in failure to achieve success and a waste of energy. . Since I am not inspired by Taoism, if I don’t learn the teachings, I will use the modern methods, and if I study the books, I will use the ancient methods to be simple. Qing Dynasty. Fan Gongmian's "Synopsis of Calligraphy"

6) In modern times, scholars mostly studied modern books and did not study ancient books. "How can it be that the ancient people's human mind has not been passed down but the scale and shape are similar, which is not enough to understand its wonderfulness." Song Dynasty. Zhou Xingji's "Fu Zhi Ji"

7) If you learn half of it and spread it half, you don't have to learn it all. Qing Dynasty. Zheng Banqiao

8) Scholars should be cautious and should not be deceived by the ancients. Qing Dynasty. Wu Dexuan's "Essays on Calligraphy at Chuyuelou"

9) A bad scholar learns from the mistakes of a sage, so he hides it in a song. There are many people who study "Lanting" in this world. Northern Song Dynasty. Huang Tingjian's "Lun Shu"

10) The origins of ancient people's writing methods are most different from each other and most similar. Li Beihai said: Those who resemble me are sick. Just seek similarities where there are differences, seek similarities where there are differences, and those who are the same but similar will be ill. Qing Dynasty. Yun Shouping's "Ouxiang Pavilion Painting Postscript"

11) Generally speaking, when writing, if you try to imitate the ancients, you will lose the spirit; if you don't use energy, then the common diseases will not be cured. It is beautiful to be familiar with what is important and to have the heart and hand in harmony. Southern Song Dynasty. Jiang Kui's "Sushupu"

12) Only by exerting force to the point of calmness and pleasure can you capture the spirit of the ancients. If you blindly imitate the ancient methods and feel that the implication is too much, you must take off the imitation path. Since it came out of the machine, it has become older and more mature, and it has become dull, so the ancient method can be used to express the spirit of the pen. "Calligraphy Essays" by Cao Cao of the Qing Dynasty

13) To copy the ancients, one must learn from the ancients and adapt them, and start a family alone. Ming. Li Liufang

14) If you persist in your prejudices and freeze them in your mind, you will eventually be unable to participate in the living method. Even if you participate in the living method, it will have a certain tendency of difficulty. Go boldly and boldly without overstepping the bounds. This is what is called learning from the past but not clinging to the past.

Qing Dynasty. Zhu Hegen's "Linchi Xinjie"

15) Writing books requires one's own opinions, but it does not mean that one should not learn from the ancients; one must look at the authentic works, but that does not mean that one does not learn from inscriptions. Qing Dynasty. Feng Ban's "Yin Shu Yao"

16) You can talk about Si Dao! Wei Shuo's "Bi Zhen Diagram" in the Eastern Jin Dynasty

17) The ancients have something to say; follow the people A person becomes an old person when he learns, and becomes a person when he becomes a family. Northern Song Dynasty. Huang Tingjian's "On Calligraphy"

18) There are six essentials for learning calligraphy: one is temperament, two is talent, three is acquiring the method, four is copying, five is practice, and six is ??awareness. Only when the six essentials are in place can you start a family. Qing Dynasty. Zhu Lvzhen's "The Essentials of Learning Calligraphy"

19) When writing a book, you must give full play to your own spirit. Don't rely on others at the beginning. If you copy each other, you just steal their pen, which looks like an irregular rectangle. In modern times, every time I visit a house, I just imitate his strokes; as for the intention, I don't understand it at all. You must know that there are endless people who can resemble it, but there are endless people who can appreciate its spiritual flavor. Qing Dynasty. Zhu Hegen's "Linchi Xinjie"

20) Therefore, Si Weng has the spread of falsehoods, and the theory of generalization is the most useful for beginners. If you have entered the entrance hall, you should say: rather than pass it and abandon it, it is better to pass it and keep it.

Qing Dynasty. Zhu Hegen's "Linchi Xinjie"

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