The famous sentence in Jiang Kui's Thin Shadow is 1, and the most famous sentence is "Looking for fragrance again, it has entered the small window banner."

2. Enjoy:

These words are a warning tone: when the plum blossoms fall, they can't be seen on the branches. If you want to find its trace, you can only look at the banner on the small window-painting plum blossoms and appreciate its beautiful and elegant appearance.

Xia's annotation on the chronicle of ci said: Yan wrote plum blossom poems in the past ten years:' Carving paintings at the beginning, but worrying about the jade emperor blowing before falling. Several sentences of "Jiang Ci" are similar to these two languages. Mr. Tang Guizhang also said, "The word" waiting for time "is hard to find in Cui Lu's poems, but the phantom is above the banner and the words are painful. "Although Cui Lu is poetic and innovative here. With a sigh, the plum blossom has not withered. Because of love, the poet repeatedly urged not to let it fall. who is it? It is the poet himself who should be cherished.

3. The full text of the original poem:

Thin shadow, moss, branches and jade ornaments

Song Dynasty: Jiang Kui

19 1 1 In winter, there was a snowy stone lake. After two months, I gave a simple sentence and a new voice, made these two songs, let Shi Hu play, and made the second prostitute Xi. The syllables were harmonious and beautiful, so I named them Dimfragrance and Thin Shadow.

Moss branches adorn jade, bluebirds are small, and branches stay together. Meet in the guest, hedge corner dusk, nothing to lean on bamboo. Zhao Jun doesn't like Hu Shayuan, but remembers Jiangnan and Jiangbei. I want to wear a ring and come back on a moonlit night to become this flower.

I still remember the old story of the palace. The man sleeps and flies near the moth green. There is nothing better than the spring breeze, no matter what it is, it has already arranged for the golden house to hide its beauty. I also taught a song "Go with the Flow", but I complained about the sorrow of Yulong. When you come to find incense again, you have entered the small window banner.

What are the advantages of reading and appreciating the poem endings in Jiang Kui's Shu Ying? 1, point out the main idea, take care of the topic and express the author's homesickness. 2. The poem is vivid and vivid, which adds the beauty of the article and creates a distant and melancholy artistic conception. Colleagues have increased their literary talent and enriched their cultural connotations.

The faint fragrance and thin shadow of Jiang Kui are the words of chanting flowers, plum blossom.

Dimfragrance: "How many times did you shine on me and play the flute in the plum blossom in the old moonlight?" Mention plum blossoms; "Cui Zun is easy to cry, and the red calyx is speechless." The red calyx here also means plum blossom.

"Thin Shadow": "The moss branches are decorated with jade, and the bluebird is small, and the branches are kept together." Fan Chengda's "Mei Pu" said that Shaoxing and Gu Mei in Xing Wu "hung moss between branches, or several inches long, and the wind came, and the moss fluttered for fun." Zhou Mi's "Gan Chun Houju": "There are two kinds of moss and plum, Yixing Zhanggong Cave, with thick moss and extremely fragrant flowers. One is unearthed, and the moss is like green silk, which is more than a foot long. "

What kind of feelings does plum blossom contain in Jiang Kui's Dark Fragrance and Thin Shadow in Song Dynasty? Dim fragrance focuses on recalling the past, while thin shadow focuses on portraying the beautiful and aloof image of plum blossom, which sustains the author's love for youth and beautiful things. The brushwork in Thin Shadow is very peculiar, with five allusions and five female figures as metaphors to set off plum blossoms, which makes plum blossoms personalized and personalized, which is higher than the general brushwork of "judging people by their appearances".

The image, characters, soul and experience of Plum Blossom in a Thin Shadow entrust the author with a sigh about his lost life experience, and show the idea of caring for beautiful things in time.

Jiang Kui's Dimfragrance and Thin Shadow are really "unique". What is new? It is because he completely broke the traditional writing style of his predecessors, instead of single-line and flat description, he absorbed the theology of things and created a multi-line, multi-level and three-dimensional artistic realm and a spiritual and personalized artistic image. The author mobilized a lot of materials and used a lot of allusions, including true and false, metaphors and symbols, and criss-crossing descriptions; Support a wide range of time and space, so that the past and present, here and there can be inserted and jumped flexibly; With chanting things as the clue, lyricism as the core, scenery, narration and reasoning interweave, rendering and describing with color, sound and dynamics, and turning virtual into real with more words. In this way, Jiang Kui made the most wonderful vivid portrayal of plum blossoms.

Label: Classic Composition Previous: What does it mean to be hard to let go Next: What does it mean to contain a lot?

What kind of emotional peddler and gigolo was Plum Blossom in the Song Dynasty's Dim Fragrance and Thin Shadow? Miss, thief,

In Jiang Kui's Thin Shadow, "I still remember the old things in the palace. The man is sleeping near the moth green. " There are three related allusions: using Princess Shouyang.

