Question 2: Who founded Liu Ti? Liu Gongquan

Liu Gongquan (778 -865), whose real name is Cheng Xuan, was born in Jingzhao, Tang Dynasty. He was a prince, who was called "Liu" in the world. Because he was also named Duke of Hedong by the emperor, later generations also called him "Liu Hedong". He is a descendant of Yan Zhenqing, and later called them "Yan Liu", which became a model of calligraphy in past dynasties. And Zhao Meng? Yan Zhenqing and Ou Yangxun are called the "Four Great Calligraphers".

Liu Gongquan, the last great calligrapher in the Tang Dynasty, was born in Yaoxian County, Shaanxi Province. He inherited the calligraphy structure of his predecessors and created the so-called "six-body", which was a model for later generations until he entered the printing age. His calligraphy incarnates thousands and spreads among the people and even abroad. His calligraphy was always valued in Tang Muzong, Jing Zong and Wenzong. He lived an official life, grew up in the Forbidden City and had a successful career. Emperor Wenzong called his words "Zhong Wang resurrected, but it is hard to see with a pen": Emperor Mu Zongdi asked him how to use a pen best, and he said, "Use a pen in your heart, and your heart is right." This famous saying was passed down by later generations as a story of "pen admonition" "Liu Ti" is as famous as "Yan Ti", also known as "Yan Liu Jin Gu".

[Edit this paragraph] Features of the work

Liu Gongquan's calligraphy was very famous at that time in the Tang Dynasty, and there was a saying among the people that "Liu Zi is a thousand dollars". His calligraphy is vigorous and vigorous, and his words are rigorous and meticulous. As far as the characteristics of Chinese characters are concerned, they are famous for their thinness and strength. The regular script written is beautiful and strong, and the running script and regular script are the most exquisite. Liu Gongquan's calligraphy is called "Liu Style" because of its unique works.

[Edit this paragraph] Famous works

Liu Gongquan wrote many books and erected many monuments in his life. Here, introduce some of his masterpieces:

1. Engraved Diamond Sutra (in 824, at the age of 47) Liu Gongquan's official book was carved as a horizontal stone, 12 blocks * * * each line 1 1 word. The original stone was destroyed in the Song Dynasty. The only Tang rubbings were found in Dunhuang Grottoes and are now in the Paris Museum. This is Liu Shu's early masterpiece. His brushwork is meticulous, thin, vigorous and charming; The structure is meticulous, taking the shape of longitudinal length, tight in the middle palace, spreading in all directions, and pulling it out with clear strength. "Six Valley" can be known here, and so can Liu Jizhong's books. Song Dong? Yun: "Liu, hang the Diamond Sutra? N refers to the bodies of Zhong (Yao), Wang (), Ou (Yang Jian), Yu (Heather), Chu (Sui Liang) and Lu (Cambodia). Today's test of his book is a must, especially valuable. "("Guang Chuan Postscript ")

2. Li Sheng Monument (829, aged 52) is located in Gaoling County, Shaanxi Province. The monument is 10 ft 4 in. high and 5 ft 8 in. wide, with 34 lines of 6 1 words. Pei Du wrote, Liu Gongquan wrote, and sealed the forehead. This monument was already full of flowers and stones in the Ming Dynasty. Sun Qing Chengze's Summer of Gengzi said: "Although the words are peeling off, they are still available at first glance." Compared with the Diamond Sutra, it strengthens the concepts of firmness, angularity, pointedness, straightness and straightness. But in some places, the words seem stiff and cramped.

3. The Preface of Huijiguan Mansion (836, 59 years old) was inscribed by Shao Jian, with 4 1 row and 20 crosses horizontally. 1986 1 1 was unearthed outside Heping Gate in Xi 'an. This tablet is full of charm and meticulous brushwork, with Fang Bi as the main pen and round pen as the supplement, which is vigorous and powerful. Its structure often changes in dislocation, such as the words "squat", "bell" and "building" in the left and right structures, and the left side is moved up to form a knot with short left and long right, seeking rhyme and interest in the imbalance. Liu Shu is gradually going to another depth.

4. The Monument to Su Feng (in 837, at the age of 60) was written by Liu Gongquan in calligraphy and sealed, and it is a formal work with 83 words in 4 1 line. This stone is preserved in the forest of steles in Xi 'an. His books are refreshing, fast, healthy and full of energy. It seems to indicate that a more exquisite "Liu Ti" is about to be born. In the following five or six years, the mysterious tower and the Shence Army came out one after another and became the standard of the Millennium regular script. "Summer of Gengzi" quoted Yang Yongxiu as saying: "Feng Shangshu Monument is second only to (Yu Shinan) Temple Monument." "Graphite Seal Carving China" said: "This monument is slightly better than the Xuanta Monument, but not as good as Xue Ji's Flying Goose. Yang Yongxiu Yunya's Temple Monument has passed. "

5. "hey? U tablet (838, at the age of 6 1 year) was written by Li Zongmin, sealed by Liu Gongquan and engraved by Shao Jian. Thirty-one lines, sixty-two words, the monument is one foot high and four feet five inches wide, which is the most prominent among the willow monuments. Stone was destroyed in Fuping County during the "Ten-year turmoil". This monument enjoys a high reputation from ancient times to the present, and has been included in the Records of the Stone, Mysterious Pagoda Monument, Collection of Precious Sculptures and Collection of Ancient Events. Although the characters of this monument and the Su Feng Monument are smaller than those of the Mystery Tower Monument, they are equally bold, profound, meticulous and ingenious ... >>

Question 3: Who is the best calligrapher in contemporary Liu Ti? The development of contemporary calligraphy is arc-shaped. Most calligraphers are eager for quick success and instant benefit, and do not pay attention to achievements. Calligraphers from that system all followed suit, so Liu Ti was once left out in the cold. There are few calligraphers who write about Liu.

Question 4: Who invented Liu Ti? Mr. Liu Gongquan.

Question 5: Who are the founders of European style, Yan style and Liu style? The so-called "style" is the style of their books, that is, the layout of the text. These "bodies" correspond to the corresponding people ―― Ou Yangxun, Yan Zhenqing and Liu Gongquan ~

Question 6: What mode did the people who studied Liu Tizi in regular script in past dynasties use to learn Liu Tizi? The most important example is Liu Gongquan's Mysterious Tower.

The full name of the Xuanta Monument is the Record of Monks in the Tang Dynasty, which enshrines the virtues of the three religions. Angu Temple was given the inscription and preface of the Xuanta Monument of Zida Master, referred to as the Xuanta Monument of Dada Master, which was edited by Liu Gongquan and sealed. Jade carving official Shao Jianhe and his younger brother Shao Jian carved it for the first time. There are three lines of inscription, four words in each line and twelve words in * *. There are 28 lines and 54 words on the tablet, with a total of (1302) words. The Xuanta Monument was built in December of the first year of Tang Huichang (AD 84 1) and is now hidden in the forest of steles in Xi City, Shaanxi Province. Although after thousands of years, calligraphy and painting are still clear and intact.

Question 7: Is Liu Ti the most difficult to practice regular script in calligraphy? What are the characteristics of Liu Ti? Are there many people practicing Liu Ti now? The "six-style" regular script was created by Liu Gongquan, a master of calligraphy in the Tang Dynasty. His calligraphy originated from three aspects: first, Wang Xizhi's harmony and tail won him the charm of ancient, flat and elegant; The second is Ou Yangxun, Yan Zhenqing and Yu Shinan, who are clear and energetic, heavy and broad-minded; The third is the North Monument, which has won a clear and vigorous quality. He experienced brushwork all over the world, collected the old and introduced the new, and gradually formed his own calligraphy style. The biggest feature of Liu Ti's pen is the combination of Fiona Fang, which is not only rich in Fang Jun, but also uses Fang Bi to fold the front at the turning point of each painting, which can make people feel strong, Fang Jun, refreshing and vigorous. In strokes and pencil bundles, Liu Ti has a round pen wrapped in front, which does not make the pen scatter, disappear traces and edges, and is uncompromising with the pen, and it is particularly rich and round, with simplicity.