The Time of Yongmei Ci by Jiang Kui: Song Dynasty

Author: Jiang Kui-"Dim Fragrant Tree Shadows"

content

19 1 1 in winter, it was full of snow and a stone lake. Stop for two months, give simple sentences and sign new voices to do these two songs. Shi Hu was amused, and the craftsman had a homophonic name, Dimfragrance and Thin Shadow.

How many times have you looked at me and played the flute in Bian Mei under the ancient moonlight?

Arouse jade people and climb regardless of the cold.

He Xun is old now and has forgotten.

But strangely, the flowers are sparse outside the bamboo, and the incense is cold into the Yao mat.

Jiangguo is silent.

Sighed away, the snow began to accumulate at night.

Cui Zunyi cried, and the red calyx was silent and nostalgic.

Chang Ji once joined hands to crush thousands of trees, making the West Lake cold and blue.

It was blown out piece by piece. When can you see it?

Dimfragrance.

Moss branches adorn jade, bluebirds are small, and branches stay together.

Meet in the guest, hedge corner dusk, nothing to lean on bamboo.

Zhaojun doesn't like Hu Shayuan, but remembers Jiangnan Jiangbei; I want to wear a ring and come back on a moonlit night to become this flower.

I still remember the old story of the palace. The man sleeps and flies near the moth green.

There is nothing better than the spring breeze, no matter what it is, it has already arranged for the golden house to hide its beauty.

I also taught a song "Go with the Flow", but I complained about the sorrow of Yulong.

When you come to find incense again, you have entered the small window banner.

-Film.

Appreciate:

These two ci poems are famous Yongmei ci poems in the history of literature and one of Jiang Kui's representative works. Yongmei wrote 17 poems in Baishi, accounting for one sixth of the total number of ancient poems. These two poems are the best. Zhang Yan said in Etymology: Poetry is only a combination of classics, and the world is not without poetry, so it cannot keep pace with it. Jiang Baishi's "Dimfragrance" and "Thin Shadow" are the only two songs that have never been heard before. They are independent and innovative, and they are really swan songs.

The so-called "harmony but difference" refers to two sentences in the poem "Xiao Mei in the Mountain Garden" by Lin Bu, a poet in the early Song Dynasty: "The shadows are scattered across the water, and the moonlight floats lightly." Jiang Kui appreciated this sentence very much, so he chose the first word of this sentence as the title of Yongmei's Ci Zi Du Qu. Baishi, a great musician in the Southern Song Dynasty, has a wonderful understanding of melody. We can also see his original achievements in two Yongmei Ci poems.

Baishi's ci often has a small preface, or tells the origin of the ci, or remembers the artistic conception, which is not annoying to say and is inseparable from the content of the ci. According to the preface, these two poems were written in the winter of 1911 (1 19 1) in Shaoxi, Song Guangzong. The poet was invited to visit Shihu Villa near Suzhou, where Fan Chengda lived in seclusion. Fan Chengda also loved plum blossoms, bought gardens and planted them, and wrote Plum Tree. Baishi cast the elegance and talent of his master and created these two swan songs of Yongmei.

The main meanings of these two words are difficult to understand. While appreciating his wonderful words and phrases, readers in past dynasties inevitably have to seek the implication. Therefore, such statements as discouraging Fan Chengda from living in seclusion, lamenting the inauguration ceremony of the Northern Emperor Qin Hui, feeling the ups and downs of the past and the present, and missing the trip to the old place have all appeared. It is difficult to completely judge whether these statements are right or wrong, because the author doesn't know his sustenance, and readers' different understandings are completely allowed. No matter what views you hold, as long as your words are reasonable, you can form your own family. In other words, these two words have a variety of uses, such as multi-functional positioning, entrusting state affairs, feeling for the past and the present, chasing old lines, missing lovers, etc., forming a vague beauty.

Dimfragrance and thin shadow are also very distinctive in the system. The author described himself as "composing these two songs". Musically, there are two songs: "Give a simple sentence", but in words, it is a topic, two words, or a song. This special system was initiated by Jiang Kui, so we might as well call it a "serial body". These two rings are connected, and they seem to be one, and they are on and off. The viewpoint of its partners is one, and that of its dealers is two.

The word Dimfragrance, with plum blossom as a clue, expresses the changes and ups and downs of the past and present through memory and comparison. The whole word is divided into six layers. In the first part, the five sentences from the beginning to "whether it's cold or hot" are on the first floor, and playing the flute at the edge of the plum blossom under the moon causes memories of the past. Starting from "Old Moonlight", from the past to the past, writing is extraordinary. It outlines the scope of time and space and renders the tone of emotion. Recalling the old times has opened the time distance; The moonlight in the sky propped up the situation in space; The scene in front of us is linked with the past experience, which makes people swaying. Put pen to paper to get this word, the first sentence "to make all the writers of past dynasties come out" (Qing Liu Tiren's "Seven Fu Shi"). The sentence of "arousing" introduces people to swing around layer by layer, interlocking: from moonlight to "looking at me several times", draw the state of concentration when recalling the past; Write "Plum plays the flute" again, and point out the word "Mei" in the flute under the bright moon. When chanting, I don't avoid the topic, but I also see the big hand, and I regard the technique of "hiding the topic" as the essence and disdain to follow it; Then the flute "calls the jade man", and the plum blossom is set off by the beauty. I want to pretend to be the host, but I am eager to stop it with "whether I am cold or not, whether I can climb or not", which is still inseparable from the theme of Yongmei. At this point, a three-dimensional, moving, ... > >

Jiang Kui's Yongmei Ci Dimfragrance

Look at me more in the old moonlight, playing the flute in the plum blossom. Arouse jade people and climb regardless of the cold. He Xun is old now and has forgotten. But strangely, the flowers are sparse outside the bamboo, and the incense is cold into the Yao mat.

Jiangguo is silent. Sighed away, the snow began to accumulate at night. Cui Zunyi cried, and the red calyx was silent and nostalgic. Chang Ji once joined hands to crush thousands of trees, making the West Lake cold and blue. Piece by piece, blow it out, when can I see it?

film

Moss and branches are dotted with jade. There are little green birds, and the branches stay together. Meet in the guest, hedge corner dusk, nothing to lean on bamboo. Zhao Jun doesn't like Hu Shayuan, but remembers Jiangnan and Jiangbei. I want to wear a ring and come back on a moonlit night to become this flower.

I still remember the old story of the palace. The man sleeps and flies near the moth green. There is nothing better than the spring breeze, no matter what it is, it has already arranged for the golden house to hide its beauty. I also taught a song "Go with the Flow", but I complained about the sorrow of Yulong. When you come to find incense again, you have entered the small window banner.

Is Jiang Kui a graceful and restrained poet? No one denies that he is not a graceful poet, but more people agree that he is the founder of "Ya Ci School". His Baishi Ci is the embodiment of the elegant school. The style of Baishi's Ci is mainly noble, elegant and interesting, with little secular charming language and no heroic and intense feelings, so it is different from graceful and unrestrained. Elegant words can be said to be both rigid and flexible, so there is a graceful shadow. ..

He has two masterpieces, both of which are Yongmei's, one is Dimfragrance and the other is Thin Shadow. These two poems are regarded as Yongmei's swan songs. It is said that Fan Chengda, a famous scholar at that time, liked them very much and often "played" with them. If you want to know more about these two words, you can search on Baidu.

In addition, there is a famous sentence in his poem "Dianjiang Lip": "What is this?" Looking back, the willows danced irregularly. "I like it very much. If the landlord is interested, I might as well have a taste and read it.

Dimfragrance Jiang Kui translated Dimfragrance [Jiang Kui]

19 1 1 In winter, there was a snowy stone lake. I will give you a simple sentence and a new voice at the end of the month. When I wrote these two songs, Shi Hu played with them, making the second prostitute Xi straight and the syllables harmonious and graceful, so it was called Dimfragrance and Thin Shadow.

How many times have you looked at me and played the flute in Bian Mei under the ancient moonlight? Arouse jade people and climb regardless of the cold. He Xun is old now, and he has forgotten the spring breeze. But the strange flowers are sparse outside the bamboo, and the fragrance is cold into the Yao mat. Jiangguo is silent, sighing and far away, and the snow begins to accumulate at night. Cui Zunyi cried, and the red calyx was silent and nostalgic. Chang Ji once joined hands to crush thousands of trees, making the West Lake cold and blue. When can you see it again?

translate

19 1 1 In the winter of last year, I braved the heavy snow to visit Shihu lay man. The layman asked me to write new songs, so I wrote these two. Shi Hu laymen sang and admired, and taught musicians and geisha to practice singing with melodious rhythm. So it was named Dimfragrance and Thin Shadow. In the past, the bright moonlight reflected on me many times, blowing the rhyme and harmony of the flute to plum blossoms. The sound of the flute aroused Jingjing to climb the plum blossom with me, regardless of the cold. Now I, like He Xun, have grown old, and I have forgotten the beautiful words like the spring breeze in the past. But to my surprise, the sparse plum blossoms outside the bamboo forest scattered the fragrance ordered by the cold into the gorgeous banquet. Jiangnan water town is silent again. I want to break the branches of plum blossoms and place my love for acacia. Alas, it's a long way, and a snow blocked the earth at night. I was holding a jade cup in my hand, and I couldn't help shedding sad tears and silently facing Hongmei. That beautiful woman with broken plum blossoms floated into my memory. I will always remember the place where I went hand in hand. Thousands of Merlion are full of red plum blossoms, and the West Lake is full of cold waves. At this moment, Meilin is full of blooming red berries, and the West Lake is full of cold waves. At the moment, Meilin is full of drifting away, blown away by the wind. When can I see the beauty of plum blossoms again?

Label: Classic Composition Previous: What does it mean to be hard to let go Next: What does it mean to contain a lot?